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In the last decade, museums all around the world have been reinventing themselves. They are now much more than scholarly, cultural archives. A remit to reach out to a broader public, the increasing politicization of the ownership and curation of objects, the architectural expectations of new buildings, the requirements of the "event exhibit"...all have changed the way any new museum is built, operates and serves its public purpose. Museums now reflect global economics and local politics. New museums now shape our public culture.Illustrated with a very wide range of museums and museum spaces - from MOMA in New York to the reconstruction of Ground Zero, from the National Museum of the American Indian in Washington DC to the Museo Guggenheim Bilbao, from the planned renewal of the Crystal Palace site in London to the Sendai Mediatheque in Japan - the book reveals how the new museum is evolving as a cross-disciplinary, self-consciously political, and often avowedly self-reflexive institution.
In the last decade, museums all around the world have been reinventing themselves. They are now much more than scholarly, cultural archives. A remit to reach out to a broader public, the increasing politicization of the ownership and curation of objects, the architectural expectations of new buildings, the requirements of the "event exhibit"...all have changed the way any new museum is built, operates and serves its public purpose. Museums now reflect global economics and local politics. New museums now shape our public culture. Illustrated with a very wide range of museums and museum spaces - from MOMA in New York to the reconstruction of Ground Zero, from the National Museum of the American Indian in Washington DC to the Museo Guggenheim Bilbao, from the planned renewal of the Crystal Palace site in London to the Sendai Mediatheque in Japan - the book reveals how the new museum is evolving as a cross-disciplinary, self-consciously political, and often avowedly self-reflexive institution.
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
Those now rethinking the missions, ethics, roles and responsibilities of museums, must first know their own history and its uses.
This volume chronicles the ways in which museum collections have played important roles in creating national identity and in promoting national agendas.
This publication examines creative and collaborative practices within ethnographic and world cultures museums across Europe as part of their responses to ongoing public and scholarly critique.
The evolution of art and of its public as well as a broadening in the notion of culture have caused a surge in museum creation throughout the world. This new generation of buildings devoted to a new cult of art have been commissioned from the finest architects of our time. This book presents a selection of the most remarkable temples of the new age.
This book presents a critical analysis of the power and opportunity created in the implementation of community engaged practices within art museums, by looking at the networks connecting art museums to community organizations, artists and residents. The Art Museum Redefined places the interaction of art museums and urban neighbourhoods as the central focus of the study, to investigate how museums and artists collaborate with residents and local community groups. Rather than defining the community solely from the perspective of a museum looking out at its audience, the research examines the larger networks of art organizing and creative activism connected to the museum that are active across the neighbourhood. Taylor's research encompasses the grassroots efforts of local groups and their collaboration with museums and other art institutions that are extending their reach outside their physical walls and into the community. This focus on social engagement speaks to recent emphasis in cultural policy on cultural equity and inclusion, creative place-making and community engagement at neighbourhood and city-levels, and will be of interest to students, scholars and policy-makers alike.
Drawing upon material from Britain, Canada, the United States, Australia and New Zealand, Making Representations explores the ways in which museums and anthropologists are responding to pressures in the field by developing new policies and practices, and forging new relationships with communities. Simpson examines the increasing number of museums and cultural centres being established by indigenous and immigrant communities as they take control of the interpretive process and challenge the traditional role of the museum. Museum studies students and museum professionals will all find this a stimulating and valuable read.
The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.