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Reprint of the original, first published in 1838.
DigiCat Publishing presents to you this special edition of "The New English Canaan of Thomas Morton with Introductory Matter and Notes" by Thomas Morton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
American histories have long held that in May 1637---"Connecticut's Birthday"---a small force of English colonists guided by Mohegan Native allies set out to break the back of Pequot dominion in New England. According to Alfred E. Cave's The Pequot War and other accounts, the English and Mohegans supposedly marched "undetected" across multiple Indian territories, and at the Pequot village of Missituc on the Mystic River, trapped and killed between 300 and 700 men, women and children---thus launching the northern English colonies' first "total war" against Native Americans. What new understandings emerge when, for the first time, readers can examine these records and traditions against the actual landscape? What were the realities of New England tribal life, and of Native American war, in the 1600s? If the colonists of Massachusetts Bay and Hartford were in their own words "altogether ignorant" of how to locate, identify, fight, and control Native peoples, how did thoroughly-intermarried Pequots, Mohegans, Narragansetts and others exploit these crucial English blind-spots with astonishing, subtle and yet plainly visible counter-strategies? Why were guns, armor and European assault-tactics the wrong means of war in New England? What were the consequences near and far of the colonies' refusals to adjust? Tracking every step of The Pequot War from its origins to its aftermath and influences, Mystic Fiasco is its most comprehensive and detailed study. Its basis in the landscape exposes the fundamental but unexamined paradigms that hard-wired the American colonial psyche from those days to these. With user-friendly maps and illustrations by renowned historical artist David R. Wagner and the documentary expertise of historian Jack Dempsey, Mystic Fiasco is filled with resources that empower you to go and discover this "Mystic Massacre" and Pequot War for yourself.
The Maypole of Merry Mount is a short story by Nathaniel Hawthorne (born Nathaniel Hathorne; July 4, 1804 - May 19, 1864) was an American novelist and short story writer. He was born in 1804 in Salem, Massachusetts to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge involved in the Salem witch trials who never repented of his actions. Nathaniel later added a "w" to make his name "Hawthorne" in order to hide this relation. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. Hawthorne published his first work, a novel titled Fanshawe, in 1828; he later tried to suppress it, feeling it was not equal to the standard of his later work. He published several short stories in various periodicals which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at a Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment took Hawthorne and family to Europe before their return to The Wayside in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children. Much of Hawthorne's writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, Dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his friend Franklin Pierce. Hawthorne's works belong to romanticism or, more specifically, dark romanticism, cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humanity. Many of his works are inspired by Puritan New England, combining historical romance loaded with symbolism and deep psychological themes, bordering on surrealism. His depictions of the past are a version of historical fiction used only as a vehicle to express common themes of ancestral sin, guilt and retribution. His later writings also reflect his negative view of the Transcendentalism movement.
Four centuries after the Mayflower's arrival, a landmark collection of firsthand accounts charting the history of the English newcomers and their fateful encounters with the region's Native peoples For centuries the story of the Pilgrims and the Mayflower has been told and retold--the landing at Plymouth Rock and the first Thanksgiving, and the decades that followed, as the colonists struggled to build an enduring and righteous community in the New World wilderness. But the place where the Plymouth colonists settled was no wilderness: it was Patuxet, in the ancestral homeland of the Wampanoag people, a long-inhabited region of fruitful and sustainable agriculture and well-traveled trade routes, a civilization with deep historical memories and cultural traditions. And while many Americans have sought comfort in the reassuring story of peaceful cross-cultural relations embodied in the myth of the first Thanksgiving, far fewer are aware of the complex history of diplomacy, exchange, and conflict between the Plymouth colonists and Native peoples. Now, Plymouth Colony brings together for the first time fascinating first-hand narratives written by English settlers--Mourt's Relation, the classic account of the colony's first year; Governor William Bradford's masterful Of Plimouth Plantation; Edward Winslow's Good News from New England; the heterodox Thomas Morton's irreverent challenge to Puritanism, New English Canaan; and Mary Rowlandson's landmark "captivity narrative" The Sovereignty and Goodness of God--with a selection of carefully chosen documents (deeds, patents, letters, speeches) that illuminate the intricacies of Anglo-Native encounters, the complex role of Christian Indians, and the legacy of Massasoit, Weetamoo, Metacom ("King Philip"), and other Wampanoag leaders who faced the ongoing incursion into their lands of settlers from across the sea. The interactions of Plymouth Colony and the Wampanoag culminated in the horrors of King Philip's War, a conflict that may have killed seven percent of the total population, Anglo and Native, of New England. While the war led to the end of Plymouth's existence as a separate colony in 1692, it did not extinguish the Wampanoag people, who still live in their ancestral homeland in the twenty-first century.
In Greeks, Romans, and Pilgrims David Lupher examines the availability, circulation, and uses of Greek and Roman culture in the earliest period of the British settlement of New England. This book offers the first systematic correction to the dominant assumption that the Separatist settlers of Plymouth Plantation (the so-called “Pilgrims”) were hostile or indifferent to “humane learning”— a belief dating back to their cordial enemy, the May-pole reveler Thomas Morton of Ma-re Mount, whose own eccentric classical negotiations receive a chapter in this book. While there have been numerous studies of the uses of classical culture during the Revolutionary period of colonial North America, the first decades of settlement in New England have been neglected. Utilizing both familiar texts such as William Bradford’s Of Plimmoth Plantation and overlooked archival sources, Greeks, Romans, and Pilgrims signals the end of that neglect.