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Cast size: medium.
Typescript, copyrighted 1990. Lacks title page. Heavily marked with colored ink and highlighter. Used by The New York Public Library's Theatre on Film and Tape Archive on April 1, 1998, when videotaping the stage production at John Houseman Theater, New York, N.Y. The production opened on Jan. 24, 1998, and was directed by Ethan McSweeney.
Some say roll with the punches. Drift with the tide. Nothing can stop the inevitability of change. There was a time when 300 Spartans disagreed with such mindless thinking and stood in the gap. Now it's time for 3,000 to stand in the gap. Sinner is the story of Marsuvees Black, a force of raw evil who speaks with wicked persuasion that is far more destructive than swords or guns. Beware all who stand in his way. It's also the story of Billy Rediger and Darcy Lange, two unsuspecting survivors of a research project gone bad, who discover that they are perhaps the two most powerful souls in the land. Listen to them or pay a terrible price. And it's the story of Johnny Drake, the one who comes out of the desert and leads the 3,000. Follow him and die. Sinner tells the story of a free land where people who worship as they please and say what they believe are suddenly silenced in the name of tolerance. Most will roll with the punches. Most will drift with the tide. But not all. Not the 3,000.
A sinner’s only hope is true love in this passionate new novel in J.R. Ward’s #1 New York Times bestselling Black Dagger Brotherhood series. Syn has kept his side hustle as a mercenary a secret from the Black Dagger Brotherhood. When he takes another hit job, he not only crosses the path of the vampire race’s new enemy, but also that of a half-breed in danger of dying during her transition. Jo Early has no idea what her true nature is, and when a mysterious man appears out of the darkness, she is torn between their erotic connection and the sense that something is very wrong. Fate anointed Butch O’Neal as the Dhestroyer, the fulfiller of the prophecy that foresees the end of the Omega. As the war with the Lessening Society comes to a head, Butch gets an unexpected ally in Syn. But can he trust the male—or is the warrior with the bad past a deadly complication? With time running out, Jo gets swept up in the fighting and must join with Syn and the Brotherhood against true evil. In the end, will love true prevail...or was the prophecy wrong all along?
An Entertainment Weekly Top 10 Romance of 2018! I'm not a good man, and I've never pretended to be. I don't believe in goodness or God or any happy ending that isn't paid for in advance. In fact, I've got my own personal holy trinity: in the name of money, sex, and Macallan 18, amen. So when the gorgeous, brilliant Zenny Iverson asks me to teach her about sex, I want to say yes, I really do. Unfortunately, there are several reasons to say no--reasons that even a very bad man like myself can't ignore. 1. She's my best friend's little sister. 2. She's too young for me. Like way too young. 3. She's a nun. Or about to be anyway. But I want her. I want her even with my best friend and God in the way, I want to teach her and touch her and love her, and I know that makes me something much worse than a very bad man. It makes me a sinner. And it's those very sins that are about to save me... ***Sinner is a standalone companion to Priest about Father Bell's brother Sean. You do not have to read Priest or Midnight Mass to read Sinner***
Published anonymously in 1824, this gothic mystery novel was written by Scottish author James Hogg. The Private Memoirs and Confessions of a Justified Sinner was published as if it were the presentation of a century-old document. The unnamed editor offers the reader a long introduction before presenting the document written by the sinner himself.
*A New York Times Book Review Editors' Choice * One of The East Hampton Star's 10 Best Books of the Year* From the New York Times bestselling author of The Most Dangerous Book, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's Crime and Punishment. The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story—and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of Crime and Punishment came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. Crime and Punishment advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. The Sinner and the Saint now gives us the thrilling and definitive story of that triumph.
Detective Gabriel Ashby has never looked twice at another man, yet the criminal across from him, the man he's interrogating, isn't like any other. Gabe can't deal with the sudden, intense need he has for one of NYPD's Most Wanted. Everyone close to Angelo Pagan ends up dead, with the smug gang leader standing amid the rubble. Gabe would love nothing more than to bust Angelo's ass and lock him up. So why is he seeing the bastard in his dreams at night? Angelo Pagan knows attraction to Gabe is suicide. He's resolute to ignore the chemistry...until a police raid goes wrong. He critically injures Gabe, changing the trajectory of both their lives. Now the two can't get close enough. They settle into a forbidden affair threatened by lies and betrayal, living on different sides of the law with no way of breaching the gap between them. With the authorities looking to make an example of Angelo, Gabe has to decide if it's really worth it to hate the sin but love the sinner. Reader Advisory: This book contains brief scenes of gang-related violence.
Never the Sinner by John Logan was written in 1985 and revised version in 1994. I created the role of Nathan Leopold at the University of Florida, directed by Dr. Ralf Remshardt. This paper is a document of my acting process from the first audition to the final performance. The first part of this document is an analysis of the play, its genre, and its importance to dramatic literature. The second is a recounting of my acting process in creating the character during the rehearsal period. The third and final part is a record of the performance run, challenges encountered, acting discoveries, and personal accomplishments.