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This book in religious studies uses a Malaysian apostasy case study as a platform to investigate and discuss the broader radicalisation of apostates on social networking sites. It provides new insights into the emerging phenomenon of how social media tools are harnessed to promote faith and beliefs systems, specifically looking at the Malay view of apostasy from Islam. Employing sociocultural theory and theoretical concepts to analyse the discursive behaviour of a Malaysian apostate on a social networking site, the study unpacks how digital storytelling and rhetorical strategies can influence readers, culturally and socially, and contribute to identity construction in relation to politicised viewpoints. The analysis of the discourse surrounding apostasy in Malaysia enables parallels to be drawn to such discourses in other parts of the world, raising discussions on the connections between inflammatory online rhetoric and social problems, such as recruitment to terrorism, involvement in gangs or the use of addictive substances. This book is of particular interest to scholars and students considering the intersection of critical discourse analysis and religious studies. It is of interest to sociolinguists and psychologists interested in online media.
Mohamad examines the day-to-day experience of virtual and non-tangible mobilities of young Bruneian Malay Muslim and Malaysians, as enabled by popular culture and digital media. Cosmopolitanism has garnered interest from sociology, political studies, religious studies, geography, and education scholars. Despite this, there are three gaps in the study of Muslim cosmopolitanism. Firstly, young Muslims' cosmopolitanism in the digital age has not been intensively studied. Secondly, existing research overlooks Southeast Asia, especially Brunei Darussalam. Thirdly, the focus has not sufficiently engaged with popular culture and new media. This book addresses these gaps by exploring the everyday lives of Bruneian Malay Muslim and Malaysian youths, shaped by local, transcultural, and global practices. It expands the Muslim cosmopolitanism concept by examining the daily concerns, challenges, and practices these youths experience, offering new forms of mediated Muslim cosmopolitanism. Grounded in robust empirical data from two extensive research projects (2010-2024), this book employs diverse research approaches (ethnography and phenomenology) and methods (Qualitative Content Analysis and Interviews), ensuring reliable and in-depth findings. Scholars in geography, sociology, religious studies, and youth studies will find this book invaluable for its insights into cosmopolitanism, popular culture, new media, digital youth, and contemporary Southeast Asia.
How do visitors immersing themselves in material places such as shopping malls or video sites online make sense of the experience, enabling criticizing - or consenting to content? How is this evident in behaviour? Reflecting on accounts by Chinese, Indian, Malay and Indigenous members of Malaysian society, this book addresses these questions from a practices perspective increasingly adopted by scholars in marketing and media studies. The volume provides an account of practices theory from its origins in critical hermeneutics (such as Heidegger, Gadamer and Ricoeur), as reflecting on the processes of embodied understanding, developing alongside interpretive and reception theory. Part I draws upon authors as diverse as Heidegger and Henry Jenkins, with a practices perspective on media and mall consuming shown as developing from forty years of theorizing about audience activity. An empirical study of Malaysian blogging and branding on YouTube exemplifies this approach. Part II considers Malaysians absorbed in social media sites, as everyday visitors and the subjects of consumer research. The book then returns to the material world, exploring the horizons of understanding from which Malaysians enter their mediated malls, and concludes by positioning media practices theory within a spectrum of philosophical ideas. Recognizing the current (re)turn in Consumer and Media Studies to employing hermeneutics as an account of our embodied human understanding, this book presents its major philosophical proponents, showing how close attention to their writing can now inform and shape research on ubiquitous screen users. As such, it will be of particular interest to students and scholars of Media Studies, Asian Studies and Marketing Studies.
Global Sceptical Publics is the first major study of the significance of different media for the (re)production of non-religious publics and publicity. While much work has documented how religious subjectivities are shaped by media, until now the crucial role of diverse media for producing and participating in religion-sceptical publics and debates has remained under-researched. With some chapters focusing on locations hitherto barely considered by scholarship on non-religion, the book places in comparative perspective how atheists, secularists and humanists engage with media – as means of communication and forming non-religious publics – but also on occasion as something to be resisted. Its conceptually rich interdisciplinary chapters thereby contribute important new insights to the growing field of non-religion studies and to scholarship on media and materiality more generally.
This volume examines international engagement with Korean popular culture in East Asian online spaces, and how Asian identities are formed and perceived between nations within the region. In the context of global diversification and growing public participation in global issues, it builds up a new theoretical perspective in order to explain the emerging power of Asia in the global mediascape. With a focus on Korean media, touching upon K-pop and the phenomenon of Hallyu and anti-Hallyu, the author also looks at Japan, China, and Taiwan in this regional study. Combining theory with ethnographic audience studies in East Asian countries, the book elucidates East Asian media in a larger context of the changing global structure and media technology. This book will interest academics and students working on Asian popular culture and media, new media, East Asian studies, participatory media, and digital communication.
This book provides a comprehensive overview of the impact of the Internet on Malaysian politics and how it has played a pivotal role in influencing the country’s political climate. It lays out the background of Malaysia’s political history and media environment, and addresses the ramifications of media-isation for the political process, including political public relations, advertising and online campaigns. The book examines the Internet’s transformative role and effect on Malaysian democracy, as well as its consequences for political actors and the citizenry, such as the development of cyber-warfare, and the rise of propaganda or “fake” news in the online domain. It also investigates the interplay between traditional and new media with regard to the evolution of politics in Malaysia, especially as a watchdog on accountability and transparency, and contributes to the current discourse on the climate of Malaysian politics following the rise of new media in the country. This book is particularly timely in the wake of the 2018 Malaysian general election, and will be of interest to students and researchers in communications, politics, new media and cultural studies.
This book analyses the exponential growth of independent news portal (INPs) in Malaysia and discusses the extent of impacts generated from these portals in Malaysian electoral conduct especially during Malaysia's 12th and 13th general elections. The mainstream media in Malaysia has for decades been controlled by strict laws such as the Printing Presses and Publications Act (PPPA) and the Sedition Act, as well as self-censorship by print and broadcast journalists and editors. The rise of INP in Malaysia has challenged this government stranglehold, as well as making information available much faster than the mainstream media. The undeniable speed of the news posted on INP which often come with interactive contents are seen to have caused a remarkable increment on public’s options with regards to expressing their political views. Some of the INPs have also impressively taken up a notch by providing live streaming videos or interesting online visual news which indirectly unifies various sectors of pressure groups in providing options of circulating and disseminating information to the public. The interviews conducted for this book provide deeper insights from those producing news and at the same time provide a specific and thorough observation on political events including representatives of the Malaysian middle class, Opposition parties, youth and university students, NGOs and civil society movements. Chinnasamy investigates key questions relating to this shift in relation to media preference concerning on the mainstream and political landscape in Malaysia. Did the INP evolve new democratic movement in the country or induce a change in the way the government retains its power by increasing people's active engagement in political participation? Did any revolution in government-managed media landscape occur drastically? If so, how did they accomplish these changes? This book will fill the gap of existing research on how far have the INP empowered themselves to be the third force in fighting democratic movement in the country and how the ruling government continues seeing it as a contention, as foreseen by many experts in the industry.
Interactive Narratives and Transmedia Storytelling provides media students and industry professionals with strategies for creating innovative new media projects across a variety of platforms. Synthesizing ideas from a range of theorists and practitioners across visual, audio, and interactive media, Kelly McErlean offers a practical reference guide and toolkit to best practices, techniques, key historical and theoretical concepts, and terminology that media storytellers and creatives need to create compelling interactive and transmedia narratives. McErlean takes a broad lens, exploring traditional narrative, virtual reality and augmented reality, audience interpretation, sound design, montage, the business of transmedia storytelling, and much more. Written for both experienced media practitioners and those looking for a reference to help bolster their creative toolkit or learn how to better craft multiplatform stories, Interactive Narratives and Transmedia Storytelling serves as a guide to navigating this evolving world.