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As people of the modern era were singularly prone to nervous disorders, the nervous system became a model for describing political and social organization. This volume untangles the mutual dependencies of scientific neurology and the cultural attitudes of the period 1800-1950, exploring how and why modernity was a fundamentally nervous state.
" ... also derived from a symposium held at the Medical Society of London."--P. ix.
The connection between mind and brain has been one of the most persistent problems in modern Western thought; even recent advances in neuroscience haven’t been able to explain it satisfactorily. Historian Larry Sommer McGrath’s Making Spirit Matter studies how a particularly productive and influential group of nineteenth- and early twentieth-century French thinkers attempted to solve this puzzle by showing the mutual dependence of spirit and matter. The scientific revolution taking place at this point in history across disciplines, from biology to psychology and neurology, located our mental powers in the brain and offered a radical reformulation of the meaning of society, spirit, and the self. Tracing connections among thinkers such as Henri Bergson, Alfred Fouillée, Jean-Marie Guyau, and others, McGrath plots alternative intellectual movements that revived themes of creativity, time, and experience by applying the very sciences that seemed to undermine metaphysics and religion. Making Spirit Matter lays out the long legacy of this moment in the history of ideas and how it might renew our understanding of the relationship between mind and brain today.
"In the 1930s, Tracy J. Putnam and H. Houston Merritt were Harvard neurologists when they discovered Dilantin, the revolutionary anticonvulsant drug that changed the lives of many and can be considered as a breakthrough on a par with penicillin or insulin." "Putnam was a brilliant and imaginative experimentalist, but not always correct in the theories he pursued. Merritt was the practical one, an observer, fact-collector, and recorder of what would now be called "evidence-based medicine." From his early days, Merritt was a popular and remarkable diagnostician. Their careers merged later, when first Putnam and then Merritt became head of the Neurological Institute in New York at the Columbia-Presbyterian Medical Center." "Putnam moved to California in 1947 and died in relative obscurity in 1975. He had no intellectual heirs. Merritt flourished and about one-third of all Neurology Departments in the United States were led by his students. Merritt's textbook first appeared in 1955. He was the sole author through the first five editions, accepted some help in the sixth edition, and died in 1979 as it was being published. Together, Putnam and Merritt led the way in transforming neurology from merely diagnostic to therapeutic success." "For the first time, The Legacy of Tracy J. Putnam and H. Houston Merritt: Modern Neurology in the United States will set this spoken history into written form. Beautifully illustrated with historic photographs, Dr. Lewis P. Rowland tells the story of two founders of modern neurology in a clear, engaging and enthusiastic prose."--BOOK JACKET.
Interest in the history of neurological science has increased significantly during the last decade, but the significance of war has been overlooked in related research. In contrast, this book highlights war as a factor of progress in neurological science. Light is shed on this little-known topic through accounts given by neurologists in war, experiences of soldiers suffering from neurological diseases, and chapters dedicated to neurology in total and contemporary war. Written by experts, the contributions in this book focus on the Napoleonic Wars, the American Civil War, the Franco-Prussian War of 1870, World Wars I and II, and recent conflicts such as Vietnam or Afghanistan. Comprehensive yet concise and accessible, this book serves as a fascinating read for neurologists, neurosurgeons, psychiatrists, historians, and anyone else interested in the history of neurology.
This well-established international series examines major areas of basic and clinical research within neuroscience, as well as emerging and promising subfields. This volume on the neurosciences, neurology, and literature vividly shows how science and the humanities can come together --- and have come together in the past. Its sections provide a new, broad look at these interactions, which have received surprisingly little attention in the past. Experts in the field cover literature as a window to neurological and scientific zeitgeists, theories of brain and mind in literature, famous authors and their suspected neurological disorders, and how neurological disorders and treatments have been described in literature. In addition, a myriad of other topics are covered, including some on famous authors whose important connections to the neurosciences have been overlooked (e.g., Roget, of Thesaurus fame), famous neuroscientists who should also be associated with literature, and some overlooked scientific and medical men who helped others produce great literary works (e,g., Bram Stoker's Dracula). There has not been a volume with this coverage in the past, and the connections it provides should prove fascinating to individuals in science, medicine, history, literature, and various other disciplines. - This book looks at literature, medicine, and the brain sciences both historically and in the light of the newest scholarly discoveries and insights
Brings together in one volume many aspects of the neurology of breathing not currently available elsewhere. The emphasis is on the function and the diseases of the central and peripheral nervous systems with respect to their control of the muscles of the chest wall and especially the diaphragm, often termed the vital pump.
"The story Modern tells ranges from eighteenth-century brain anatomies to the MRI; from the spread of phrenological cabinets and mental pieties in the nineteenth century to the discovery of the motor cortex and the emergence of the brain wave as a measurable manifestation of cognition; from cybernetic research into neural networks and artificial intelligence to the founding of brain-centric religious organizations such as Scientology; from the deployments of cognitive paradigms in electric shock treatment to the work of Barbara Brown, a neurofeedback pioneer who promoted the practice of controlling one's own brainwaves in the 1970s. What Modern reveals via this grand tour is that our ostensibly secular turn to the brain is bound up at every turn with the 'religion' it discounts, ignores, or actively dismisses. Nowhere are science and religion closer than when they try to exclude each other, at their own peril"--
The essays in this collection demonstrate how late-Victorian and Edwardian neurology and fiction shared common philosophical concerns and rhetorical strategies. Between 1860 and 1920, neurologists like Silas Weir Mitchell and Oliver Wendell Holmes wrote moving literature, while novelists like H.G. Wells and Wilkie Collins used fiction to dramatize neurological discoveries and their consequences. These six decades witnessed unprecedented interdisciplinary collaboration between scientists and artists, who found common ground in their shared ambivalence towards the prevailing intellectual climate of biological determinism.
Part of the Drugs in series, this book provides an easily accessible pocket-sized guide to the use of medications when treating patients with neurological ailments. Drugs in Neurology covers the breadth of medications used in modern neurology, including each drug's indications, contra-indications, side-effects and important interactions. The underlying pharmacology also feature (where known). Practical aspects related to prescribing and therapeutic drug monitoring are covered and based on the most up-to-date evidence-based guidance. Each drug monograph contains a small section drawing on the wisdom of the senior contributors of each chapter with regards to using the medication.