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This project became available online in 1995 as "The Cemetery." The site was an attempt to provide access to my earliest artworks that addressed history, memory, and memorial within the African American community. In the late 1990's the web project evolved to include a wider range of works and the project title became "Small Towns, Black Lives." To coincide with a large survey exhibition and the publication of the book version of the project, I created the final version of the web project in 2002.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Standard narratives of early twentieth-century African American history credit the Great Migration of southern blacks to northern metropolises for the emergence of the New Negro, an educated, upwardly mobile sophisticate very different from his forebears. Yet this conventional history overlooks the cultural accomplishments of an earlier generation, in the black communities that flourished within southern cities immediately after Reconstruction. In this groundbreaking historical study, Gabriel A. Briggs makes the compelling case that the New Negro first emerged long before the Great Migration to the North. The New Negro in the Old South reconstructs the vibrant black community that developed in Nashville after the Civil War, demonstrating how it played a pivotal role in shaping the economic, intellectual, social, and political lives of African Americans in subsequent decades. Drawing from extensive archival research, Briggs investigates what made Nashville so unique and reveals how it served as a formative environment for major black intellectuals like Sutton Griggs and W.E.B. Du Bois. The New Negro in the Old South makes the past come alive as it vividly recounts little-remembered episodes in black history, from the migration of Colored Infantry veterans in the late 1860s to the Fisk University protests of 1925. Along the way, it gives readers a new appreciation for the sophistication, determination, and bravery of African Americans in the decades between the Civil War and the Harlem Renaissance.
Black New Jersey brings to life generations of courageous men and women who fought for freedom during slavery days and later battled racial discrimination. Extensively researched, it shines a light on New Jersey's unique African American history and reveals how the state's black citizens helped to shape the nation.
Cemeteries have stories to tell and lessons from the past that we can draw upon. If These Stones Could Talk brings fresh light to a forgotten corner of American history that begins in a small cemetery in central New Jersey.
This book examines the evolution of Muslim community development in Newark, New Jersey. It is an historical account of the efforts of a diverse community that over several decades grappled with the challenge of establishing a respected place for their Islamic lifestyle within the United States. Further, it is a story linked closely to the experience of African Americans who have claimed Islam as their religion and struggled to create and to maintain an identity in the social fabric of Newark's twentieth-century Black religious culture. The complexities of race, identity, inter-religious and intra-religious relations are the four central themes explored.