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Characters hunt for fame and fortune. Children rise from the dead to return to their mothers. The world is on fire. New Australian Fiction showcases the strength and diversity of Australian short fiction at its best. Now in its fourth year, these stories will move, entertain and enlighten you. With contributions by: KAVITA BEDFORD WHITNEY CHEN MAXINE BENEBA CLARKE WILL COX JACQUI DAVIES A E MACLEOD JASMIN MCGAUGHEY NINA NEWCOMBE RAEDEN RICHARDSON MELANIE SAWARD BOBUQ SAYED ELIZABETH TAN JACK VENING CHLOE WILSON Praise for previous editions: ‘These beautiful stories will transport you to other worlds.’ – Mirandi Riwoe ‘A versatile and immersive collection that promises to delight all lovers of fiction.’ – Books+Publishing
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing
New Australian Fiction features brilliant writers with distinct experiences, voices and styles from all corners of Australia. Together they showcase the strength and diversity of Australian short fiction at its best.
Set in the near future – during a time of plummeting fish stocks, toxic algae blooms and jellyfish swarms – The Good Captain follows a group of radical environmentalists committed to a mission of extreme civil disobedience against the powers threatening to destroy the last of the world’s marine life. Led by the wild Rena – born and raised by the ocean – the characterful crew engages in a high seas drama that contains all the thrill of a cat-and-mouse seafaring classic, while at the same time offering a timely warning for the political classes that their negligence will not go unpunished. Evoking a disturbing vision of what the world that might soon become – random, dangerous, surprising and sometimes even miraculous – The Good Captain is a gripping, confronting and truly unique novel. ‘If you care about the ocean, about extinction, about deforestation you’ll find yourself immersed in this novel. With originality and wit, Sean Rabin asks “how far is too far?” when you’re fighting to save the planet.’ — Jane Rawson, author of The History of Dreams and From the Wreck
* ABA "Indie Next List" pick for March 2022. * 2022 Best Young Australian Novelists awards, Winner. * Readings Prize for New Australian Fiction, Shortlist. * "A Best Book of 2022" —NYLON, Glamour, Refinery29 UK, Harpers BAZAAR UK * "A Most Anticipated Book" —Lit Hub, The Millions New Animal is a poignant, darkly comedic look at human connection from a biting and original new voice in Ella Baxter. Amelia Aurelia is approaching thirty and her closest relationships — other than her mother — are through her dating apps. She works at the family mortuary business as a cosmetic mortician with her eccentric step-father and older brother, whose throuple’s current preoccupation is with what type of snake to adopt. When Amelia’s affectionate mother passes away without warning, she is left without anchor. Fleeing the funeral, she seeks solace with her birth-father in Tasmania and stumbles into the local BDSM community, where her riotous attempts to belong are met with confusion, shock, and empathy. Hilarious and heartfelt, New Animal reveals hard-won truths as Amelia struggles to find her place in the world without her mother, with the help of her two well-intentioned fathers and adventures at the kink club.
Byobu reveals a rich inner world, one driven by its meticulous attention to our rich outer one. "a story’s existence, even if not well defined or well assigned, even if only in its formative stage, just barely latent, emits vague but urgent emanations." Byobu's every interaction trembles with possibility and faint menace. A crack in the walls of his house, marring it forever, means he must burn it down. A stoplight asks what the value of obedience is, what hopefulness it contains, and what insensible anarchy it defies. In brief episodes, aphorisms, and moments of spiritual turbulence and gentle scrutiny, reside a wealth of habits, worries, curiosities, pleasures, peculiarities, and efforts to understand. Representative of the modesty and complexity of Ida Vitale’s poetic universe, Byobu flushes the world with meaning and playfully offers another way of inhabiting the every day.
* The Story Prize Spotlight Award, Winner * Readings Prize for New Australian Fiction, Shortlist * Queensland Literary Awards – University of Southern Queensland Steele Rudd Award for a Short Story Collection, Shortlist * Age Book of the Year award, Finalist * An ABA Indie Next pick for “Great New Reads” for August. * "A Best Native Book of 2021" —The Tribal College Journal * "A Best Book of the Year" —Independent Book Review The remarkable stories in Born Into This are eye-opening, razor-sharp, and entertaining, often all at once. From an Aboriginal ranger trying to instill some pride in wayward urban teens on the harsh islands off the coast of Tasmania, to those scraping by on the margins of white society railroaded into complex and compromised decisions, Adam Thompson presents a powerful indictment of colonialism and racism. With humor, pathos, and the occasional sly twist, Thompson’s characters confront discrimination, untimely funerals, classroom politics, the ongoing legacy of cultural destruction, and — overhanging all like a discomforting, burgeoning awareness for both black and white Australia — the inexorable disappearance of the remnant natural world. "A legacy of cultural destruction in Australia and the disappearance of the natural world loom over stories of Aboriginal rangers, untimely funerals and angry bees in this sharp fiction debut." —New York Times Book Review "With its wit, intelligence and restless exploration of the parameters of race and place, Thompson’s debut collection is a welcome addition to the canon of Indigenous Australian writers." —Thuy On, The Guardian
Compelling, compassionate and profoundly moving, this new novel by the acclaimed author of The Everlasting Sunday confirms Robert Lukins as one of our finest writers. Two women stand in the shallows, a man dead at their feet, while around them buildings burn. Amid the ruins of a fire-ravaged amusement park and destroyed waterfront dwellings, one boarded-up building still stands. May has come from Australia to Loveland, Nebraska, to claim the house on the poisoned lake as part of her grandmother's will. Escaping the control of her husband, will she find refuge or danger? As she starts repairing the old house, May is drawn to discover more about her silent, emotionally distant grandmother and unravel the secrets that Casey had moved halfway around the world to keep hidden. How she and Casey's lives interconnect, and the price they both must pay for their courage, is gradually revealed as this mesmerising and lyrical novel unfolds. Compelling, compassionate and profoundly moving, this new novel by the acclaimed author of The Everlasting Sunday confirms Robert Lukins as one of our finest writers. 'Gripping, insightful and absolutely searing.' -Emily Maguire, author of Love Objects 'A book of such tenderness and precision: it is radiant.' -Stephanie Bishop, author of Man Out of Time 'Heartbreaking in its emotional reach.' -Gail Jones, author of Our Shadows 'A novel that is as gloriously satisfying as it is achingly beautiful. A must-read.' -Paige Clark, author of She Is Haunted 'It takes a masterful writer to tell an ugly story so beautifully. I couldn't stop reading it.' -Allee Richards, author of Small Joys of Real Life
“Signs, wonders, and witchcraft beset 17th-century France” in this “grim but spellbinding” novel of a mother searching for her son inspired by true events (Kirkus Reviews). France, 1673. A young woman from the country, Charlotte Picot must venture to the fearsome city of Paris in search of her last remaining son, Nicolas. Either fate or mere coincidence places the quick-witted charlatan Adam Lesage in her path. Adam is newly released from the prison galleys and on the hunt for treasure. But Charlotte, believing him to be a spirit she has summoned from the underworld, enlists his help in finding her child. Charlotte and Adam―comically ill-matched yet essential to one another―journey to Paris, then known as the City of Crows. Evoking pre-revolutionary France with all its ribaldry, superstition, and intrigue, “Womersley weaves a haunting tale of the drastic lengths people will go to achieve their deepest desires” (Publishers Weekly). “A gothic masterpiece.” ―Better Read Than Dead
From one of Australia’s most celebrated authors comes a powerful mother-daughter drama that explores the fault lines between love and control, pairing the claustrophobic intensity of Room and My Year of Rest and Relaxation with the youthful angst of Freshwater. Sixteen and pregnant, Karuna finds herself trapped in her mother’s Melbourne public housing apartment for one hundred days awaiting the birth of her child—and her mother’s next move in a shocking power struggle over who will raise the baby. To fill the seemingly endless hours of her imprisonment, she writes to her unborn child, determined that her baby will know the truth, no matter what happens. Karuna’s pregnancy is the result of a heady act of independence, lust, and defiance that happened in a moment of freedom from her overprotective mother. In reaction to her daughter’s recklessness, Karuna’s mother locks her inside their apartment to her to make sure she can’t get into any more trouble. While postpartum confinement is a tradition in many cultures, is Karuna’s an act of love—or emotional abuse? As the birth approaches, Karuna and her mother repeatedly trip the fault lines between love and control. And somehow, despite their battles, Karuna recognizes her mother’s love in even the strangest of behaviors. At times tense and unnerving, One Hundred Days illuminates the pain, confusion, and thrill of growing up and the overwhelming desire of adults to protect the children they