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Amidst the horrors of the Spanish Civil War, one girl struggles to keep her family alive. Trapped in enemy territory during the Spanish Civil War, an impetuous, painfully nervous girl from a Catholic military family is called upon to put aside her worst fears and take charge of her young brothers, mentally ill mother and tortured prisoner-of-war father. In the process she unwittingly demonstrates the true meaning of bravery and loyalty. Based on the childhood & adolescent years of the author's mother-in-law in Madrid.
Nervous Reactions considers Victorian responses to Romanticism, particularly the way in which the Romantic period was frequently constructed in Victorian-era texts as a time of nervous or excitable authors (and readers) at odds with Victorian values of self-restraint, moderation, and stolidity. Represented in various ways—as a threat to social order, as a desirable freedom of feeling, as a pathological weakness that must be cured—this nervousness, both about and of the Romantics, is an important though as yet unaddressed concern in Victorian responses to Romantic texts. By attending to this nervousness, the essays in this volume offer a new consideration not only of the relationship between the Victorian and Romantic periods, but also of the ways in which our own responses to Romanticism have been mediated by this Victorian attention to Romantic excitability. Considering editions and biographies as well as literary and critical responses to Romantic writers, the volume addresses a variety of discursive modes and genres, and brings to light a number of authors not normally included in the longstanding category of "Victorian Romanticism": on the Romantic side, not just Wordsworth, Keats, and P. B. Shelley but also Byron, S. T. Coleridge, Thomas De Quincey, Mary Shelley, and Mary Wollstonecraft; and on the Victorian side, not just Thomas Carlyle and the Brownings but also Sara Coleridge, George Eliot, Elizabeth Gaskell, Archibald Lampman, and J. S. Mill. Contributors include D. M. R. Bentley, Kristen Guest, Joel Faflak, Grace Kehler, Donelle Ruwe, Alan Vardy, Lisa Vargo, Timothy J. Wandling, Joanne Wilkes, and Julia M. Wright.
Adult patients exhibit core symptoms: voices in the head and ongoing blank spells or periods of missing time. The voices are the different parts of the personality talking to one another and to the main, presenting part of the person who comes for treatment. Periods of missing time occur when aspects of the personality take turns being in control of the body and memory barriers are erected between them. Patients also experience symptoms such as depression, anxiety, eating disorders, substance abuse, sleep disorders, sexual dysfunction, psychosomatic symptoms, and symptoms that mimic schizophrenia. MPD patients have experienced the most extreme childhood trauma of any diagnostic group and therefore exhibit the psychobiology and psychopathology of trauma to an extreme degree. The good news is that once diagnosed, the MPD patient can be brought back to health.This book is important for all mental health professionals, and also for the general reader interested in psychiatric phenomena.
In his most personal case to date, Brady Coyne is brought in by an uncle whom he'd lost touch with years ago to find his missing daughter, Brady's cousin.