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Siddharth and Veera have a connection they refuse to acknowledge. There is more to Kavya than her snooty social-butterfly act. Mahir is the heartbroken heartbreaker. Aslesha has built all her friendships on a foundation of lies. Nikhil has spent his entire life learning how to shut people out. All Aakash wants is a second chance. And then there's Ananya. The one who was born to raise hell and change the world.
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The Conjuring meets Sadie in this queer ghost story, when seventeen-year-old podcaster Dare finds herself in a life-or-death struggle against an evil spirit. Dare Chase doesn’t believe in ghosts. But as the host of Attachments, her brand-new paranormal investigation podcast, she knows to keep her doubts to herself if she wants to win over listeners. Her first season’s subject is the Arrington Estate—a sprawling manor rumored to be haunted by the spirit of Atheleen Bell, who drowned in its lake almost thirty years ago. Dare’s more interested in investigating the suspicious circumstances of Atheleen’s death, which she thinks point to a decades-old murder, not something supernatural. But Arrington is full of surprises. As Dare is drawn deeper into the mysteries of the estate, she’ll have to rethink the boundaries of what is possible. Because if something is lurking in the lake . . . it might not be willing to let her go.
More than seventy years after its publication in 1936, Margaret Mitchell's Gone with the Wind has never been out of print. An icon of American culture, it has had similar success abroad, popular in Japan, Russia, and post-World War II Europe, among other places and times. This work analyzes the continuations of Mitchell's novel: the authorized sequels, Scarlett by Alexandra Ripley and Rhett Butler's People by Donald McCaig; the unauthorized parody The Wind Done Gone by Alice Randall and a politically correct parody; and the many fan fiction stories posted online. The book also explores Gone with the Wind's ambiguous ending, the perceived need to publish an authorized sequel, and the legal battle to determine who may re-write Gone with the Wind.
Niki is no stranger to horrific personal challenges. As a child, she bravely endured abandonment by her father. While in her teens, she witnessed her mothers murder and the abduction and presumed death of her only sibling. Although her secrets have always been carefully cloaked from others, they have shaped her personality more than she would like to admit. But with a past as terrible as hers, how can Niki ever hope for a bright future? Years later, Niki is a dedicated profiler in a criminal investigation agency with no idea her life is about to change exponentially. One day, through a quirky twist of fate, she receives startling news that her sister, Inge, is alive. As a driving force compels Niki to search for her, she embarks on a quest that takes her through cities and wilderness on two continents. She encounters difficult decisions, threatening mobsters, near-death experiences, and romance, yet nothing deters her from reaching her goalnot even a gruesome discovery about her father. But Niki is about to discover that things are never what they seem to be. In this thrilling tale, deception and inner turmoil hamper a young womans journey toward a new reality as she attempts to reconcile her past and find the truth.
Living in traditional India, with a cosmopolitan outlook, can be quite a struggle. Natasha Arora is too flamboyant for Aurangabad, a Maharashtrian city, where she meets her love, a British man from Kenya. They fall for each other, but their love story takes a turn for the worse. 24 years of life and no Past? A secret is a slave when you make it public yourself, but doesn’t it become your master if someone finds it out on their own? “Gone days are never gone,” especially when your past is powerful.
“A galvanizing exposé” of America’s trash problem from plastic in the ocean to “wasteful packaging, bogus recycling, and flawed landfills and incinerators” (Booklist, starred review). Eat a take-out meal, buy a pair of shoes, or read a newspaper, and you’re soon faced with a bewildering amount of garbage. The United States is the planet’s number-one producer of trash. Each American throws out 4.5 pounds daily. But garbage is also a global problem. Today, the Pacific Ocean contains six times more plastic waste than zooplankton. How did we end up with this much rubbish, and where does it all go? Journalist and filmmaker Heather Rogers answers these questions by taking readers on a grisly and fascinating tour through the underworld of garbage. Gone Tomorrow excavates the history of rubbish handling from the nineteenth century to the present, pinpointing the roots of today’s waste-addicted society. With a “lively authorial voice,” Rogers draws connections between modern industrial production, consumer culture, and our throwaway lifestyle (New York Press). She also investigates the politics of recycling and the export of trash to poor countries, while offering a potent argument for change. “A clear-thinking and peppery writer, Rogers presents a galvanizing exposé of how we became the planet’s trash monsters. . . . [Gone Tomorrow] details everything that is wrong with today’s wasteful packaging, bogus recycling, and flawed landfills and incinerators. . . . Rogers exhibits black-belt precision.” —Booklist, starred review
"This book will heal your soul." Gone Dogs is a stunning, 228 page anthology by 52 people from around the world sharing the dogs of their lifetimes in touching, often hilarious, tributes of love. Available in color and black and white. Visit GoneDogs.com to receive free shipping. Gone Dogs. It's about love.
The first installment in Jeffery Deaver’s Colter Shaw series—the inspiration for the upcoming CBS original series TRACKER starring Justin Hartley! The son of a survivalist family, Colter Shaw is an expert tracker. Now he makes a living as a “reward seeker,” traveling the country to help police solve crimes and locate missing persons for private citizens. “You’ve been abandoned. Escape if you can. Or die with dignity.” Hired by the father of a young woman who has gone missing in Silicon Valley, Shaw's search takes him into the dark heart of America’s cutthroat billion-dollar video-game industry. When another person goes missing, Shaw must ask: Is a madman bringing a twisted video game to life? Encountering eccentric designers, trigger-happy gamers, and ruthless tech titans, Shaw soon learns that he isn't the only one on the hunt: someone is on his trail and closing fast.... Named a Crime Novel of the Year by The New York Times Book Review, The Never Game proves once more why “Deaver is a genius when it comes to manipulation and deception” (Associated Press). CBS, CBS Eye Design, and related logos are trademarks of CBS Broadcasting Inc. Used under license. TRACKER is a trademark of Twentieth Century Fox Film Corporation. Used under license.