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"Between 1950 and 1975, some of the postwar era's most innovative artists flocked to a very unexpected place: New Jersey. Appreciating what others tended to ignore or mock, they gravitated to the state's most desolate peripheries: its industrial wastescapes, crumbling cities, crowded highways, and banal suburbs. There they produced some of the most important work of their careers. The breakthroughs in land, conceptual, performance, and site-specific art that New Jersey helped catalyze are the subject of New Jersey as Non-Site, whose title evokes the mixed-media sculptures that Robert Smithson began to create in 1968 while driving the state's highways with Nancy Holt. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes--ruin, cooperation, and displacement--Kelly Baum's essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey's economy, infrastructure, landscape, demography, and social stability."--
New Jersey Fan Club is an eclectic anthology featuring personal essays, interviews, photographs, and comics from a diverse group of writers and artists. An exploration of how the same locale can shape people in different ways, it will inspire readers to look at the Garden State with fresh eyes.
An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life—magazines, postcards from other artists, notebooks, and perhaps most important, his library—from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds's analysis is Smithson's fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again—alone and with fellow artists—to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
From the Jersey Shore to the Palisades, this charming board book captures the true spirit of the Garden State. Young children will be captivated by the memorable sites and attractions New Jersey offers, including the Atlantic Ocean and sandy beaches, fishing boats, rafting the Delaware Water Gap, blueberry farms in the Pine Barrens, Lucy the Elephant, Asbury Park, Adventure Aquarium, Lakota Wolf Preserve, lighthouses, and more.
Robert Smithson (1938-1973), one of the most important artists of his generation, produced sculpture, drawings, photographs, films, and paintings in addition to the writings collected here.
Everything you've ever wanted to know about the Garden State can now be found in one place. This encyclopaedia contains a wealth of information from New Jersey's prehistory to the present covering architecture, arts, biographies, commerce, arts, municipalities and much more.
Our Readers (also known as "primers") are modeled after the popular nineteenth-century McGuffey Readers, which were used to teach life lessons and reading skills to young children. Using colorful illustrations and a variety of writing forms, The New Jersey Reader showcases the state's rich heritage and natural charms, as well as its place in American history. Poems, state symbols, and riddles engage beginning readers. Prose, biographies, and short stories challenge more advanced readers. Topics include early Native American culture, the state nickname, famous citizens (Molly Pitcher and John Woolman), and the Revolutionary War. A timeline listing major events in state history is also featured.Trinka Hakes Noble's many awards include ALA Notable Children's Book and Booklist Children's Editors' Choice. Trinka lives in Bernardsville, New Jersey. K. L. (Kate) Darnell has illustrated all of the books in the Reader series. In addition to her work as an illustrator, Kate is an art instructor. She lives in East Lansing, Michigan.
To present these thoughtfully crafted case studies of undergraduate culture, the author did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. This text presents a vivid slice of life of what the author saw and heard in the dorms of a typical state university, Rutgers, in the 1980s.
Catalogue accompanying the first exhibition to examine the seminal role of New Jersey in the development of Robert Smithson's work.
New Jersey: A History of the Garden State presents a fresh, comprehensive overview of New Jersey’s history from the prehistoric era to the present. The findings of archaeologists, political, social, and economic historians provide a new look at how the Garden State has evolved. The state has a rich Native American heritage and complex colonial history. It played a pivotal role in the American Revolution, early industrialization, and technological developments in transportation, including turnpikes, canals, and railroads. The nineteenth century saw major debates over slavery. While no Civil War battles were fought in New Jersey, most residents supported it while questioning the policies of the federal government. Next, the contributors turn to industry, urbanization, and the growth of shore communities. A destination for immigrants, New Jersey continued to be one of the most diverse states in the nation. Many of these changes created a host of social problems that reformers tried to minimize during the Progressive Era. Settlement houses were established, educational institutions grew, and utopian communities were founded. Most notably, women gained the right to vote in 1920. In the decades leading up to World War II, New Jersey benefited from back-to-work projects, but the rise of the local Ku Klux Klan and the German American Bund were sad episodes during this period. The story then moves to the rise of suburbs, the concomitant decline of the state’s cities, growing population density, and changing patterns of wealth. Deep-seated racial inequities led to urban unrest as well as political change, including such landmark legislation as the Mount Laurel decision. Today, immigration continues to shape the state, as does the tension between the needs of the suburbs, cities, and modest amounts of remaining farmland. Well-known personalities, such as Jonathan Edwards, George Washington, Woodrow Wilson, Dorothea Dix, Thomas Edison, Frank Hague, and Albert Einstein appear in the narrative. Contributors also mine new and existing sources to incorporate fully scholarship on women, minorities, and immigrants. All chapters are set in the context of the history of the United States as a whole, illustrating how New Jersey is often a bellwether for the nation..