Download Free New British Poetry Book in PDF and EPUB Free Download. You can read online New British Poetry and write the review.

From established poets such as Andrew Motion and James Fenton, to mid-career poets such as Glyn Maxwell and Kathleen Jamie, to recent T.S. Eliot Prize-winner Alice Oswald, the work is fiercely intelligent, often irreverent, and engaged with traditional forms and an exhilirating range of styles. --Graywolf Press.
Devoted to close readings of poets and their contexts from various postmodern perspectives, this book offers a wide-ranging look at the work of feminists and "post feminist" poets, working class poets, and poets of diverse cultural backgrounds, as well as provocative re-readings of such well-established and influential figures as Donald Davie, Ted Hughes, Geoffrey Hill, and Craig Raine. Contributors include many respected theorists and critics, such as Antony Easthope, C.L. Innes, John Matthias, Edward Larrissy, Linda Anderson, Eric Homberger, Alastair Niven, R.K. Meiners, and Cairns Craig, in addition to new writers working from new theoretical perspectives. Their approaches range from cultural theory to poststructuralism; each essayist addresses a general audience while engaging in debates of interest to postgraduates and specialists in the fields of twentieth-century poetry and cultural studies. The book's strength lies in its diversity at every level.
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
Filigree typically refers to the finer elements of craftwork, the parts that are subtle; this Filigree anthology contains work that plays with the possibilities that the word suggests, work that is delicate, that responds to the idea of edging, to a comment on the marginalization of the darker voice. Filigree includes work from established Black British poets residing inside and outside the UK; new and younger emerging voices of Black Britain and Black poets who have made it their home as well as a selection of poets the Inscribe project has nurtured and continues to support.
When I became a bird, Lord, nothing could not stop me. The air feathered as I knelt by my open window for the charm - black on gold, last star of the dawn. - From 'Bird' by Liz Berry The Best British Poetry has rapidly become one of the UK's most noted collections. Now in its third edition, Salt Publishing is proud to present this thoroughly inspirational selection from this year's best poets. Offering a completely comprehensive guide for enthusiastic readers and students, this anthology focuses on poems, not poets. Carefully chosen from a wide range of the UK's best print and online magazines, these poems spring to life on the page, breathtakingly original and varied in tone, illuminating, moving and unexpected. From big names such as David Harsent, Alan Jenkins, Ruth Padel and Sean O'Brien, to the wonderful work of Leontia Flynn, Mark Waldron and Charlotte Geater, this collection speaks for itself. The Best British Poetry 2013 concludes with just short biographical details and comments from each of sixty-eight featured poets, lending it a personal and revealing touch. A must for the bookshelf of the poetry amateur and aficionado alike.
‘This book includes some of the greatest of our poetry. I hope that it adds up to a new way of thinking about who we have been, and who we are now.’
A SUNDAY TIMES BEST POETRY BOOK OF THE YEAR In this blistering anthology, poet, editor and DJ Kayo Chingonyi brings together a selection of exceptional Black British poets. This is his dream mixtape featuring a cross-generational span of current poets extending and inhabiting the spirits of the ancestors. Following in the tread of Lemn Sissay's The Fire People, More Fiya aims to lodge in the mind of its readers for a lifetime, radiating to touch the lives of many. Including work from: Jason Allen-Paisant, Raymond Antrobus, Janette Ayachi, Dean Atta, Malika Booker, Eric Ngalle Charles, Dzifa Benson, Inua Ellams, Samatar Elmi, Khadijah Ibrahiim, Keith Jarrett, Anthony Joseph, Safiya Kamaria Kinshasa, Vanessa Kisuule, Rachel Long, Adam Lowe, Nick Makoha, Karen McCarthy Woolf, Momtaza Mehri, Bridget Minamore, Selina Nwulu, Gboyega Odubanjo, Louisa Adjoa Parker, Roger Robinson, Denise Saul, Kim Squirrell, Warsan Shire, Rommi Smith, Yomi Sode, Degna Stone, Keisha Thompson, Kandace Siobhan Walker, Warda Yassin, Belinda Zhawi
A ground-breaking study of nineteenth-century British colonial poetry. Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada—often disparaged as derivative and uncouth—should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical—including Tennyson, Browning, Longfellow, and Hemans—and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.
"It is the first anthology to comprehensively represent the generation of poets who have emerged since the mid-1990s"--P. [4] of cover.