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Presents innovative, multidisciplinary approaches to the study of a volatile region
The present volume is the last in the Entangled Balkans series and marks the end of several years of research guided by the transnational, “entangled history” and histoire croisée approaches. The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies—not only questions of scholarly concepts, definitions, and approaches but also the extra-scholarly, ideological, political, and geopolitical motivations that underpin them. These issues are treated more systematically and by a presentation of their historical evolution in various national traditions and schools. Some of the essays deal with the articulation of certain forms of “Balkan heritage” in relation to the geographical spread and especially the cultural definition of the “Balkan area.” Concepts and definitions of the Balkans are thus complemented by (self-)representations that reflect on their cultural foundations.
The authors in this volume seek to treat the modern history of the Balkans from a transnational and relational perspective in terms of shared and connected, as well as entangled, histories, transfers and crossings.
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
This book provides a detailed understanding of how different types of engagements impact upon the reform and EU integration of the Western Balkan region. It examines the influence of Russia, China, Turkey and the UAE in the region and analyses the range of existing links. Contributors offer an academic and multifaceted perspective of the role of external and non-Western actors in the region that goes beyond, on the one hand, the tendency of some Western decision makers to perceive all engagement by third powers as a sinister threat and, on the other, the view of regional governments of all external involvement as a boon coming at a time of Western neglect and reduced foreign investments. By looking at the importance of Russia, Turkey, China and the UAE in the Western Balkans, the book sheds light on one key arena of global competition, offers new insights on the strengths and weaknesses of Euro–Atlantic integration and advances our knowledge of foreign policy and its economic, social and security dimensions for small and medium-sized countries. It will be of interest to academics, postgraduate and research students, and think-tankers with research interest in IR and Southeast European Studies. European decision makers will also gain an insight into the extent of non-Western influence in the region.
Mirroring Europe offers refreshing insight into the ways Europe is imagined, negotiated and evoked in Balkan societies in the time of their accession to the European Union. Until now, visions of Europe from the southeast of the continent have been largely overlooked. By examining political and academic discourses, cultural performances, and memory practices, this collection destabilizes supposedly clear and firm division of the continent into East and West, ‘old’ and ‘new’ Europe, ‘Europe’ and ‘still-not-Europe’. The essays collected here show Europe to be a dynamic, multifaceted, contested idea built on values, images and metaphors that are widely shared across such geographic and ideological frontiers. Contributors are: Čarna Brković, Ildiko Erdei, Ana Hofman, Fabio Mattioli, Marijana Mitrović, Nermina Mujagić, Orlanda Obad, and Tanja Petrović.
Scaling the Balkans puts in conversation several fields that have been traditionally treated as discrete: Balkan studies, Ottoman studies, East European studies, and Habsburg and Russian studies. By looking at the complex interrelationship between countries and regions, demonstrating how different perspectives and different methodological approaches inflect interpretations and conclusions, it insists on the heuristic value of scales. The volume is a collection of published and unpublished essays, dealing with issues of modernism, backwardness, historical legacy, balkanism, post-colonialism and orientalism, nationalism, identity and alterity, society-and nation-building, historical demography and social structure, socialism and communism in memory, and historiography.
The defeat of the Ottoman Empire in the Balkans in 1475 at the Battle of Vaslui heralded the beginnings of a historic legacy. The victor became known as Stephen the Great or Athleta Christi, Champion of Christ. Perceived as the founder of a Balkan identity, Stephen the Great maintained Moldova's independence during periods of fierce Ottoman attack between 1457 and 1504. His Christian religious stance meant that, in the eyes of Europe, he had not only defeated a significant territorial threat but had elevated Christianity to a superior level as victors over its Muslim opponents. Here, Jonathan Eagles seeks to unveil the mechanisms behind this legacy, reviewing the state formations that allowed this national hero to emerge, and explaining the methods that preserve his memory in the region today. By combining the latest historical studies of the anti-Ottoman resistance with new archaeological findings, Stephen the Great and Balkan Nationalism engages with a fresh approach to the history of the Balkans, and reinvigorates the study of the Ottoman Empire's impact in Europe. This is an important book for those with an interest in medieval history, Balkan history and the Ottomans.
In recent years, western discourse about the Balkans, or “balkanism,” has risen in prominence. Characteristically, this strand of research sidelines the academic input in the production of western representations and Balkan self-understanding. Looking at the Balkans from the vantage point of “balkanism” has therefore contributed to its further marginalization as an object of research and the evisceration of its agency. This book reverses the perspective and looks at the Balkans primarily inside-out, from within the Balkans towards its “self” and the outside world, where the west is important but not the sole referent. The book unravels attempts at regional identity-building and construction of regional discourses across various generations and academic subcultures, with the aim of reconstructing the conceptualizations of the Balkans that have emerged from academically embedded discursive practices and political usages. It thus seeks to reinstate the subjectivity of “the Balkans” and the responsibility of the Balkan intellectual elites for the concept and the images it conveys. The book then looks beyond the Balkans, inviting us to rethink the relationship between national and transnational (self-)representation and the communication between local and exogenous – Western, Central and Eastern European – concepts and definitions more generally. It thus contributes to the ongoing debates related to the creation of space and historical regions, which feed into rethinking the premises of the “new area studies.” Beyond Balkanism: The Scholarly Politics of Region Making will interest researchers and students of transnationalism, politics, historical geography, border and area studies.