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This title explores the cultural politics of hetero-normative white masculine privilege in the US. Through close readings of texts ranging from the television drama '24' to the Marvel Comics 'The Call of Duty', Carroll argues that the true privilege of white masculinity is to be mobile and mutable.
Catalog published to coincide with an exhibition held at the Museum of Fine Arts, Houston, November 6, 2011-February 5, 2012.
Gale Researcher Guide for: New Formations, New Collectives is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
This collection of essays examines the worldwide dispersal of Asian populations and links these seemingly disparate movements through the category of Asian diasporas.
Westward equivalents of Bear River and Aspen Formations are divided into five new formations by two red-bed tongues of the Wayan Formation. The Hilliard Shale changes northward to sandstone of the upper part of the new Blind Bull Formation.
An issue on new formations, which looks at topics ranging from 'urbicide', multiculturalism and eco-criticism to ideologies of postcolonial studies (including its Francophone dimensions), devolutionary Britain, cricket, counterfactualisms, humanism, humanitarianism, Zionism, and the scandal of Guantanamo Bay.
In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.