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Modern low brass instruments—trombone, tuba, and euphonium—have legions of ancestors, cousins, and descendants in over five-hundred years of history. Prominent scholar and performer Douglas Yeo provides a unique, accessible reference guide that addresses a broad range of relevant topics and brings these instruments to life with clear explanations and the most up-to-date research. Brief biographies of many path-changing individuals highlight their influence on instrument development and use. The book’s inclusive scope also recognizes the work of diverse, influential artists whose important contributions to trombone and tuba history and development have not previously been acknowledged in other literature. Extensive illustrations by Lennie Peterson provide insight into many of the entries.
From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.
This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.
These etudes transcribed from the vocalises of Bordogini have been specially prepared for use by the trombonists, to perfect their technic generally and in particular to develop style in the interpretation of melody in all its varied forms of expression.
First Published in 1988. Though many standard musicological reference works document the use of the trombone from its beginning in the middle of the seventeenth century, and then from Mozart to the present, few deal with the intervening years. This book reproduces the texts from two dozen treatises, dictionaries, and encyclopaedias, along with English translations, published between 1697 and 1811. It provides an overview of the use of the trombone during that time in America and seven European countries and examines its use in choral music, opera, symphonic music and military music.
(Instrumental Folio). If you've been playing trombone for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs, many of which originally featured trombone! Songs include: Evermore * Goodbye * Hello * Hello, Dolly! * I'm Getting Sentimental over You * Marie * Night Train * Old Time Rock & Roll * Opus One * Peter Gunn * Seventy Six Trombones * The Star-Spangled Banner * A Taste of Honey * and more.
Contents: Adagio (from Concerto for Cello and Orchestra) * Adagio Contabile (from Sonata VI for Violin) * Alla Siciliano (from Sonata V for Bassoon) * Andante Cantabile (from Concerto for Trombone and Band) * Arioso (from Piano Concerto in F Minor) * Chorale (from Sleepers, Wake!) * Concert Piece, Op. 88 * Elegy for Mippy II (for unaccompanied trombone) * Menuet Alternat (from Sonata VI for Bassoon) * Panis Angelicus * Preludio (from Violin Sonata in F) * Recitative and Prayer (from Grand Symphony for Band, Op.15) * Rondo (from Concerto No. 2) * Sarabande (from Oboe Concerto in G Minor) * Second Movement (from Sonatina for Trombone and Piano) * Vocalise.
Rubank Solo/Ensemble Sheet