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This lively survey of the history of conflict between democracies reveals a remarkable--and tremendously important--finding: fully democratic nations have never made war on other democracies. Furthermore, historian Spencer R. Weart concludes in this thought-provoking book, they probably never will. Building his argument on some forty case studies ranging through history from ancient Athens to Renaissance Italy to modern America, the author analyzes for the first time every instance in which democracies or regimes like democracies have confronted each other with military force. Weart establishes a consistent set of definitions of democracy and other key terms, then draws on an array of international sources to demonstrate the absence of war among states of a particular democratic type. His survey also reveals the new and unexpected finding of a still broader zone of peace among oligarchic republics, even though there are more of such minority-controlled governments than democracies in history. In addition, Weart discovers that peaceful leagues and confederations--the converse of war--endure only when member states are democracies or oligarchies. With the help of related findings in political science, anthropology, and social psychology, the author explores how the political culture of democratic leaders prevents them from warring against others who are recognized as fellow democrats and how certain beliefs and behaviors lead to peace or war. Weart identifies danger points for democracies, and he offers crucial, practical information to help safeguard peace in the future.
An entire generation of young adults has never known an America without the War on Terror. This book contends with the pervasive effects of post-9/11 policy and myth-making in every corner of American life. Never-Ending War on Terror is organized around five keywords that have come to define the cultural and political moment: homeland, security, privacy, torture, and drone. Alex Lubin synthesizes nearly two decades of United States war-making against terrorism by asking how the War on Terror has changed American politics and society, and how the War on Terror draws on historical myths about American national and imperial identity. From the PATRIOT Act to the hit show Homeland, from Edward Snowden to Guantanamo Bay, and from 9/11 memorials to Trumpism, this succinct book connects America's political economy and international relations to our contemporary culture at every turn.
The story of the Museum of the Second World War in Gdańsk epitomizes one of the most important and dramatic clashes in the European culture of memory and public history in last decades. The museum became the arch-enemy for the nationalist right-wing as “cosmopolitan”, “pseudo-universalistic”, “pacifistic” and “not Polish enough”. Paweł Machcewicz, historian and museum`s founding director, was removed from his position by the Law and Justice government immediately after opening the museum to the public. In his book he presents this story as a part of cultural wars that tear apart not only Poland but also many countries in Europe and on other continents.
More than three decades after the final withdrawal of American troops from Southeast Asia, the legacy of the Vietnam War continues to influence political, military, and cultural discourse. Journalists, politicians, scholars, pundits, and others have used the conflict to analyze each of America's subsequent military engagements. Many Americans have observed that Vietnam-era terms such as "cut and run," "quagmire," and "hearts and minds" are ubiquitous once again as comparisons between U.S. involvement in Iraq and in Vietnam seem increasingly appropriate. Because of its persistent significance, the Vietnam War era continues to inspire vibrant historical inquiry. The eminent scholars featured in The War That Never Ends offer fresh and insightful perspectives on the continuing relevance of the Vietnam War, from the homefront to "humping in the boonies," and from the great halls of political authority to the gritty hotbeds of oppositional activism. The contributors assert that the Vietnam War is central to understanding the politics of the Cold War, the social movements of the late twentieth century, the lasting effects of colonialism, the current direction of American foreign policy, and the ongoing economic development in Southeast Asia. The seventeen essays break new ground on questions relating to gender, religion, ideology, strategy, and public opinion, and the book gives equal emphasis to Vietnamese and American perspectives on the grueling conflict. The contributors examine such phenomena as the role of women in revolutionary organizations, the peace movements inspired by Buddhism, and Ho Chi Minh's successful adaptation of Marxism to local cultures. The War That Never Ends explores both the antiwar movement and the experiences of infantrymen on the front lines of battle, as well as the media's controversial coverage of America's involvement in the war. The War That Never Ends sheds new light on the evolving historical meanings of the Vietnam War, its enduring influence, and its potential to influence future political and military decision-making, in times of peace as well as war.
Set in the year 1999, this suspenseful novel reveals a gripping and insightful account of what happens when top political and military advisors from the U.S. and Soviet Union meet to launch World War III. Original.
This title tells the story of a secret war fought by British mercenaries in the Yemen in the early 1960s. The book features British military history, much in the spirit of Ben McIntyre's 'Agent Zigzag' and 'Operation Mincemeat'.
This book discusses the nuclear dilemma from various countries' points of view: from Japan, Korea, the Middle East, and others. The final chapter proposes a new solution for the nonproliferation treaty review.
Though War is Old It has not Become wise. Poet and activist Alice Walker personifies the power and wanton devastation of war in this evocative poem. Stefano Vitale’s compelling paintings illustrate this unflinching look at war’s destructive nature and unforeseen consequences.
Again and again British politicians, commentators and celebrities intone that 'The War on Drugs has failed'. They then say that this is an argument for abandoning all attempts to reduce drug use through the criminal law. Peter Hitchens shows that in Britain there has been no serious 'war on drugs' since 1971, when a Tory government adopted a Labour plan to implement the revolutionary Wootton report. This gave cannabis, the most widely used illegal substance, a special legal status as a supposedly 'soft' drug (in fact, Hitchens argues, it is at least as dangerous as heroin and cocaine because of the threat it poses to mental health). It began a progressive reduction of penalties for possession, and effectively disarmed the police. This process still continues, behind a screen of falsely 'tough' rhetoric from politicians. Far from there being a 'war on drugs', there has been a covert surrender to drugs, concealed behind an official obeisance to international treaty obligations. To all intents and purposes, cannabis is legal in Britain, and other major drugs are not far behind. In The War We Never Fought, Hitchens uncovers the secret history of the government's true attitude, and the increasing recruitment of the police and courts to covert decriminalisation initiatives, and contrasts it with the rhetoric. Whatever and whoever is to blame for the undoubted mess of Britain's drug policy, it is not 'prohibition' or a 'war on drugs', for neither exists.