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The great eighteenth-century French thinker Denis Diderot (1713–84) once compared himself to a weathervane, by which he meant that his mind was in constant motion. In an extraordinarily diverse career he produced novels, plays, art criticism, works of philosophy and poetics, and also reflected on music and opera. Perhaps most famously, he ensured the publication of the Encyclopédie, which has often been credited with hastening the onset of the French Revolution. Known as one of the three greatest philosophes of the Enlightenment, Diderot rejected the Christian ideas in which he had been raised. Instead, he became an atheist and a determinist. His radical questioning of received ideas and established religion led to a brief imprisonment, and for that reason, no doubt, some of his subsequent works were written for posterity. This collection of essays celebrates the life and work of this extraordinary figure as we approach the tercentenary of his birth.
Best Book of the Year – Kirkus Reviews A spirited biography of the prophetic and sympathetic philosopher who helped build the foundations of the modern world. Denis Diderot is often associated with the decades-long battle to bring the world’s first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity–for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality. One of Diderot’s most attentive readers during his lifetime was Catherine the Great, who not only supported him financially, but invited him to St. Petersburg to talk about the possibility of democratizing the Russian empire. In this thematically organized biography, Andrew S. Curran vividly describes Diderot’s tormented relationship with Rousseau, his curious correspondence with Voltaire, his passionate affairs, and his often iconoclastic stands on art, theater, morality, politics, and religion. But what this book brings out most brilliantly is how the writer's personal turmoil was an essential part of his genius and his ability to flout taboos, dogma, and convention.
Blindness and Enlightenment presents a reading and a new translation of Diderot's Letter on the Blind. Diderot was the editor of the Encyclopédie, that Trojan horse of Enlightenment ideas, as well as a novelist, playwright, art critic and philosopher. His Letter on the Blind of 1749 is essential reading for anyone interested in Enlightenment philosophy or eighteenth-century literature because it contradicts a central assumption of Western literature and philosophy, and of the Enlightenment in particular, namely that moral and philosophical insight is dependent on seeing. Kate Tunstall's essay guides the reader through the Letter, its anecdotes, ideas and its conversational mode of presenting them, and it situates the Letter in relation both to the Encyclopedie and to a rich tradition of writing about and, most importantly, talking and listening to the blind.
European literary history teems with prejudices. Nowhere perhaps is bias more evident than in the field of Anglo-French relations of the eighteenth century. In England looms the formidable figure of Samuel Johnson, while the French-speaking world is dominated by Rousseau, Voltaire, and Diderot. Samuel Johnson thought little of Voltaire and never mentioned Diderot. That he wanted to banish Rousseau to the American colonies is well known. All three men were, in Johnson's mind, infidels to the Christian order of society. In Samuel Johnson and Three Infidels, Mark Temmer reevaluates dogmatic views and critical commonplaces that have encrusted these relationships by comparing representative works of the three Continental authors to corresponding works and realities embodied and created by Samuel Johnson. After reviewing existing harmonies and dissonances between France and England, Temmer turns to the lives of Johnson and Rousseau, interpreting them as ontological masterpieces made visible mainly in Rousseau's Confessions and in biographies of Johnson by James Boswell and Hester Piozzi, both of whom insist on remarkable affinities between the two men. In the words of Mrs. Piozzi, they were "alike as sensations of frost and fire." Despite their opposing doctrines, Temmer reveals a pietism in Rousseau that often matches in intensity Johnson's otherworldly yearnings. Temmer moves from this comparison into a discussion of Candide and Rasselas, works published within months of each other in 1759. Integrating Voltaire's satire and Johnson's moral tale into the philosophical history of the age, Temmer goes on to uncover shared moments of laughter and music, ringing out against the gray background of a life in which, for both men, "much is to be endured and little to be enjoyed." Finally, exploring Johnson's Life of Richard Savage and Diderot's Le Neveu de Rameau, Temmer suggests the strong possibility that Diderot's masterpiece may have been influenced by Johnson's biography as well as by Savage's own An Author to be Lett. In this book, Temmer moves beyond the boundaries that have traditionally defined eighteenth-century scholarship on either shore of the English Channel. Creating a cross-cultural conversation bounded only by the lives and interests of his subjects, Temmer relates Johnson to Continental literature and defines his innovative role in a tradition that leads to Hegel, Dostoevsky, and Nietzsche.
This is a Divine Comedy or Pilgrim's Progress for the post-religious age. Finding himself on a quest through the forest of life towards the general rendez-vous at the end, our hero journeys first on the path of religion and faith, then the path of the philosophers where debate and ideas reign, and finally the path of worldly pursuits and pleasure. Along the way he dodges inquisitors, raging fanatics, insane philosophers, faithless lovers, and scheming social climbers. Truly a neglected classic. As Diderot said, "even if you are not amused, you may still benefit from it."This third edition was revised in 2018.
A dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb. In October 1773, after a grueling trek from Paris, the aged and ailing Denis Diderot stumbled from a carriage in wintery St. Petersburg. The century’s most subversive thinker, Diderot arrived as the guest of its most ambitious and admired ruler, Empress Catherine of Russia. What followed was unprecedented: more than forty private meetings, stretching over nearly four months, between these two extraordinary figures. Diderot had come from Paris in order to guide—or so he thought—the woman who had become the continent’s last great hope for an enlightened ruler. But as it soon became clear, Catherine had a very different understanding not just of her role but of his as well. Philosophers, she claimed, had the luxury of writing on unfeeling paper. Rulers had the task of writing on human skin, sensitive to the slightest touch. Diderot and Catherine’s series of meetings, held in her private chambers at the Hermitage, captured the imagination of their contemporaries. While heads of state like Frederick of Prussia feared the consequences of these conversations, intellectuals like Voltaire hoped they would further the goals of the Enlightenment. In Catherine & Diderot, Robert Zaretsky traces the lives of these two remarkable figures, inviting us to reflect on the fraught relationship between politics and philosophy, and between a man of thought and a woman of action.
Preliminary Discourse to the Encyclopedia of Diderot expresses the hopes, dogmas, assumptions, and prejudices that have come to characterize the French Enlightenment. In this preface to the Encyclopedia, d'Alembert traces the history of intellectual progress from the Renaissance to 1751. Including a revision of Diderot's Prospectus and a list of contributors to the Encyclopedia, this edition, elegantly translated and introduced by Professor Richard Schwab, is one of the great works of the Enlightenment and an outstanding introduction to the philosophes.
In Western Civilization Mathematics and Music have a long and interesting history in common, with several interactions, traditionally associated with the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has been incorporating more and more mathematical content during the last decades. This book offers a journey into recent work relating music and mathematics. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.