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A Sarah Burke Mystery - Tucson Police detective Sarah Burke is called in to investigate a horrific double murder in a high-dollar neighbourhood, and the tragic destiny of a rich and troubled family unfolds . . . Meanwhile, Sarahs household bulges at the seams, as her niece, her mother and her boyfriend all search for accommodation in her small spaces and crowded schedule, and her sister, as usual, does nothing to make things easier . . .
This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.
Bars, Blues, and Booze collects lively bar tales from the intersection of black and white musical cultures in the South. Many of these stories do not seem dignified, decent, or filled with uplifting euphoria, but they are real narratives of people who worked hard with their hands during the week to celebrate the weekend with music and mind-altering substances. These are stories of musicians who may not be famous celebrities but are men and women deeply occupied with their craft--professional musicians stuck with a day job. The collection also includes stories from fans and bar owners, people vital to shaping a local music scene. The stories explore the "crossroads," that intoxicated intersection of spirituality, race, and music that forms a rich, southern vernacular. In personal narratives, musicians and partygoers relate tales of narrow escape (almost getting busted by the law while transporting moonshine), of desperate poverty (rat-infested kitchens and repossessed cars), of magic (hiring a root doctor to make a charm), and loss (death or incarceration). Here are stories of defiant miscegenation, of forgetting race and going out to eat together after a jam, and then not being served. Assorted boasts of improbable hijinks give the "blue collar" musician a wild, gritty glamour and emphasize the riotous freedom of their fans, who sometimes risk the strong arm of southern liquor laws in order to chase the good times.
Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.
“This affectionate if somewhat irreverent homage would probably win a chuckle from Twain himself” as pals tumble into Tom Sawyer (School Library Journal). Sixth graders Devin and Frankie—short for Francine—are the greatest goof-offs in the history of their school. When their teacher tells them to read The Adventures of Tom Sawyer, they skip it. When there’s a surprise test on the novel, they hide. But when they accidentally drop the school’s prized Mark Twain autograph through the library’s magic metal detector, they find themselves transported to the world of Tom Sawyer and Huck Finn. Soon these modern middle schoolers learn that being a troublemaker is timeless, as they whitewash a fence, run away from home, solve a murder mystery, become pirates, and search for hidden treasure along with Tom and Huck, the original slackers. “Reminiscent of Mary Pope Osborne’s ‘Magic Tree House’ series, but for an older audience,” the second book in Tony Abbott’s Cracked Classics series is a perfect introduction to Mark Twain for reluctant readers (School Library Journal).
From Jeffery Deaver, New York Times bestselling author of The Empty Chair and The Devil's Teardrop, comes his trademark "ticking-bomb suspense" (People) that explodes off the page in this heart-stopping thriller. Hard-living Hollywood location scout John Pellam found the perfect backwater Missouri town for shooting a retro gangster film. But when real bullets leave two people dead and one cop paralyzed, Pellam—an unwitting witness to the brutal hits—is suddenly the South’s most wanted man. The feds and local police want him to talk. Mob enforcers want him silenced. And a mysterious blonde just wants him. Trapped in a town full of sinister secrets and deadly deceptions, Pellam must focus on facing down a killer before his own story fades to black.
A collection of lyrics and autobiographical commentary by singer Mark Lanegan, with a preface by John Cale and a foreword by Moby With a voice that Pitchfork has called "as scratchy as a three-day beard yet as supple and pliable as moccasin leather," former Screaming Trees and Queens of the Stone Age vocalist Mark Lanegan draws frequent comparisons to masters like Nick Cave and Leonard Cohen. Lanegan's voice is one of the most distinct and recognizable in rock, but his talents aren't limited to his vocal skills. Lanegan's lyrics are on par with the best of them, exploring with Blake-like insight the stark and scorched emotional terrain that exists somewhere beyond sadness, addiction, trauma, and spiritual longing. With a body of work that now includes seven albums with the Screaming Trees, eleven acclaimed solo albums, three albums of duets with Belle and Sebastian's Isobel Campbell (including the Mercury Prize-shortlisted Ballad of the Broken Seas), and collaborative albums and singles with the likes of Queens of the Stone Age, Moby, Soulsavers, Twilight Singers, and countless others, Mark Lanegan occupies a singular space in rock music. Now, for the first time ever, the reclusive singer presents a comprehensive look at his lyrics, the stories behind them, and the making of his albums. I Am the Wolf is a rare and candid glimpse into the inner workings and creative process of a legend.
From the author of The Great Glass Sea, three linked novellas set between the Virginias about men confronting love, loss, and personal demons. Set in the hardscrabble hill country between the Virginias, The New Valley contains characters striving to forge new lives in the absence of those they have loved. Told in three varied and distinct voices—a soft-spoken middle-aged beef farmer struggling to hold himself together after his dad’s death; a health-obsessed single father desperate to control his reckless, overweight daughter; and a developmentally delayed man who falls in love with a married woman intent on using him in a scheme that will wound them both—each story explores survival, isolation, and the deep, consuming ache for human connection. As the men battle against grief and solitude, their heartache leads them all to commit acts that will bring both ruin and salvation, in these tales “full of tenderness and looming menace” (The New York Times Book Review). “Stark and haunting . . . Delivers great beauty” —Publishers Weekly, starred review “[Weil’s] language is exquisite, his sentences glorious. . . . Refreshing and engaging.” —Ploughshares
Sam Jenkins thinks no good turn goes unpunished when the famous singer he's assigned to protect decides it's hate at first sight. Famous country and western singer C.J. Profitt receives death threats from a group of rightwing zealots. Chief Sam Jenkins gets the job of keeping C.J. safe while she performs at a charity benefit. Problems arise when C.J. says she's dead against any police involvement. Jenkins uses friends and professional colleagues to foil a plot destined to kill not only the local girl turned celebrity, but hundreds of innocent people.
'Jazz on the River' describes how musical entrepreneurs gave the music of New Orleans to mainstream America in the 1920s, by quite literally sending their musicians upstream, aboard riverboats that plied the Mississippi waterways every summer.