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Superb, edited reproduction of rare original sales catalog from the workshop of one of America's premier glassmakers. Excellent photographs of exquisitely etched stemware, vases, pitchers, decanters, steins, etc. Price lists, biography of Locke, more. Invaluable aid for identifying, authenticating collectible Locke glass.
Book 6 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta. The Stolen Light engages with the particular difficulties of Mehta's experience: he was blind in a college made for the seeing, he was an Indian in the United States, a Hindu in a Christian environment, a dark-skinned man surrounded by white people. With compelling honesty and humour, Mehta describes his struggles to live an ordinary university life - dating, riding a bicycle, keeping up with his studies - while dealing with incredible obstacles.
Jack Goldstein and the CalArts Mafia is the compelling story of artist Jack Goldstein and some of his classmates at CalArts, who in the early 1970s went to New York and led the transition from conceptualism to Pictures art, utilizing images from television and movies with which they had grown up. At the same time, they discovered an artworld increasingly consumed by the desire for fame, fortune and the perks of success. The book is anchored by Jack's narratives of the early days of CalArts and the last days of Chouinard; the New York art world of the 70s and 80s; the trials and tribulations of finding and maintaining success; his inter-personal relationships; and his disappearance from the art scene. Goldsteins's own recollections are complemented by the first person narratives of his friends, including John Baldessari, Troy Brauntuch, Rosetta Brooks, Jean Fisher, Robert Longo, Matt Mullican and James Welling. There are provocative portraits of many well known artworld personalities of the 80s, including Mary Boone, David Salle, and Helene Winer, all working in a time when "the competitive spirit was strong and often brutal, caring little about anything but oneself and making lots of money.": "a biting, controversial, contradictory, hilarious, and riveting read ...," Mariah Corrigan, caa.reviews:: "a first-rate contribution to the history of contemporary art," David Carrier, artUS
Lost in a southern California barrio, Earl Dean has a hard time believing there is one living soul in this foul-smelling night who wants to be found by a salesman hawking vacuum cleaners. What awaits Earl in the faint flow of a distant porch light is the world of Dan Brown... Dan Brown’s brother has been killed. Dan has plans to handle the revenge, and Earl has strayed into the crossfire. Dan is the last of the road warriors, a murderous, drug-crazed biker who only thinks of laws as things to break. But more than Buddy Brown lies dead in the moonlight. From a time when the valley was the hub of the nation’s citrus industry to the defoliated sorry mess of today, it has come down to one fact: Earl Dean, broken-hearted vacuum cleaner salesman, owns the last single acre of orange groves in Pomona. And like his great-grandfather before him, he must come forward to claim his inheritance.