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The wide-ranging and delightful history of celebrated plant breeder Luther Burbank and the business of farm and garden in early twentieth- century America At no other time in history has there been more curiosity or concern about the food we eat-and genetically modified foods, in particular, have become both pervasive and suspect. A century ago, however, Luther Burbank's blight-resistant potatoes, white blackberries, and plumcots-a plum-apricot hybrid-were celebrated as triumphs in the best tradition of American ingenuity and perseverance. In his experimental grounds in Santa Rosa, California, Burbank bred and cross-bred edible and ornamental plants-for both home gardens and commercial farms-until they were bigger, hardier, more beautiful, and more productive than ever before. A fascinating portrait of an American original, The Garden of Invention is also a colorful and engrossing tale of the intersection of gardening, science and business in the years between the Civil War and the Great Depression.
A chronicle of the life of the celebrated plant breeder evaluates the ways in which his achievements influenced the agricultural industry in early twentieth-century America, in a history that discusses the formative years of bioengineering and agribusiness as they were directly shaped by Burbank's gardening accomplishments.
A historical account of the role of fruit in the modern world explores the machinations of multi-national corporations in distributing exotic fruits, the life of mass-produced fruits, and the author's experience with unusual varieties that are unavailable in America.
Taking its inspiration from the wonder and curiosity cabinets of the late Renaissance, David Barber's second book of poems offers itself up as an eclectic gallery of natural marvels and historical gleanings. Creation is Barber's chief subject and he often concentrates on how human nature is constantly seeking to impose definition and significance upon the natural world. These are poems that meditate on all manner of wondrous phenomena: falconry and funiculars; the knotted quipus of the Inca Empire and the tulip mania of the Dutch Golden Age; the lore and language of field guides, epitaphs, beekeeping, and seafaring; the ghostly vestiges of the La Brea tar pits and the ancient library of Alexandria. Then, in an innovative suite of "New World Sutras" composed in haiku stanzas, Barber riffs on the American genius for self-invention and epic ambition by calling up landmark figures such as Audubon, Houdini, Babe Ruth, and Buster Keaton. With a formal and verbal precision that is rife with agile music, avid wordplay, and mordant wit, Barber delves deeply into the realms of both natural history and popular culture.