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Frontcover -- Contents -- List of Figures -- Preface and Acknowledgements -- Chronology of Newman's Life and Works -- Abbreviations -- 1 Ernest Newman and the Challenge of Critical Biography -- PART I The Freethought Years -- 2 Formation of a Critical Sensibility: The 1880s and 1890s -- 3 Social, Literary and Musical Criticism: 1893-1897 -- 4 A Rationalist Manifesto: Pseudo-Philosophy at the end of the Nineteenth Century, 1897 -- 5 Music History and the Comparative Method: Gluck and the Opera, 1895 -- PART II The Mainstream Years -- 6 From Manchester to Moscow: Essays on Music, 1900-1920 -- 7 'The World of Music': Essays in the Sunday Times, 1920-1958 -- 8 Biographical and Musicological Tensions: The Man Liszt, 1934 -- 9 Sceptical and Transforming: Books on Wagner, 1899-1959 -- 10 Conclusion: Ernest Newman Remembered -- Appendix: Newman's Freethought Lectures, 1894-1896 -- Bibliography -- Index
Published in 1998, J. M. Robertson: Rationalist and Literary Critic is a study of the life of one of the most erudite and prolific critics of the late nineteenth and early twentieth centuries. The Scotsman John MacKinnon Robertson (1856-1933), rationalist and enemy of religion to the core, published over one hundred books and thousands of articles in fields as diverse as sociology, economics, history, anthropology, biblical criticism and literary criticism. This once widely known (and feared!) author was all too quickly forgotten after his death and his work is now seldom read. The aim of this book is to demonstrate that Robertson’s writings and in particular his acute and powerful literary criticism – much respected by T. S. Eliot – have not lost their relevance for late twentieth century readers. Moreover, through the examinations of Robertson’s work in its contextual framework, this study provides a wide-ranging perspective on the late-Victorian literary scene, which perhaps present-day literary historians have not given the detailed attention it deserves.
It takes a great mind to study a great mind. The literary critic John Livingston Lowes puts his reputation on the line by chosing to analyse the sources, thoughts and imagination of the poet Samuel Taylor Coleridge. The result, 'The Road to Xanadu', is a remarkable and insightful examination of the creative processes and reading material that inspired 'The Rime of the Ancient Mariner' and 'Kubla Khan'. Lowes brilliantly uses his study of Coleridge as a springboard to a more wide-ranging analysis of the imagination. If you like Coleridge's work, you will be fascinated by this look into the mind of a literary giant. John Livingston Lowes (1867-1945) was an American scholar and critic of English literature. His best-known subjects were Samuel Taylor Coleridge and Geoffrey Chaucer, author of 'The Canterbury Tales'. His most famous work is 'The Road to Xanadu: A Study in the Ways of the Imagination', which examines the sources of Coleridge's 'The Rime of the Ancient Mariner' and 'Kubla Khan'.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read the material themselves.