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Jewish Notebook - Hanukkah Festival Of Lights Chanukah Israel Hebrew Mini Notepad Gift College Ruled Are you a Looking to buy some Festival Of Lights Gifts? Or you know someone that needs this Jewish notebooks for this coming Hanukkah? This is a great for taking notes, scheduling, journal and much more. Use it for work, business, travel or your day to day notes. Convenient 6 x 9 size - perfect for fitting in your pocket or purse Great gift idea for christian, jewish, jew, hebrews, black friday, Christmas, december, shopper, cyber monday, birthdays, cooking recipe, holidays, or any special occasion. Useful and funny chanukkah notepad for writing notes, journal and more! Perfectly sized at 6" x 9" 120 lined pages Cool hebrew cover design Thoughtful gift for people who loves Hanukkah!
Christian Prayer Journal- Hanukkah Festival Of Lights Chanukah Israel Hebrew Mini Notepad Gift College Ruled (6"X9") Are you a Looking to buy some Festival Of Lights Gifts? Or you know someone that needs this Prayer Journal notebooks for this coming Hanukkah? This is a great for taking notes, scheduling, journal and much more. Use it for work, business, travel or your day to day notes. Convenient 6 x 9 size - perfect for fitting in your pocket or purse Great gift idea for christian, jewish, jew, hebrews, black friday, Christmas, december, shopper, cyber monday, birthdays, cooking recipe, holidays, or any special occasion. Useful and funny chanukkah notepad for writing notes, journal and more! Perfectly sized at 6" x 9" 120 lined pages Cool hebrew cover design Thoughtful gift for people who loves Hanukkah!
The familiar Hebrew phrase Nes gadol haya sham (A great miracle happened there) is intertwined with English lyrics in this sensitive and reflective original. Midway through the piece, a narrator briefly recites the story of Hanukkah over piano and violin accompaniment, creating a unique effect. The subtle, modal flavor and beautiful melodies will make this selection an instant favorite!
Dictionary of Jewish Usage: A Guide to the Use of Jewish Terms is a unique and much needed guide to the way many Hebrew, Yiddish, and Aramaic words and meanings are used by English speakers. Sol Steinmetz draws upon his years of dictionary editorial experience, as well as his lifelong study of Jewish history, traditions, and practices, to guide the reader through the essentially uncharted territory of Jewish usage. Dictionary of Jewish Usage clarifies the meanings of Jewish terms that have been absorbed into English, as well as the transliterated Hebrew terms from sacred texts that reflect differing pronunciations. The Dictionary also explains terms that are often misused, sheds light on the meaning of clusters of terminology, and delineates the etymology and pronunciation of many words, making this Dictionary an invaluable guide for anyone curious about Jewish usage.
The title of this book is a phrase often used to describe the fate of the Jewish people in the world and invokes one of the central arguments for the creation of the state of Israel. In this thoughtful collection of essays, Kim Chernin suggests that the Zionist struggle has left the Palestinian people in a similar predicament; now they, too, are merely guests in their former homeland. Confronting her own uncritical support of Israel, Chernin tries to reconcile her desire for a Jewish homeland with the reality of the violence carried out in order to secure it. Following an in-depth examination of the perspectives of both Jews and Palestinians, Chernin writes eloquently of the process by which she gradually learned to hear once-ignored Palestinian voices. By combining her knowledge of Jewish history with her insights as a psychotherapist, Chernin discovers the psychological mechanisms that have kept her and other Jews from fully comprehending the suffering of both parties in this seemingly endless conflict. She argues persuasively that by overcoming the mental blocks that prevent so many from seeing the Palestinian point of view, Jews can learn to feel empathy for them without diminishing their love and support for Israel.
Solo Vocal Works on Jewish Themes: A Bibliography of Jewish Composers is a comprehensive and annotated compendium of stage, concert, and liturgical compositions written by Jewish composers from every known time period and country. Kenneth Jaffe has amassed nearly 3,000 large-scale musical works for solo voice(s) on Jewish themes, written by Jewish composers. The works include over 400 cantatas, 150 oratorios, almost 300 operas, more than 100 sacred services, 20 symphonies, and more than 350 stage works, including Yiddish theatre, Purim and sacred plays, multi-media pieces, and musical theatre. In addition, original song cycles and liturgical services arranged for a modest to large complement of instruments are also included. The works are organized by composer and subdivided by genre, and each entry is fully annotated, detailing the title, opus, voicing and instrumentation, text source, commission, year completed, year and location of the premiere, the year of publication and the publisher (if any), the location of scores, and the duration of the work. The works are then broken down by theme, such as Biblical themes, works for children, works of the Holocaust or Jewish suffering and persecution, interfaith works, and wedding music. They are then cross-referenced by voice type, arrangement, and by title. A list of libraries and publishing houses of Jewish music rounds out this invaluable reference.
The prayers, poems, and toasts in Family Celebrations can be used by all family members to celebrate any occasion. They are spiritually inspiring and uplifting, and the selections are fitting for any tradition. The entries are written by both contemporary and classic authors and are divided into thematic sections, serving as an aid for those in search of a prayer, poem, or toast to fit a particular mood or occasion.
The classic story from Nobel Prize winning author Isaac Bashevis Singer about a family who adopts a parakeet during Hanukkah, fully illustrated and in picture book form for the very first time. When young David and Mama and Papa are celebrating Hanukkah one frosty winter evening in Brooklyn, Papa sees a parakeet sitting on the window ledge. He lets the parakeet in and everyone is delighted to find that it speaks Yiddish. They name it Dreidel and it becomes part of their family. Many years later, when David is in college, he is at a party one night and tells Dreidel's story-only to discover that Zelda, a young woman at the party, owned the bird herself as a child. Papa and Mama are worried that they will have to give their beloved pet back, but then David and Zelda decide to get married after college, and everyone agrees that they should take Dreidel with them as they start their own family.
An Orphan in New York City is about survival. During the Great Depression families who suffered loss of income, loss of health, and loss of life sought frantically for ways to survive. Social Security, Housing and Urban Development, Public Assistance, and Public Health programs available today were limited or non-existent back then. All extended family members helped out as much as they could. When this was not enough, the only choice was to break up the family. Benevolent Jews had established orphanages to care for children left homeless or in poverty. The largest of these orphanages was the Hebrew Orphan Asylum, better known as the HOA or The Home, located between 136th to 138th Streets on Amsterdam Avenue across from the Lewisohn Stadium of the City College of New York City. From 1929 to 1939 the HOA housed more than one thousand boys and girls at a time. The Hebrew Orphan Asylum was referred to as a city within a city as it was basically self-contained. Not only where there the essentials of residential life-- dormitories, a kitchen, a dining room, an infirmary, a dental clinic, and a laundry--but also a public school 192, a synagogue, and a religious school. Then too there were a bakery, a shoe shop, a tailor shop, a barber shop, a clothing store, a candy store, a woodworking room, a sewing room, a photography studio and darkroom, a boys scout room, a band room, a choir room, athletic fields and playgrounds. There was a Reception House, the Main Building, the Warner Brothers Gymnasium (state of the art at that time), and buildings for boilers for heating. It had its own transportation system and a fire engine. There were military bands and drill squads, fraternities and sororities, as well as baseball, basketball, and football teams that competed with other orphanages and the junior varsity at City College. Orphans, half orphans, and children from broken families began their shared institutional lives at the Reception House where they were isolated for two weeks to assure they did not bring any contagious disease or illness into the institution. The author was one of those with a family destroyed by alcoholism and poverty who had to leave his family at the age of nine and begin an orphan's life. He writes: "Having seen, from my top-floor perch in the Reception House, children who were playing on the huge field below, and having listened to the marching band and watched the military drills, I was looking forward to moving to the Main Building. But when I finally got there I felt lost in the labyrinth of hallways and doorways, and among the masses of children who were coming and going. Outside, in the courtyard, were more than 100 children talking, shouting and playing together. One of my first memories there is of hearing a short rotund man suddenly shout above that babble of voices: "All Steeeeeeeeeel!" All Still. What that meant only became clear when, as I watched, most of the children froze in their places and stopped talking. One child did not freeze. The man with the powerful voice strode over to him and slapped him so hard across the face that the child fell down.In the years that I would be in the orphanage, that and similar examples made me obey the "All Still!" and always appear to be following commands, rules, and regulations, even when I wasn't obeying. What I witnessed there, day after day, also reinforced my hopeless and helpless feeling that there were immense forces beyond my control: my father's rage, my separation, my placement in an institutional environment, and the subsequent abuse in that environment. I wept within myself, and there was no adult at the institution to comfort me, not the first day nor the last." For his own healing, Dr. Siegel has written a book about his decade during the depression years in the Hebrew Orphan Asylum