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A natural history of the wilderness in our homes, from the microbes in our showers to the crickets in our basements Even when the floors are sparkling clean and the house seems silent, our domestic domain is wild beyond imagination. In Never Home Alone, biologist Rob Dunn introduces us to the nearly 200,000 species living with us in our own homes, from the Egyptian meal moths in our cupboards and camel crickets in our basements to the lactobacillus lounging on our kitchen counters. You are not alone. Yet, as we obsess over sterilizing our homes and separating our spaces from nature, we are unwittingly cultivating an entirely new playground for evolution. These changes are reshaping the organisms that live with us -- prompting some to become more dangerous, while undermining those species that benefit our bodies or help us keep more threatening organisms at bay. No one who reads this engrossing, revelatory book will look at their homes in the same way again.
I Was Never Alone or Oporniki presents an original ethnographic stage play, based on fieldwork conducted in Russia with adults with disabilities. The core of the work is the script of the play itself, which is accompanied by a description of the script development process, from the research in the field to rehearsals for public performances. In a supporting essay, the author argues that both ethnography and theatre can be understood as designs for being together in unusual ways, and that both practices can be deepened by recognizing the vibrant social impact of interdependency animated by vulnerability, as identified by disability theorists and activists.
A fatal car crash. A young orphan. Can she survive the harsh life of the seedy city streets? Eight-year-old Joon has no time to grieve her parents' sudden death. Ripped from the security of a loving family, she endures horrific abuse in a system intended to protect her. After four years of torture and her foster brother's attempt to steal her innocence, she runs away to Philadelphia's poverty-stricken streets.Coming of age while homeless, Joon must fight just to stay alive. Despite the danger and desperation that surrounds her, she clings to her dream of offering the world something positive. But kind acts don't put food in her belly as she searches for love and a place to call home.Never Be Alone is a standalone dark psychological thriller. If you are looking for courageous characters, an edgy story, and a heartbreaking true-to-life tale, then you need to read this book.
"Written and designed by Loewy, this profusely illustrated book is part autobiography and part design manifesto."--BOOK JACKET.
NYPD detective Megan McGinn has just solved the most important case of her career, and yet she has reached her breaking point. Struggling under the weight of her broken family and the brutality of her job, Megan is ready to walk away from the force—until the bizarre, ritualistic murder of a young woman brings her back. When the killer gets too close, stalking her from the shadows, Megan becomes trapped in a highstakes game of cat and mouse. To understand the mind of a murderer, Megan must walk a treacherous path. And the danger is only beginning. Praise: "NYPD detective Megan McGinn plays fast and loose with the rules in this fascinating debut."—RT Book Reviews "A promising debut."—Kirkus Reviews "Never Alone . . . has all the ingredients of a blockbuster police thriller and it delivers on every level."—Suspense Magazine
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle). In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely—or with such tenderhearted lunacy—than in Nobody's Angel, a novel that places him in a genre of his own.
How is it that one can be connected to a vast worldwide network of other people and places via digital technologies and yet also be completely alone? Kris Cohen tackles this philosophical question in Never Alone, Except for Now by exploring how contemporary technologies are changing group formations and affiliations within social life. He identifies a new form of collectivity that exists between publics, which are built through conscious acts, and populations, which are automatically constructed through the collection of Big Data. Finding traditional liberal concepts of the public sphere and neoliberal ideas of populations inadequate on their own to examine these new forms of sociality, Cohen places familiar features of the web—such as emoticons, trolling, and search engines—in conversation with artworks by Felix Gonzalez-Torres, William Gibson, Sharon Hayes, and Thomson & Craighead to more precisely articulate the affective and aesthetic experiences of living between publics and populations. This liminal experience—caught between existing as a set of data points and as individuals newly empowered to create their own online communities—explains, Cohen contends, how one is simultaneously alone and connected in ways never before possible.
Donald Goines, one of the most prolific writers of the 20th century, has influenced many of today's urban writers with his gritty, realistic look at the streets. For the first time in over a decade, his classic expose of a drug dealer's brutal rise to the top of Cocaine Mountain is now repackaged and reissued in trade with a whole new look to attract new readers, as well as long-time fans of the legend himself. King David was determined to claw his way out of the mean streets of New York City any way he could. It didn't matter if that meant battering and robbing old people, conning the innocent, or even killing a kid's mother. Lacing cocaine with battery acid for revenge was acceptable too. Ultimately, it meant leaving town. Now King's made it big, and made his way back, flush with cash and a Cadillac. But he hasn't been forgotten--or forgiven. And when payback time hits, he's only got one wish--not to die alone.
Elizabeth Haynes' new psychological thriller is a brilliantly suspenseful and shocking story in which nothing is at it seems, but everything is at stake. Sarah Carpenter lives in an isolated farmhouse in North Yorkshire and for the first time, after the death of her husband some years ago and her children, Louis and Kitty, leaving for university, she's living alone. But she doesn't consider herself lonely. She has two dogs, a wide network of friends and the support of her best friend, Sophie. When an old acquaintance, Aiden Beck, needs somewhere to stay for a while, Sarah's cottage seems ideal; and renewing her relationship with Aiden gives her a reason to smile again. It's supposed to be temporary, but not everyone is comfortable with the arrangement: her children are wary of his motives, and Will Brewer, an old friend of her son's, seems to have taken it upon himself to check up on Sarah at every opportunity. Even Sophie has grown remote and distant. After Sophie disappears, it's clear she hasn't been entirely honest with anyone, including Will, who seems more concerned for Sarah's safety than anyone else. As the weather closes in, events take a dramatic turn and Kitty too goes missing. Suddenly Sarah finds herself in terrible danger, unsure of who she can still trust. But she isn't facing this alone; she has Aiden, and Aiden offers the protection that Sarah needs. Doesn't he?