Download Free Never Such Innocence Again Book in PDF and EPUB Free Download. You can read online Never Such Innocence Again and write the review.

1914. The clouds of war are gathering across Europe, but life in the Durham village of Ashbrook Stills carries on as it has for generations, the miners and farmers unmindful of the catastrophe that is about to engulf their world and put them all in danger. The Garforth family lies at the epicentre of the upcoming change, as the young men of the village eagerly heed the Call to Arms and rush to enlist. Soon, young Edgar Garforth finds himself fighting for his life on the beaches of Gallipoli, as his brothers also enlist in Kitchener's' Army, ready to do their duty for King and Country. Suffused with pride and anxiety, their family can only hope and pray for their survival. But will any of them make it back home alive?
This collection looks at the developments in British poetry from the Movement until the present. The introduction not only provides a context for these changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they provoke the reader into a fresh awareness of the nature of poetry and its relation to society.
For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis
Selections from poetry and fiction describe the 20th century's major conflicts.
Philip Larkin (1922-85) was not only one of the foremost English poets of the twentieth century, but also a notable novelist and a distinguished writer on jazz. He was jazz critic for The Daily Telegraph between 1961 and 1971. Jazz Writings brings together Larkin's reviews, articles and essays written for The Guardian, The Observer, The New Statesman, and numerous other publications.
_______________ 'Superb ... Booth's psychology is subtler than Motion's and more convincing' - Peter J. Conradi, Spectator 'Booth's diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed ... should render further attention by biographers superfluous for several years' - Guardian 'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent _______________ A fascinating and controversial study of Philip Larkin's world and how it bled into his work, James Booth's biography is a unique insight into the man whose life and art have been misunderstood for too long Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as 'Never such innocence again' and 'Sexual intercourse began / In nineteen sixty-three' made him one of the most popular poets of the last century. Larkin's reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving 'Love Songs in Age' have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words 'Deprivation is for me what daffodils were for Wordsworth' really have been so boorish? A very different public image is offered by those who shared the poet's life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets.
Assembling a broad selection of Great War poetry, this volume includes the famous but also the less well known poets, the popular songs of the day and poems from the Home Front. Here are Brooke's The Soldier, Owen's Spring Offensive - but also anonymous marching songs such as When This Blasted War Is Over, sung by British troops in their thousands, and poems by the women back home who waited for news of sons and husbands.
We know that millions of soldiers were scarred by their experiences in the First World War trenches, but what happened after they returned home? ??Suzie Grogan reveals the First World War's disturbing legacy for soldiers and their families. How did a nation of broken men, and 'spare' women cope? ??In 1922 the British Parliament published a report into the situation of thousands of 'service patients', or mentally ill ex-soldiers still in hospital. What happened to these men? Were they cured? What treatments were on offer? And what was the reception from their families and society? ??Drawing on a huge mass of original sources, Suzie Grogan answers all those questions, combining individual case studies with a narrative on wider events. Unpublished material from the archives shows the true extent of the trauma experienced by the survivors. This is a fresh perspective on the history of the post-war period, and the plight of a traumatised nation.
Given the upcoming five-hundred-year anniversary of Luther's ninety-five theses, it is appropriate to reflect on the impact of Luther's ideas. This collection of essays, which began as conference papers on the literature of Luther, seeks to initiate conversations on the many and varied receptions of the reformer. Most of the essays are interdisciplinary, crossing boundaries between literature, history, and theology. Both Catholic and Protestant voices are well represented. The topics covered are wide-ranging so that for any interested reader several essays will likely strike a chord.
The acclaimed novelist’s award-winning memoir of growing up in a remote Chinese fishing village is “a rich and insightful coming-of-age story” (Kirkus). The acclaimed author of A Concise Chinese-English Dictionary for Lovers and I Am China, Xiaolu Guo grew up an unwanted child in a poor fishing village on the East China Sea. But a Taoist monk made a startling prediction to her grandmother: that Guo would prove herself to be a peasant warrior and grow up to travel the nine continents. In Nine Continents, Guo tells the story of a curious mind coming of age in an inhospitable country, and her determination to seek a life beyond the limits of its borders. From her family’s village to a rapidly changing Beijing, to a life beyond China, Nine Continents presents a fascinating portrait of how the Cultural Revolution shaped families, and how the country’s economic ambitions have given rise to great change. This “moving and often exhilarating” memoir confirms Xiaolu Guo as one of world literature’s most urgent voices (Financial Times, UK).