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Ninety-six letters to the Tatler and the Spectator, representing what is probably the largest extant body of unpublished material relating directly to the two journals, appeared for the first time in print in this book. The original letters were not published in the Tatler or the Spectator, but they were preserved by the editors and eventually found their way into the Marlborough and the Tickell collections. They have been prepared for publication and edited, with notes and an introduction, by an authority in the field of early periodicals. The letters will be of especial interest to students of early eighteenth-century England, for few literary forms more clearly reflect the times in which they are written than the letter, particularly the letter to the editor. A wide range of writers is represented—the inarticulate and the witty, the serving maid and the gentleman. Subject matter is equally diverse, including such topics as women's petticoats, free thinking, the state lottery, the nuisance of a smoking wife, cock-throwing, and Platonic love. Why the letters were not published in the Tatler or the Spectator is a matter for conjecture. Some of them were apparently used by Addison or Steele as topics for essays. Occasionally a letter was received or rewritten by the editors and printed in an altered form. Whatever the reason for their survival, these letters will be of value to students of language and literary journalism, social conditions, and popular philosophy.
First published in 1969, The Novel in Letters is a collection of nine novels in letters, representative of certain tendencies in narrative technique and subject-matter between 1678 and 1740. The editor shows how the narrative attitude of the letter writer, his humorous or sentimental viewpoint, give the events the flavour of personal experience. Motifs such as the arranged betrothal, or the gradual decline of an innocent girl to a common whore thus become more immediate. The increasing importance of the narrator, the use of the point-of-view technique, sentimental analysis, and a new interest in characterisation through direct or indirect self-revelation, all mark the transition from the romance to the ‘realistic novel.’ In the introduction, the editor traces the structure of the epistolary novel back to the sub-literary forms which it most resembles and illustrates how the novel is rooted in journalism and other forms of non-literary writing such as the genuine letter, the diary, autobiography, manuals and didactic literature. There is also an examination of the problem of differentiating between historical reality and literary fiction. This book will be of interest to students and teachers of literature.
Capturing actual dialogues of people discussing subjects as diverse as marriage, poverty, poetry, and the emotional lives of servants, 'The Pen and the People' will be enjoyed by everyone interested in history, literature, and the intimate experiences of ordinary people.
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
With the growth of popular literary forms, particularly the periodical, during the eighteenth century, women began to assume an unprecedented place in print culture as readers and writers. Yet at the same time the very textual practices of that culture inscribed women within an increasingly restrictive and oppressive set of representations. First published in 1989, this title examines the emergence and dramatic growth of periodical literature, showing how the journals solicited women as subscribers and contributors, whilst also attempting to regulate their conduct through the promotion of exemplary feminine types. By enclosing its female readership within a discourse that defined women in terms of love, matrimony, the family, and the home, the English periodical became one of the main linguistic sites for the construction of the eighteenth-century ideology of domestic womanhood. Based on the close scrutiny of the popular periodical press between 1690 and 1760, including journals such as the Athenian Mercury, the Tatler, and the Spectator, this study will be of particular value to any student of the relationship between women and print culture, the development of women’s magazines, and the study of literary audiences.
Focusing on a largely unknown type of popular print culture that developed in the late 1600s-the coffee house periodical-Helen Berry here offers new evidence that the politics of gender, far from being a marginal or frivolous topic, was an issue of general interest and wide-spread concern to the early modern reader. Berry's study provides the first full length analysis of John Dunton's Athenian Mercury (1691-97), an influential specimen of the coffee-house periodical genre, as well as the original question-and-answer publication which addressed both men's and women's issues in one journal. As the chapter headings in this book indicate, the topics addressed in the "agony column" of the Athenian Mercury-for example, the body, courtship, and sex-are of enduring interest across the centuries. Berry's study of this periodical provides new insights into the gendered ideas and debates that circulated among middling sorts in early modern England. An historical survey of the social effects of mass communication in the early modern period, this volume makes an important contribution to the ongoing study of how gendered ideas and values were communicated culturally, particularly beyond the milieu of elite groups such as the nobility and gentry. It argues that the mass media was from its infancy an important means of communicating powerful messages about gender norms, particularly among the middling sorts. The study will appeal not only to historians, women and gender studies scholars and literature scholars, but also to scholars of publishing history.
Through the prism of intimacy, Burleigh sheds light on eighteenth and early-nineteenth-century American texts. This insightful study shows how the trope of the family recurred to produce contradictory images - both intimately familiar and frighteningly alienating - through which Americans responded to upheavals in their cultural landscape.