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Clear instructions and step-by-step photographs teach you how to mix chemicals and apply light-sensitive emulsions by hand, how to create imagery in and out of the darkroom, how to translocate Polaroid photos, photocopies,magazine and newspaper pictures, and how to alter black-and-white and color photographs. FULL COLOR throughout for the first time, this redesigned fourth edition of New Dimensions in Photo Processes beautifully highlights the work of internationally known artists such as Robert Rauschenberg, Todd Walker, Doug and Mike Starn, and John Wood. An invaluable list of supply sources (including e-mail addresses) from throughout North America and Europe is included at the end of the book. Landscape layout allows for easy readability in the studio!
A reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images.
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.
Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists’ works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print. Key topics covered include: The history of gum Simple digital negatives for gum, platinum, and cyanotype Preparing supplies Making monochrome, duotone, tricolor, and quadcolor gum prints Printing gum over cyanotype Printing gum over platinum Troubleshooting gum Advice on developing a creative practice
Focusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—this book will guide readers through how to create prints using these accessible and historic processes in the digital age. Often termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods, including information on the materials needed, troubleshooting issues, and examples from contemporary artists. The book consists of two parts. Part I is a step-by-step how-to section including all the information that a practitioner at any level needs to achieve successful kallitype, Vandyke brown, and argyrotype prints. Part II is devoted to contemporary artists who have integrated the process into their creative practice. The book includes the following: A list of equipment and supplies needed Concise step-by-step instructions for creating kallitype, Vandyke brown, and argyrotype prints successfully Troubleshooting common issues A range of creative ideas on how to use the processes in the classroom Examples from over 20 contemporary artists, including their prints and how they came to make them Ideal for students and professionals alike, this book is an accessible introduction to alternative process photography.
Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.
The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a “Just the facts, ma’am” style. Topics included are: Photograms and clichés verre Lumen prints Chemigrams Pinhole and zoneplate Holgas Chromo Liquid emulsion and modern tintype Lith printing Sabattier Mordançage Bleaching and bleachout Toning, traditional to experimental Applied color and abrasion tone Encaustic, photomontage, and collage Bromoil The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play!
Digital Negatives with QuadToneRIP is a text that fully explores how the QuadToneRIP printer driver can be used to make expert digital negatives. The book takes a comprehensive, Òunder-the-hoodÓ look at how Roy Harrington’s QTR printer driver can be adapted for use by artists in several different creative practice areas. The text is written from the Mac/Photoshop point of view. The book is divided into three parts. Part One is a step-by-step how-to section that will appeal to both beginning and more advanced practitioners. Part One includes quickstart guides­ or summary sheets for beginning students who want to jump into using QTR before understanding all of its functional components. Part Two addresses dimroom, darkroom, and printmaking practices, walking the reader through brief workflows from negative to print for lithium palladium, gum bichromate, cyanotype, salted paper, kallitype, silver gelatin and polymer photogravure, with a sample profile for each. It also includes an introduction to a new software iteration of QTR: QuickCurve-DN (QCDN). Part Three is devoted to contemporary practitioners who explain how they use QTR in their creative practice. The book includes: A list of supplies and software needed A summary QTR glossary with a simple explanation of how each function works A sample walk-through to create a QTR profile from start to finish How to linearize profiles with simple to more exacting tools A visual guide to modifying functions Quickstart guides for many of the workflows Instructions for crafting monochrome, duotone, tricolor, and quadcolor negatives Instructions for using QTR to print silver gelatin in the darkroom Instructions for using QTR to print alternative processes in the dimroom Instructions for using QTR to print polymer photogravure in the printmaking room Introductory chapter to QuickCurve-DN software Troubleshooting common QTR problems Generic starter profiles for processes discussed Contemporary artists: their work and QTR process. Learning how to craft expert digital negatives can be a bit overwhelming at the outset. Digital Negatives with QuadToneRIP makes the process as user-friendly as possible. Like other books in the series, Digital Negatives with QuadToneRIP is thoroughly comprehensive, accessible to different levels of learner, and illustrative of the contemporary arts.
Research digital cameras and accessories. Improve your photography workflow. Manage images on your Mac or on the go. Edit and tweak your pictures to perfection. Print, share, and display photos to the world. Protect your images from disaster. For all the work camera companies have put into making their cameras as easy to use as possible, many people still find the process of getting a good shot shrouded in mystery. Add in the camera capabilities of most modern smartphones, and it's easy to get quickly overwhelmed by all the possibilities. Enter Macworld's Digital Photography Superguide, fourth edition, for all your photographic needs. While Macworld regularly features photography tips and how-to articles, we know that digging back through all of those stories can be a hassle, if not impossible. For readers who want all the information in one place, we're pleased to present our Digital Photography Superguide .In the fourth edition of our popular photography book, we offer the latest advice on buying a new camera; getting great shots; managing and editing your growing photo library with desktop applications like iPhoto '11, Aperture, and Photoshop Elements; and much more. We've even included a special section on iPhone photography for any budding iPhone-ographers out there. The information has been updated and expanded to cover all the latest developments in digital photography, and we've organized it in this easy-to-follow guide for beginners and pros alike. In this 196-page book, you'll learn about the entire photography process: We'll walk you through purchasing the digital camera that's right for you; shooting in difficult situations; importing photos quickly and safely; managing your image collection by adding valuable information like names, locations, and ratings; and sharing your photographs with the world by taking advantage of both print products and online services. We'll also explain how to protect your photos from hard-drive disasters. If you've been wishing you knew more about your camera, or you feel overwhelmed by your photo library and aren't sure where to turn, this book can help.
The full text downloaded to your computer With eBooks you can: search for key concepts, words and phrases make highlights and notes as you study share your notes with friends eBooks are downloaded to your computer and accessible either offline through the Bookshelf (available as a free download), available online and also via the iPad and Android apps. Upon purchase, you will receive via email the code and instructions on how to access this product. Time limit The eBooks products do not have an expiry date. You will continue to access your digital ebook products whilst you have your Bookshelf installed. For courses in Image Processing and Computer Vision. For years, Image Processing has been the foundational text for the study of digital image processing. The book is suited for students at the college senior and first-year graduate level with prior background in mathematical analysis, vectors, matrices, probability, statistics, linear systems, and computer programming. As in all earlier editions, the focus of this edition of the book is on fundamentals. The 4th Edition is based on an extensive survey of faculty, students, and independent readers in 5 institutions from 3 countries. Their feedback led to expanded or new coverage of topics such as deep learning and deep neural networks, including convolutional neural nets, the scale-invariant feature transform (SIFT), MERS, graph cuts, k-means clustering and superpiels, active contours (snakes and level sets), and each histogram matching. Major improvements were made in reorganising the material on image transforms into a more cohesive presentation, and in the discussion of spatial kernels and spatial filtering. Major revisions and additions were made to examples and homework exercises throughout the book.