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Frances Pritchett's lively, compassionate book joins literary criticism with history to explain how Urdu poetry—long the pride of Indo-Muslim culture—became devalued in the second half of the nineteenth century. This abrupt shift, Pritchett argues, was part of the backlash following the violent Indian Mutiny of 1857. She uses the lives and writings of the distinguished poets and critics Azad and Hali to show the disastrous consequences—culturally and politically—of British rule. The British had science, urban planning—and Wordsworth. Azad and Hali had a discredited culture and a metaphysical, sexually ambiguous poetry that differed radically from English lyric forms. Pritchett's beautiful reconstruction of the classical Urdu poetic vision allows us to understand one of the world's richest literary traditions and also highlights the damaging potential of colonialism.
Publisher Description
Frances W pritchett recalls her first experience of the ghazal as love at first sight, contrary to the disdainful approch of the morden urdu critics. He joins literary criticism and history to explain hoe the ghazal, for centuries the pride and joy of indo-muslim culture , was abrubtly dethorend within its own milieu and by his own theoriests.
Net theory is a theory of systems organization which had its origins, about 20 years ago, in the dissertation of C. A. Petri [1]. Since this seminal paper, nets have been applied in various areas, at the same time being modified and theoretically investigated. In recent time, computer scientists are taking a broader interest in net theory. The main concern of this book is the presentation of those parts of net theory which can serve as a basis for practical application. It introduces the basic net theoretical concepts and ways of thinking, motivates them by means of examples and derives relations between them. Some extended examples il lustrate the method of application of nets. A major emphasis is devoted to those aspect which distinguish nets from other system models. These are for instance, the role of concurrency, an awareness of the finiteness of resources, and the pos sibility of using the same representation technique of different levels of ab straction. On completing this book the reader should have achieved a system atic grounding in the subject allowing him access to the net literature [25]. These objectives determined the subjects treated here. The presentation of the material here is rather more axiomatic than in ductive. We start with the basic notions of 'condition' and 'event' and the con cept of the change of states by (concurrently) occurring events. By generali zation of these notions a part of the theory of nets is presented.
A number of studies of colonial Lahore in recent years have explored such themes as the city's modernity, its cosmopolitanism and the rise of communalism which culminated in the bloodletting of 1947. This first synoptic history moves away from the prism of the Great Divide of 1947 to examine the cultural and social connections which linked colonial Lahore with North India and beyond. In contrast to portrayals of Lahore as inward looking and a world unto itself, the authors argue that imperial globalisation intensified long established exchanges of goods, people and ideas. Ian Talbot and Tahir Kamran's book is reflective of concerns arising from the global history of Empire and the new urban history of South Asia. These are addressed thematically rather than through a conventional chronological narrative, as the book uncovers previously neglected areas of Lahore's history, including the links between Lahore's and Bombay's early film industries and the impact on the 'tourist gaze' of the consumption of both text and visual representation of India in newsreels and photographs.
Winner Of The Duff Cooper Prize For History 2007 Bahadur Shah Zafar Ii, The Last Mughal Emperor, Was A Mystic, A Talented Poet, And A Skilled Calligrapher, Who, Though Deprived Of Real Political Power By The East India Company, Succeeded In Creating A Court Of Great Brilliance, And Presided Over One Of The Great Cultural Renaissances Of Indian History. In 1857 It Was Zafar S Blessing To A Rebellion Among The Company S Own Indian Troops That Transformed An Army Mutiny Into The Largest Uprising The British Empire Ever Had To Face. The Last Mughal Is A Portrait Of The Dazzling Delhi Zafar Personified, And The Story Of The Last Days Of The Great Mughal Capital And Its Final Destruction In The Catastrophe Of 1857. Shaped From Groundbreaking Material, William Dalrymple S Powerful Retelling Of This Fateful Course Of Events Is An Extraordinary Revisionist Work With Clear Contemporary Echoes. It Is The First Account To Present The Indian Perspective On The Siege, And Has At Its Heart The Stories Of The Forgotten Individuals Tragically Caught Up In One Of The Bloodiest Upheavals In History.
The debate over Islam and modernity tends to be approached from a Eurocentric perspective that presents Western norms as a template for progress - against which Islamic societies can be measured. This misses the historical development of Muslim reformist thought that actively engages with the world around it and seeks to reconfigure Islam within the diverse conditions of modernity. Safdar Ahmed paints a complex and nuanced picture that goes beyond the idea that Muslim reformers have either reproduced or reacted against Western ideas. Rather, Ahmed argues, they have reconstructed and appropriated these ideas, and so the thread of Western influence runs through modern Islamic thought on nationalism and sovereignty, femininity and gender. Ahmed uncovers new historiographical perspectives by critically examining the work of prominent intellectuals, such as Muhammad Abduh, Qasim Amin and Abdul A'la Maududi.
Poetry of Belonging is an exploration of north-Indian Muslim identity through poetry at a time when the Indian nation state did not exist. Between 1850 and 1950, when precolonial forms of cultural traditions, such as the musha’irah, were undergoing massive transformations to remain relevant, certain Muslim ‘voices’ configured, negotiated, and articulated their imaginings of what it meant to be Muslim. Using poetry as an archive, the book traces the history of the musha’irah, the site of poetic performance, as a way of understanding public spaces through the changing economic, social, political, and technological contexts of the time. It seeks to locate the changing ideas of watan (homeland) and hubb-e watanī (patriotism) in order to offer new perspectives on how Muslim intellectuals, poets, political leaders, and journalists conceived of and expressed their relationship to India and to the transnational Muslim community. The volume aims to spark a renegotiation of identity and belonging, especially at a time when Muslim loyalty to India has yet again emerged as a politically polarizing question.
This is one of the first books in any language on the life and work of Miraji (1912-1949), one of the major canonical Urdu poets of the 20th century. Presenting close readings of some of Miraji's most compelling and challenging poems, the author reconceives the relationships among nationalism, gender, and sexuality in Indian life.
The #1 New York Times bestseller 'At once vivid and simple, lyrical and surgical, expressive and exacting' Lupita Nyong'o Dreams are today’s answers for tomorrow’s questions. Eleven-year-old Kofi Offin has dreams of water, of its urgent whisper that beckons with promises and secrets. He has heard the call on the banks of Upper Kwanta, West Africa, where he lives. He loves these things above all else: his family, the fireside tales of his father’s father, a girl named Ama, and, of course, swimming. But when the unthinkable – a sudden death – occurs during a festival between rival villages, Kofi ends up in a fight for his life. What happens next will send him on a harrowing journey across land and sea, and away from everything he loves. Yet Kofi’s dreams may be the key to his freedom...