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In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.
This rambunctious first novel by the author of the bestselling Corelli's Mandolin is set in an impoverished, violent, yet ravishingly beautiful country somewhere in South America. When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny. "Walks a precarious edge between slapstick and pathos, never once losing its balance."--Washington Post Book World.
A collection of 15 short stories by female, Latin American writers, including Isabel Allende and Luisa Valenzuela. Ranging across boundaries of geography and gender, the work covers such topics as incest, race, politics, sexual needs, love, old age, and child abuse.
An intriguing collection of more than 70 Latin American essays, some never before translated into English, gives us the whole spectrum of concerns that have animated some of the greatest writers of our time--from Andres Bello, Pablo Neruda, and Alfonso Reyes to Carlos Fuentes, Gabriel Garcia Marquez, and Rosario Ferre--an assembly confident, ingenious, aware.
Through a comparative analysis of the novels of Roberto Bolaño and the fictional work of César Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other leading authors, Héctor Hoyos defines and explores new trends in how we read and write in a globalized era. Calling attention to fresh innovations in form, voice, perspective, and representation, he also affirms the lead role of Latin American authors in reshaping world literature. Focusing on post-1989 Latin American novels and their representation of globalization, Hoyos considers the narrative techniques and aesthetic choices Latin American authors make to assimilate the conflicting forces at work in our increasingly interconnected world. Challenging the assumption that globalization leads to cultural homogenization, he identifies the rich textual strategies that estrange and re-mediate power relations both within literary canons and across global cultural hegemonies. Hoyos shines a light on the unique, avant-garde phenomena that animate these works, such as modeling literary circuits after the dynamics of the art world, imagining counterfactual "Nazi" histories, exposing the limits of escapist narratives, and formulating textual forms that resist worldwide literary consumerism. These experiments help reconfigure received ideas about global culture and advance new, creative articulations of world consciousness.
"The Armies by Evelio Rosero, a story of love, violence, and war, is a modern classic." "Ismail, the profesor, is a retired teacher in the small, fictional Colombian town of San Jose. He passes the days pretending to pick oranges while spying on his neighbor Geraldina as she lies naked in the shade of a ceiba tree. The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of him and suggests that he pay a visit to Father Albornoz, who was once his student. Instead the profesor wanders the town visiting old friends, plagued by a tangle of secret memories: Where have I existed these years? I answer myself: up on the wall, peering over." "When guerrillas and paramilitaries suddenly invade the town, Ismail's reveries gradually give way to a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Jose, but also land mines and coca. The profesor's voyeuristic ramblings are engulfed by the hallucinatory violence of Rosero's narrative, which is suffused not only with a deep sadness but also with an extraordinary tenderness." --Book Jacket.
For a quarter of a century, Tulio Halperín Donghi's Historia Contemporánea de América Latina has been the most influential and widely read general history of Latin America in the Spanish-speaking world. Unparalleled in scope, attentive to the paradoxes of Latin American reality, and known for its fine-grained interpretation, it is now available for the first time in English. Revised and updated by the author, superbly translated, this landmark of Latin American historiography will be accessible to an entirely new readership. Beginning with a survey of the late colonial landscape, The Contemporary History of Latin America traces the social, economic, and political development of the region to the late twentieth century, with special emphasis on the period since 1930. Chapters are organized chronologically, each beginning with a general description of social and economic developments in Latin America generally, followed by specific attention to political matters in each country. What emerges is a well-rounded and detailed picture of the forces at work throughout Latin American history. This book will be of great interest to all those seeking a general overview of modern Latin American history, and its distinctive Latin American voice will enhance its significance for all students of Latin American history.
"This anthology--bringing together political scientists, anthropologists, historians, sociologists, economists, and journalists--provides a serious and sophisticated theoretical and historical analysis of the state of the Latin American Left. The central thematic issues are addressed, followed by a number of case studies written by the most astute radical Left observers of the contemporary setting"--
‘This new generation of Latin American writers has exchanged history for memory, dictators for narcos and political engagement for gender and class consciousness.’ El País Ten years on from the first Bogotá 39 selection, which brought writers such as Juan Gabriel Vásquez, Alejandro Zambra and Junot Díaz to fame, comes this story collection showcasing thirty-nine exceptional new talents. Chosen by some of the biggest names in Latin American literature, together with publishers, writers and literary critics and a panel of expert judges, this exciting anthology paves the way for a new generation of household names. These stories have been brought into English by some of the finest translators around, including familiar names such as Daniel Hahn, Christina MacSweeney and Megan McDowell, as well as many new and exciting translators who are just launching their careers. With authors from fifteen different countries, this diverse collection of stories transports readers to a host of new worlds, and represents the very best writing coming out of Latin America today.
A kaleidoscopic, fast-paced tour of Latin America from one of the Spanish-speaking world’s most outstanding writers. Lamenting not having more time to get to know each of the nineteen countries he visits after winning the prestigious Premio Alfaguara, Andrés Neuman begins to suspect that world travel consists mostly of “not seeing.” But then he realizes that the fleeting nature of his trip provides him with a unique opportunity: touring and comparing every country of Latin America in a single stroke. Neuman writes on the move, generating a kinetic work that is at once puckish and poetic, aphoristic and brimming with curiosity. Even so-called non-places—airports, hotels, taxis—are turned into powerful symbols full of meaning. A dual Argentine-Spanish citizen, he incisively explores cultural identity and nationality, immigration and globalization, history and language, and turbulent current events. Above all, Neuman investigates the artistic lifeblood of Latin America, tackling with gusto not only literary heavyweights such as Bolaño, Vargas Llosa, Lorca, and Galeano, but also an emerging generation of authors and filmmakers whose impact is now making ripples worldwide. Eye-opening and charmingly offbeat, How to Travel without Seeing: Dispatches from the New Latin America is essential reading for anyone interested in the past, present, and future of the Americas.