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For Kelsey Andrews, the metal-scarred Vancouver skyline is an emblem of distance from her family home in Grande Prairie, Alberta, where nothing breaks the sky but the curve of the Earth. As she adjusts from a thirsty countryside filled with little wonders to a lush cityscape with fewer miracles, depression nests within her, weighted by loneliness and past secrets that remain unsayable. These poems lessen the weight of those burdens. She befriends, rather than beats, depression with the help of a natural world populated by winged things, animals, trees, water and sky. Her poems play with earthy whimsy, though they are not without gristle and little violences -- the moon's ancient bruises, gargoyles that shriek and moan, the thunk when you split a chicken. From snails to suicide and picking blackberries to killing flies, through it all, Kelsey finds beauty and the light that persists. Poetry.
From his chapbook, Spiked Libido, to his unpublished manuscript, Unholy Melodies collects the entire body of work of Ted Jonathan. Images of the original chapbook, Spiked Libido, are followed by complete, unchanged presentations of both Bones & Jokes and Run. The entire collection is capped off with a faithful presentation of Ted's unpublished manuscript, Unholy Melodies, exactly as it was sent to the editor prior to his death.
In the style of Margaret Atwood's The Year of the Flood, Dave Eggers' The Circle: a post-apocalyptic examination of nostalgia, loss and the possibility of starting over. Allow us to introduce you to the newest product from PINA, the world's largest tech company. "Port" is a curiously irresistible device that offers the impossible: space-time travel mysteriously powered by nostalgia and longing. Step inside a Port and find yourself transported to wherever and whenever your heart desires: a bygone youth, a dreamed-of future, the fabled past. In the near-future world of Liz Harmer's extraordinary novel, Port becomes a phenomenon, but soon it is clear that many who pass through its portal won't be coming back—either unwilling to return or, more ominously, unable to do so. After a few short years, the population plummets. The grid goes down. Among those who remain is Marie, a thirtysomething artist living in a small community of Port-resistors camping out in the abandoned mansions of a former steel town. As winter approaches the group considers heading south, but Marie clings to the hope that her long lost lover will one day return to the spot where he disappeared. Meanwhile, PINA's corporate campus in California has become a cultish enclave of survivors. Brandon, the right-hand man to the mad genius who invented Port, decides to get out. He steals a car and drives north-east, where he hopes to find his missing mother. And there he meets Marie. The Amateurs is a story of rapture and romance, and an astoundingly powerful tale about what happens when technology meets desire.
"I'm enthralled by the deadpan weird found in so many of Kim Magowan's stories, where the strange doesn't so much intrude upon the real but rather insist it is the real. How Far I've Come is such a smart, moving, funny collection, by a writer who never fails to thrill and surprise me." -Matt Bell, author of Appleseed "Kim Magowan's new collection circumnavigates the tense world of fractured relationships. We're inside and outside, straddling and stomping away from divorces and affairs and threesomes with lapsed Christians. It's such an achievement, all the longing and lust stretched between two covers. I couldn't put it down." --Sherrie Flick, author of Thank Your Lucky Stars "I learn so much about writing when I read Kim Magowan. She's artful yet honest, modest yet brazen. She somehow writes stories that are at once intimate, funny, and tragic, spooling and unspooling the joys, travails, and mishaps of love and friendship and family. Under the spell of her wry wit, her wisdom, I gladly follow her exploration of the general messiness of being human, always turning the page for just one more story. Just one more." --Grant Faulkner, author of All the Comfort Sin Can Provide ""Beautiful and incisive. Every piece is compelling in its own way and I love how the invention reveals itself over the course of the book. Dazzling." --Matthew Faogarty, author of Maybe Mermaids and Robots Are Lonely
McSweeney's 65: Plundered spans the Americas, from a bone-strewn Peruvian desert to inland South Texas, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and, crucially, defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by acclaimed author Valeria Luiselli, with Heather Cleary, Issue 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. Including contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and more, Plundered is a panoramic portrait of a hemisphere on fire. Praise for McSweeney's Quarterly A key barometer of the literary climate.-The New York Times McSweeney's is so much more than a magazine; it's a vital part of our culture. -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition
On an island teeming with masters of the short story, Mary Lavin's distinct voice and devoted following set her apart. Before her death in 1996, this Irish writer had received many honors and prizes not only for her luminous short stories but also for several highly regarded novels. William Trevor praised Lavin's ability to "make moments timeless, to illuminate people and places, words and things, by touching them with the magic of the rarely-gifted storyteller." In a Cafe makes available for the first time in the United States a collection of her most beloved pieces as compiled by her daughter. In masterworks such as the title story, an unsettling portrayal of widowhood, and "The Will, " which Layin considered the finest expression of her art, the justice in Trevor's declaration we recognize that "the short story of today owes her a very great debt."