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Making the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edison’s factories in West Orange; early recording and the invention of the Victrola at Victor Records’ Camden complex; Rudy Van Gelder’s recording studios (for Blue Note, Prestige, and other jazz labels) in Hackensack and Englewood Cliffs; Zacherley and the afterschool dance television show Disc-o-Teen, broadcast from Newark in the 1960s; Bruce Springsteen’s early years on the Jersey Shore at the Upstage Club in Asbury Park; and, the 1980s indie rock scene centered at Maxwell’s in Hoboken. Concluding with a foray into the thriving local music scenes of today, the book examines the sounds, sights and textures of the locales where New Jerseyans have gathered to rock, bop, and boogie.
Hardcore, the hard-edged second generation of punk rock, whose peak period ranged from 1980 to 1986, has never before been captured in the way Steven Blushs authoritative, extensively illustrated oral history revisits its dynamic and sordid past. All the major hardcore scenes, particularly in Southern California, San Francisco, Washington D.C., Boston, New York City and Texas are given provocative voice through its major players, from drugged-out suburban Metal misfits to shit-kicking skinheads to vegan anti-drug pacifists. American Hardcore; A Tribal History not only recapitulates an important and influential scene, its provocative sociological snapshots reveal the apocalyptic desperation of a singular time in American history. Author Steven Blush was a prime mover in the scene he writes about; in the 80s, he promoted many hardcore tours and shows, DJ an influential college radio show, and ran a record label. Later Blush published Seconds magazine, and wrote for Paper, Spin, Interview, Village Voice, Details and High Times magazines. The primary photographers included in this volume are Edward Colver and Karen O Sullivan. Flyers, set lists, logos, and record covers have been provided by many collectors, and the book includes an extensive discography of Hard core rock releases from 1980 to 1986.
The first in-depth study of underground dance music.
One last summer to escape, to find herself, to figure out what comes next. Fans of Sarah Dessen and Jenny Han will love this contemporary, coming-of-age romance. Graduation was supposed to be a relief. Except Quinn can't avoid the rumors that plagued her throughout high school or the barrage of well-intentioned questions about her college plans. How is she supposed to know what she wants to do for the next four years, let alone the rest of her life? And why does no one understand that it's hard for her to think about the future—or feel as if she even deserves one—when her best friend is dead? Spending the summer with her aunt on the Jersey shore may just be the fresh start Quinn so desperately needs. And when she meets Malcolm, a musician with his own haunted past, she starts to believe in second chances. Can Quinn find love while finding herself?
During the 1950s and 1960s, Asbury Park, New Jersey, was the place to be-to stroll along the boardwalk, to sunbathe, and, most importantly, to listen to live music. But since the city fell into ruin, culminating in the race riots of the 1970s, many were left to wonder if the former rock 'n' roll mecca had been silenced forever. In Local Heroes, author Anders Mårtensson and photographer Jörgen Johansson revisit the myths, legends, and romantic visions of the music scene in a town that is striving to make a comeback. While the story of Asbury Park is inseparable from widely popular artists, such as Bruce Springsteen, Steven van Zandt, and Southside Johnny Lyon, Local Heroes pays tribute to these musicians alongside the many other talents who stayed behind, playing in local clubs, helping to forge what became known as the "Jersey Shore sound." In a series of original interviews, readers will hear first-hand from the people who wrote, performed, and lived the music. Accompanied by exclusive photographs, musical personalities such as Max Weinberg, Garry Tallent, Richie "LaBamba" Rosenberg, Danny Federici, Bill Chinnock, Vini Lopez, Pete Yorn, and many others are brought to life. Whether the redevelopment efforts underway in Asbury Park today will someday serve as the stage for music legends of tomorrow is a story that has yet to play out. But for now, rock 'n' roll fans can delight in a stunning tribute to a city and its talents whose music continues to play on.
New Jersey shaped folk revival music into an art form. The saga began with the bawdy tunes sung in colonial-era taverns and continued with the folk songs that echoed through the Pine Barrens. "Guitar Mania" became a phenomenon in the 1800s, and twentieth-century studio recordings in Camden were monumental. Performances by legendary artists like Woody Guthrie, Pete Seeger, Joan Baez and Bob Dylan spotlighted the state's folk revival movement and led to a flourishing community of folk organizations, festivals and open-mic nights at village coffeehouses. Author Michael Gabriele traces the evolution and living history of folk revival music in the Garden State and how it has changed the lives of people on stage and in the audience.
In the course of its extraordinary history, the Jersey Devil has been exorcised, shot, electrocuted, declared officially dead, and scoffed as foolishness--none of which has had any effect on it or the people who persist in seeing it!This mysterious creature is said to prowl the lonely sand trails and mist-shrouded marshes of the Pine Barrens, and emerge perioducally to rampage through the towns and cities of New Jersey and eastern Pennsylvania, leaving many communities in near-hysteria.The authors show that while a few appearances have been out-right fraud and others have likely been the result of mass hysteria, this creature has been seen by enough sane, sober, and responsible citizens to keep the possiblity of its existence alive and tantalizing.Over 50,000 in print
In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's half-time show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humour, and originality found in his songs. He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as "The Big Bang": seeing Elvis Presley's debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candour, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song "Born to Run" reveals more than we previously realized.
Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold. As a teenager, Dewar MacLeod witnessed firsthand the emergence of the punk subculture in Southern California. As a scholar, he here reveals the origins of an as-yet-uncharted revolution. Having combed countless fanzines and interviewed key participants, he shows how a marginal scene became a "mass subculture" that democratized performance art, and he captures the excitement and creativity of a neglected episode in rock history. Kids of the Black Hole tells how L.A. punk developed, fueled by youth unemployment and alienation, social conservatism, and the spare landscape of suburban sprawl communities; how it responded to the wider cultural influences of Southern California life, from freeways to architecture to getting high; and how L.A. punks borrowed from their New York and London forebears to create their own distinctive subculture. Along the way, MacLeod not only teases out the differences between the New York and L.A. scenes but also distinguishes between local styles, from Hollywood's avant-garde to Orange County's hardcore. With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before. Told in lively prose that will satisfy fans, Kids of the Black Hole will also enlighten historians of American suburbia and of youth and popular culture.
Winner of the 2005 New Jersey Author Award for Scholarly Non-Fiction from the New Jersey Studies Academic Alliance Long before Bruce Springsteen picked up a guitar; before Danny DeVito drove a taxi; before Jack Nicholson flew over the cuckoo's nest, Asbury Park was a seashore Shangri-La filled with shimmering odes to civic greatness, world-renowned baby parades, temples of retail, and atmospheric movie palaces. It was a magnet for tourists, a summer vacation mecca-to some degree New Jersey's own Coney Island. In Asbury Park's Glory Days, award-winning author Helen-Chantal Pike chronicles the city's heyday-the ninety-year period between 1890 and 1980. Pike illuminates the historical conditions contributing to the town's cycle of booms and recessions. She investigates the factors that influenced these peaks, such as location, lodging, dining, nightlife, merchandising, and immigration, and how and why millions of people spent their leisure time within this one-square-mile boundary on the northern coast of the state. Pike also includes an epilogue describing recent attempts to resurrect this once-vibrant city.