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New Directions in Ceramics explores and responds to contemporary ceramists' use of innovative modes of practice, investigating how change is happening and interpreting key works. Jo Dahn provides an overview of the current ceramics landscape, identifying influential exhibitions, events and publications, to convey a flavour of debates at a time when much about the character of ceramics is in a state of flux. What non-traditional activities does the term 'ceramics' now encompass? How have these practices developed and how have they been accommodated by institutions in Britain and internationally? Work by a wide range of ceramists, including Edmund de Waal, Nina Hole, Clare Twomey, Keith Harrison, Alexandra Engelfriet, Linda Sormin, Walter McConnell and Phoebe Cummings is considered. Following an extended introduction on ceramics in critical discourse, chapters on performance, installation, raw clay and figuration each provide an introductory overview to the area under discussion, with a closer examination of work by key ceramists, and illustrations of relevant examples. The interplay of actions and ideas is a central concern: critical and cultural contexts are woven into the account throughout, and dialogues with practitioners provide a privileged insight into thought processes as well as studio activities.
New Directions in Ceramics explores and responds to contemporary ceramists' use of innovative modes of practice, investigating how change is happening and interpreting key works. Jo Dahn provides an overview of the current ceramics landscape, identifying influential exhibitions, events and publications, to convey a flavour of debates at a time when much about the character of ceramics is in a state of flux. What non-traditional activities does the term 'ceramics' now encompass? How have these practices developed and how have they been accommodated by institutions in Britain and internationally? Work by a wide range of ceramists, including Edmund de Waal, Nina Hole, Clare Twomey, Keith Harrison, Alexandra Engelfriet, Linda Sormin, Walter McConnell and Phoebe Cummings is considered. Following an extended introduction on ceramics in critical discourse, chapters on performance, installation, raw clay and figuration each provide an introductory overview to the area under discussion, with a closer examination of work by key ceramists, and illustrations of relevant examples. The interplay of actions and ideas is a central concern: critical and cultural contexts are woven into the account throughout, and dialogues with practitioners provide a privileged insight into thought processes as well as studio activities.
The international ceramics scene is enjoying the highest profile it has had for many years. Breaking the Mould looks at ceramic artists working within this versatile medium. Drawing on the rich history of pottery these artists are pushing the techniques, objectives and perceptions of the medium into new, exciting territory. The book profiles the work of over 70 ceramicists, including Suzanne King, Simon Fell, Grayson Perry, Barnaby Barford, Carina Ciscato and Amy Houghton. Their work ranges from interpretations of utilitarian pots, to abstract sculpture and a revisioning of kitch porcelain ornaments, all of which are brought to life in beautiful colour reproductions. Essays by prolific makers and academics look at the history and inspirations behind the medium today. Following in the footsteps of New Directions in Jewellery, Fashioning Fabrics and The Cutting Edge of Wallpaper, Breaking the Mould is a definitive overview of a craft scene that is simultaneously building upon and breaking with its roots, and in doing so creating a brave new future for itself.
While most surveys of contemporary art focus largely on two-dimensional work, there is a growing movement of emerging as well as established artists that are producing work in the ceramic medium. The New Age of Ceramics documents that movement; accross 180 illustrations it showcases a story of the art world redefining what was previously considered 'craft' rather than art.
This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.
This unprecedented survey of the most outstanding ceramics being created today offers a sweeping close-up look at the work of more than 260 artists from more than thirty countries. A special feature of this collection is the range of work from China, almost unknown outside of this country until now. Organized by the distinctive categories of functional ceramics, figurative pieces, and installation works, the book gives a complete picture of the latest developments in each area of contemporary ceramic art. Chapters on materials, firing techniques, ethnic influences in design, and related topics delve into every aspect of ceramics creation that would be of interest to crafters, collectors, and other readers who are drawn to contemporary art. Stimulating essays by the author tie together the wide range of work shown in superbly detailed color photographs. Artists included: John Mason, Jun Kaneko, Peter Voulkos, Ralph Bacerra, Rudy Autio, Ken Price, Peter Lane "The book is lavishly illustrated and delights the eyes with the exuberance and variety of ceramic art in the 20th century."--"Mills Quarterly," Spring 2001
For more than 30 years, Dr. Anneliese and Dr. Wulf Crueger--guided by Saeko It�--have devoted themselves to studying, understanding, and collecting Japanese ceramics. Today, they share the rich fruits of their knowledge with this lavishly illustrated volume based on their own collection. The equivalent of Roberts Museum Guide, devotees of beautiful ceramics can pick it up and use it to select and visit potters as they undertake an artistic tour of the country. Organized geographically, it goes from kiln to kiln--which in Japan may refer to a lone site or an entire ceramics region that contains hundreds of workshops. Along the way, they outline the history, development, and unique stylistic characteristics of each area’s work, and the traditions that inspired it.
Provides an introduction to clay and pottery, plus instructions for twenty-five projects using various methods, such as a pinch and coil Japanese tea bowl and a press-molded hanging bird bath.
Glass-ceramic materials share many properties with both glass and more traditional crystalline ceramics. This new edition examines the various types of glass-ceramic materials, the methods of their development, and their countless applications. With expanded sections on biomaterials and highly bioactive products (i.e., Bioglass and related glass ceramics), as well as the newest mechanisms for the development of dental ceramics and theories on the development of nano-scaled glass-ceramics, here is a must-have guide for ceramic and materials engineers, managers, and designers in the ceramic and glass industry.
Ceramics are always popular with crafters, and hand building with low-fire earthenware is a natural place to start. This book by artist Shay Amber will inspire even the most intimidated beginner.