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An inspirational and insightful look at contemporary Brazilian garden design and the influence of famed designer Roberto Burle Marx. Brazilian Roberto Burle Marx was indisputably one of the greatest garden and landscape architects of the twentieth century. His projects, almost all of which were in his native country and highlighted its rich local flora, influenced gardens and landscapesand other design disciplinesaround the world. Given the richness of Brazil's great tradition of modernism and the lushness of its tropical landscape, it is perhaps only because of its distance that so little is known about contemporary gardening thereuntil now. Presenting over thirty new gardens and landscapes located across the country, from the coast to the hills, from the cities to the jungle, New Brazilian Gardens offers an exciting overview of current practice by designers who are hardly known outside its borders. The gardens are grouped into four sections: Water, Planting, Abstraction, and Sculpture. Each project is presented in detail, with descriptions, plans (including plant lists), and photographs. An introduction considers the evolution of the Brazilian garden since the Colonial period and examines Burle Marx's influence in the light of current trends. 267 color illustrations.
An unprecedented look at the wide-ranging artistic work of one of the 20th century's most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909-1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work--which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more--is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx's artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx's work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosquê, Dominique González-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration.
"The great Brazilian landscape architect's bold use of striking plant materials made him the most influential designer since Gertrude Jekyll. This study, done with Burle Marx's cooperation, traces the roots of his artistic vision and illustrates the plants he grew for use in his own designs"--Publisher's description.
A long-awaited second book from the Miami-based landscape architect lauded by the Wall Street Journal for “dreaming up dense, thickly forested canopies that give way to modern high rises and million-dollar residences.” Color and texture burst forth at every turn in gardens by landscape architect Raymond Jungles. Sculptural bromeliads, swaying palms, delicate epiphytes, and vibrant orchids combine to immerse visitors in rich, lush environments that captivate the eye with layer upon layer of interest. Taking cues first from a site’s topography and conditions, Jungles combines tapestries of plants with unique water elements that enhance what nature has offered—swaths of grasses and succulents direct the eye toward unspeakably romantic Caribbean vistas, intriguingly pitted and mossy oolitic limestone monoliths create trickling waterfalls and hidden grottoes, and innovative combinations of native trees surround sinuous and calming infinity pools. The Cultivated Wild shows Jungles expanding to such diverse locales as Big Timber, Montana; Monterrey, Mexico; St. Kitts and Nevis in the West Indies; Abacos, Bahamas; and even the temporary Brazilian Modern Orchid Show for the New York Botanical Garden—as well as responding creatively to sites unique to his adopted hometown: rooftop gardens and pools including the penthouse Sky Garden atop the now-iconic Herzog & de Meuron–designed parking garage at 1111 Lincoln Road, along with its famous pedestrian promenade. Jungles presents 21 gardens here in glorious full color, many accompanied by highly personal hand-drawn plans, general and thumbnail plans, sections, sketches, and design details that reveal the creative process. Packed with inspiration for gardeners in warm zones and those interested in creating subtropical gardens of their own, The Cultivated Wild reveals a firm working at the height of its talents.
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropic¡lia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropic¡lia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Z© created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.
Edited by Felipe Rocha, Leo Porto and Jonás Romo. Emotional Landscapes is a collection of photographs of plants, gardens and designs of Brazilian landscape architect Roberto Burle Marx. These photographs were taken between 2011 and 2017 by Jonás Romo.¿
Monograph on Raymond Jungles, a contemporary landscape architect based in Miami known for innovative but timeless design and a commitment to ethical stewardship of the land. For almost 40 years, Raymond Jungles has generated design solutions that respond to surrounding natural systems while restoring nature's balance and harmony on a micro-scale. His completed gardens personify timelessness and beauty, with verdant spaces that entice participation and soothe the psyche. This monograph, the fourth to focus on his work, will present 21 completed projects, along with a section of work in progress featuring sketches, renderings, and site plans of 12 current projects of varying typologies including an 18-acre Phipps Ocean Park in the Town of Palm Beach, Florida. Among the featured works are major landscapes surrounding luxury residential complexes as well as lush private gardens from the mountains in Mexico to volcanic craters in Panama, Caribbean beachfronts, the Florida Keys, and densely populated cities like Manhattan and Miami. Highlights include the restoration of the famed interior garden by the revered landscape architect Dan Kiley at the Ford Foundation Center for Social Justice in New York; a landscape to evoke the work of legendary Brazilian designer Roberto Burle Marx at the New York Botanical Garden, and two new gardens at the the Naples Botanical Garden. Founded in 1985 by Raymond Jungles, the firm’s design priorities are generated by the scale and functionality of a space. Simple, clean, and well-detailed hardscape elements are the quintessential bones of a garden. Planting volumes vary and bold colors and textures are used with intent. The firm is guided by Raymond’s personal and design principles: integrity, relevance, and nature’s honor. Their informed designs tread lightly on the land, provide habitat, and incorporate elements of surprise.
The National Book Award– and Pulitzer Prize–winning author of The Color Purple explores our modern world with “compassion, courage, and humor” (Booklist). Alice Walker once ached for retirement, but in the turmoil of the Democratic primaries and the economic collapse of 2008, she realized she simply had a great deal more to say. Leaving her meditation cushion behind, she found herself traveling the world once again to speak of our intertwined personal, spiritual, and political destinies through ruminations, poems, essays, and letters. At the height of her literary powers, this revered American novelist, poet, essayist, and activist invites readers on a journey of political awakening and spiritual insight. While visiting subjects she has addressed throughout her career—including racism, Africa, Palestinian solidarity, and Cuba—as well as addressing emergent issues, such as the presidency of Barack Obama and health care, Walker explores her conflicting impulses to retreat into inner contemplation and to remain deeply engaged with the world. Rich with humor and wisdom, and informed by Walker’s unique eye for the details of human and natural experience, The Cushion in the Road is “a heartfelt response to a new generation’s yearning for public service” (Kirkus Reviews). “Walker’s concern for the state of humanity and the planet comes through as impassioned and genuine.” —Publishers Weekly “Quintessential Alice Walker: edgy, demanding, prayerful, loving, and aware. An essential companion for those who wish to be a force for positive change in our perpetually challenging world.” —ForeWord Magazine “Infused with a quiet grace and gentle resolve to act responsibly.” —Kirkus Reviews
Roberto Burle Marx (1909-1994) remains one of the leading landscape architects ever. The significance of his landscape design lies in his use of abstract shapes that rarely employ symmetry, and his use of tropical, mainly Brazilian, flora. His distinctive and widely acclaimed work has been featured and referenced in numerous sources, yet few of Burle Marx's own words have been published. This book of previously unpublished lectures fills this void. The lectures, delivered on international speaking tours, address topics such as: "The Garden as an Art in Living," "Gardens and Ecology," and "The Problem of Garden Lighting." Their timely publication helps shed light on Burle Marx's distinctive style and ethos of landscape as a way of life.