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Poems with drawings spanning the artists lifetime.
The essential edition of one of modern poetry’s most distinctive voices: all Stevie Smith’s flabbergasting poems, now in paperback Stevie Smith is among the most popular British poets of the twentieth century. Her poem “Not Waving but Drowning” has been widely anthologized, and her life was celebrated in the classic movie Stevie. This new and updated edition includes hundreds of works from her thirty-five-year career. In addition to the poems and illustrations from all her published volumes, the Smith scholar Will May discovered never-before-published verses and provides fascinating details about their provenance. Satirical, mischievous, teasing, disarming, Stevie Smith’s poems take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling.
The British poet Stevie Smith, as her many readers well know, sprinkled her drawings throughout her poetry collections. In this sketchbook, Some Are More Human Than Others, she did the opposite--she spiced her drawings with words. Together they resound with what Robert Lowell described as Smith's "unique and cheerfully gruesome voice" and open up a little world of peculiar experience: something somber and something gay, innocent and cruel--truths of our world trapped off guard.
When Stevie Smith died in 1971 she was one of the twentieth-century's most popular poets; many of her poems have been widely anthologised, and 'Not Waving but Drowning' remains one of the nation's favourite poems to this day. Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this wholly new edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smith's 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetry's most distinctive voice. I was much further out than you thought And not waving but drowning. - 'Not Waving but Drowning'
Stevie's alter ego Pompey is young, in love and working as a secretary for the magnificent Sir Phoebus Ullwater, Bt. In between making coffee and typing letters for Sir Phoebus, Pompey scribbles down - on yellow office paper - her quirky thoughts. Her flights of imagination take in Euripedes, sex education, Nazi Germany and the Catholic Church in England, shattering conventions in their wake.
The first-ever collection of essays by one of our most distinguished poets, the Pulitzer Prize–winner and former Poet Laureate of the United States. Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan’s probings into aesthetics, poetics, and the mind in pursuit of art. A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets—including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson—Synthesizing Gravity bristles with Ryan’s crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like “Radiantly Indefensible,” “Notes on the Danger of Notebooks,” and “The Abrasion of Loneliness,” are piquant pieces on the virtues of emptiness, forgetfulness and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan’s distinctive thinking gives us a surprising look into the mind of an American master. “Synthesizing Gravity is a delight, if a tart and idiosyncratic one . . . If Ryan gives us a view through a keyhole, it’s a view often made richer by its constraints.” —The New York Times Book Review “Reading Ryan’s writing will charge and recharge the mind . . . a wonderful entry point to her work.” —San Francisco Chronicle “Brilliant . . . For poetry enthusiasts and skeptics alike, this will be an inviting portal into the mind of one of America’s greatest living writers.” —Publishers Weekly (starred review) “Damn fine prose . . . What a wonderful voice [Ryan] displays.” —John Freeman, “Lit Hub’s Most Anticipated Books of 2020”
Designed especially for students but also for the general reader, this selection draws on the whole of Smith's output in poetry, prose, and drawings from Novel on Yellow Paper (1936) to Scorpion (1972), complemented by biographical and textual notes.
'I first read a W. S. Graham poem in 1949. It sent a shiver down my spine. Forty-five years later nothing has changed. His song is unique and his work an inspiration.' Harold Pinter. From his first publications in the early 1940s, to his final works of the late 1970s, W. S. Graham has given us a poetry of intense power and inquisitive vision - a body of work regarded by many as among the best Romantic poetry of the twentieth century. This New Collected Poems, edited by poet and Graham-scholar Matthew Francis and with a foreword by Douglas Dunn, offers the broadest picture yet of Graham's work.