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The beloved odes written by Chilean poet and 1971 Nobel Laureate Pablo Neruda demonstrate his astonishing ability to present ordinary items in new and surprising ways. The poems are gathered from Odas elementales (Elemental Odes), 1954; Nuevas odas elementals (New Elemental Odes), 1956; Tercer libro de odas, (Third Book of Odes), 1957; and Navegaciones y regresos (Voyages and Homecomings), 1959. This anthology is the most complete selection of Neruda's work to appear in English, in an excellent bilingual format featuring translations by Maria Jacketti, an expert of Pablo Neruda's work.
Facing death from cancer, Neruda speaks to the genuine loves that nourished his life.
Humans have long turned to gardens - both real and imaginary - for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens. With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt - all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power. Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison's earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility - and its enduring importance to humanity.
The polemics Pablo Neruda was involved in from the 1930s on are legendary, but not even the ferocity of those attacks would lead one to believe that today, a half a century after his death, he would still be on trial. In this consistent and emphatic book, the great Nerudian critic Hernan Loyola addresses Neruda's sins: the machista, the fableteller, the rapist, the bad husband, the bad father, the plagiarist, the insolent one, the abandoner, the Stalinist and the bourgeois. Loyola's objective is to review and discuss with the greatest amount of intellectual honesty that he can humanly muster as an admiring literary critic and with deep sympathy for his unforgettable friend the most tenacious and disseminated accusations attributed to Pablo Neruda. All told, this book is an impressive biographical and poetic interpretation of the most salient aspects of the Nobel Laureate's life.
The most comprehensive English-language collection of work ever by "the greatest poet of the twentieth century--in any language" (Gabriel Garcia Marquez) "In his work a continent awakens to consciousness." So wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, the author of more than thirty-five books of poetry and one of Latin America's most revered writers, lionized during his lifetime as "the people's poet." This selection of Neruda's poetry, the most comprehensive single volume available in English, presents nearly six hundred poems, scores of them in new and sometimes multiple translations, and many accompanied by the Spanish original. In his introduction, Ilan Stavans situates Neruda in his native milieu as well as in a contemporary English-language one, and a group of new translations by leading poets testifies to Neruda's enduring, vibrant legacy among English-speaking writers and readers today.
A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.
The first authoritative biography of the most enduring poet of the twentieth century 'This is a magnificent biography' HAROLD PINTER 'Feinstein's biography is fuelled by an infectious enthusiasm for the poems: this is its greatest strength ... it is crammed with adventure stories, narrow scrapes, passionate encounters' GUARDIAN 'A magnificently researched work ... Feinstein brilliantly elucidates the main driving forces behind Neruda's life and work' INDEPENDENT __________________________ Poet and politician, Pablo Neruda continues to cast a long shadow across the world fifty years after his death in the wake of the 1973 Chilean coup. From the lyricism of Twenty Love Poems and a Song of Despair and the melancholy of Residence on Earth to the direct simplicity of the Elemental Odes and the epic grandeur of the Canto General, Neruda's range was vast. Few Nobel laureates have enjoyed such enduring popularity. Neruda was a complicated man, both politically and emotionally. In this first authoritative biography, Adam Feinstein draws on revealing interviews with his closest friends, acquaintances and surviving relatives, as well as newly discovered documents. He follows Neruda's life from a sickly childhood in Chile to political engagement and literary fame, until his death in 1973, within days of the death of Salvador Allende in the coup that brought Pinochet to power. This acclaimed biography, now updated with an afterword about the recent exhumation of Neruda's remains, tells the full story of an iconic twentieth-century figure for the first time.
Against the backdrop of Isla Negra — the sea and wind, the white sand with its scattering of delicate wild flowers, the hot sun and salty smells of the Pacific — Nobel laureate Pablo Neruda sets these joyfully sensual poems in celebration of his love. The subject of that love: Matilde Urrutia de Neruda, the poet's "beloved wife." As popular in the Hispanic world as the poet's renowned Twenty Love Poems and a Song of Despair,One Hundred Love Sonnets has never before been published in its entirety in English translation. The reason for this astonishing neglect may lie in the historical circumstances that surrounded Neruda's "discovery " by English-speaking readers. In the United States he came to popularity during the turmoil of the sixties, when Americans needed a politically committed poet, and much of Neruda's canon answered that need. But, in his native Chile and throughout Latin America, Neruda has always been cherished as dearly for the earthly sensuality and eroticism of his love poetry as for his statements of political belief. To know this work, then is to understand the poet's art more thoroughly.
The heart of this collection is a cycle of Chile poems by the poet Sandra Cisneros called "the Pablo Neruda of North American authors." In his eighth collection of poems, Espada celebrates the power of poetry itself. This book is a place of odes and elegies, collective memory and hidden history, miraculous happenings and redemptive justice. Here poets return from the dead, visit in dreams, even rent a helicopter to drop poems on bookmarks.--From publisher description.
Out of a pilgrimage to Easter Island late in Neruda's life grew a sequence of poems through which he observes the remnants of the ancient world in opposition to modernity.