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New Hampshire ranks third nationally in the percentage of principal farm operators who are women, and these women are transforming what it means both to be a farmer and to run a successful farm. Through informative prose and striking photographs, Helen Brody and Leslie Tuttle show how women in the Granite State are revitalizing farming by creating value-added products and developing new and vital markets for their locally grown food. Such innovations keep farms profitable and relevant, even as they work to protect the open land we all value. Expanding their roles to include accountant, sales expert, and educator, the state's women farmers occupy the forefront of national farm-to-community outreach, increasing public awareness of healthy foods and attracting travelers to New Hampshire's bounty. New Hampshire Women Farmers makes an excellent gift for anyone interested in the new directions that will sustain family farms in the twenty-first century.
This lively trip to the dairy farm introduces calves, heifers, and milkers.
Nearly twenty years ago, Pulitzer Prize-winning poet Maxine Kumin transplanted her urban family to an overgrown New Hampshire farm. Her latest prose work, a graceful and appealing blend of ten essays and eight stories, grew from the exertions and exhilarations of country living. Now a consummate horsewoman, Kumin here revels in the long-awaited birth of a foal; the rehabilitation of an abused mare; and such daily pleasures as the antics of Rilke, "the Poet's Dog, " and the tactile beauty of home-grown vegetables. Kumin also muses on the process of writing, as inspired by the natural rhythms of farm life. Her stories, always underscored by a profound attachment to the natural world, focus subtly on personal relationships - as between a young naturalist and her widowed father; or a love affair between a hunter and a radical environmentalist. Full of anecdote and advice, love and grief, these pieces showcase one of our most versatile and deeply passionate writers.
"I am not living upon my friends or doing housework for my board but am a factory girl," asserted Anna Mason in the early 1850s. Although many young women who worked in the textile mills found that the industrial revolution brought greater independence to their lives, most working women in nineteenth-century New England did not, according to Thomas Dublin. Sketching engaging portraits of women's experience in cottage industries, factories, domestic service, and village schools, Dublin demonstrates that the autonomy of working women actually diminished as growing numbers lived with their families and contributed their earnings to the household. From diaries, letters, account books, and censuses, Dublin reconstructs employment patterns across the century as he shows how wage work increasingly came to serve the needs of families, rather than of individual women. He first examines the case of rural women engaged in the cottage industries of weaving and palm-leaf hatmaking between 1820 and 1850. Next, he compares the employment experiences of women in the textile mills of Lowell and the shoe factories of Lynn. Following a discussion of Boston working women in the middle decades of the century-particularly domestic servants and garment workers-Dublin turns his attention to the lives of women teachers in three New Hampshire towns.