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The dazzling neon lights of Brunnera are cast in shadow when the mob boss of a notorious gang, the Godless, is found dead in his hotel room, plunging the city’s criminal underground into chaos. Desperate to plug the power vacuum before it swallows everything whole, Cybil Lane and Murphy Greene descend deeper into the dark underbelly of the city while a mysterious girl with no past and no future finds refuge in those same shadows.
“I believe when joined hand in hand with one another, the very stars aloft will join us here on Earth. For then there will be no difference between our world and the heavens above.” A nice sentiment from the utopian city’s forefather. But one that Detective Cybil Lane, the 87th’s resident skeptic sleuth, could hardly agree with after what she’s seen. For her, all that talk of brotherhood and unity didn’t scrub the metropolitan city of Brunnera clean of its corruption and subterfuge. Just etched it deeper into the black heart of the concrete jungle. The only thing different now is people smile before they stab you in the back. * Neo is a multi-part, Cyberpunk themed Mystery Series set in the not-so-distant future. Where racism, classism, global warming, murder, and poverty are all things of the past. Or so we are told... Cybil Lane is a detective with nothing to detect. No case to unravel. Problems larger than noise complaints have vanished off the face of the earth. When a typical narcotics case reveals a wolf amongst the sheep. Cybil and her new quirky partner, Murphy Greene, are pushed to their limits as they pursue a blood-thirsty killer into the disgusting underbelly of their clean city. In the process uncovering a larger plot that not only threatens their peaceful way of living but their very lives. Have the stars aloft truly joined us here on earth, or did we just steal them?
Neo-Romantic Landscapes offers a reappraisal of the 1940s films of Powell and Pressburger focusing on their use of landscape. Questioning the established notion that the two film-makers, owing to their non-British personal roots, are located as un-British and ‘other’, Stella Hockenhull draws a correlation between the two media of film and painting to suggest otherwise. Emphasising the spiritual aspects of landscape and nature at a time when the experience and imagery of the war years generated a particular kind of ‘affect’ arising from the aftermath of destruction, she locates Powell and Pressburger’s wartime films in their historical and cultural context, notably Neo-Romanticism. By offering a close analysis of films such as A Canterbury Tale, I Know Where I’m Going!, Black Narcissus and Gone to Earth she finds similar aesthetic qualities in a number of British landscape paintings executed contemporaneously. Drawing on press reviews for contemporary spectator response, Neo-Romantic Landscapes offers a redirection of Film Studies, foregrounding the aesthetic pleasures of cinema in excess of narrative plausibility, thus resituating Powell and Pressburger in the British cultural traditions of the visual arts.
Prince Rupert's Drop book presents a timeless plot. An atheist sets out on a journey to disprove God's existence. Things don't turn out exactly as planned. The book's central character, Rupert Austin, plays both antagonist and protagonist in equal measure. The former as a dark and disturbed boy with no empathy, no compassion, no love, and no guilt for any of it. Rupert has only one emotion, fear, and from there, fear's timeless bedfellow, hate. You see, Rupert is a severely autistic multiple savant. He's statistically one out of ten billion since the dawn of man. A child that talks at birth, won't feed from the breast, won't open its eyes, covers its ears, and lashes out to communicate displeasure because it can't stand the noise of its own voice. Such a child would die on its own of starvation, be culled as weak, or be persecuted as a witch/demon. But most importantly, if the child survived long enough to get the strength, Rupert's lot would kill itself. Every single time... The setting is in the mid-twenty-first century. It's the time of a sweeping American revival called the Wildfire. Outside America, the world is literally in flames due to massive uprisings of isolated ghettos. We follow Rupert through high school. He shuns a loving mother and is manipulated by an abusive father. He is adopted by a classmate to be protected and tamed. She is largely successful until she unwittingly leads Rupert into an exorcism by a spin-off Christian cult. Rupert almost dies. Rupert seeks revenge. To get it, he will attempt to destroy the thriving mythology of a higher power. If you clip the tail, the head will die. Prince Rupert's drop. Rupert seeks out a partner for his proposed crime against humanity—Winchester Carnagie II, the richest man alive. Together they will exploit the world's most powerful computer. She's a sentient computer and performs heinous acts to achieve their goal, ridding man of God. The computer is narcistic and a sociopath. She has even less empathy than Rupert—in the beginning. But Rupert is asked a curious question during his rampage: "You a Judas, a Saul, or a Paul?" On the road to Damascus. This is a story about a doctor healing himself and not knowing it. On Rupert's misguided path, he's a coconspirator in horrific genocide, shameless execution, and a general disregard for life. That will change. Not only will the doctor heal himself; he will release a deluge on the world's inferno.
Amandine se fait aider pour révéler la vérité qui se cache derrière Prisma. La clé qui permettrait de déchiffrer le message de son frère se trouverait au sein même du Battle Royale. Que la partie commence!
A literal interpretation of Revelation 6:12-17 states survivors from a future great earthquake shall flee to hide in dens And The rocks of mountains. Such behavior is very unusual. Earthquake survivors normally flee to open spaces, away from buildings, To avoid injury from falling debris. All Shall Hide uses the findings from historical, aerospace, astrophysical, geophysical, and medical studies to show why world populations will be frightened into seeking heavily shielded shelters. What is the source of their terror? People suddenly collapsing in public from increased rates of heart failure caused by a great space weather storm. The awesome intensity of its cosmic ray output and harsh variations in the Earth's magnetic field will dwarf the Carrington Event of 1859. All Shall Hide shows the foretold darkening of the Sun to levels beneath global tempest of sunspots shall be the cause the perfect space weather storm. All Shall Hide formed its multidisciplinary, literal interpretation of Apostle John's scripture from the fiery truths of scientific studies. For example, statistically significant correlations between the variations in cosmic ray neutron rates and changes in the rates of death caused by acute myocardial infarction (heart attack), sudden cardiac death, cerebrovascular accident (stroke), or arrhythmia were manifested from collaborative research by Israel, Bulgaria, Lithuania, Azerbaijan, Russia, and Greece. The ability of the Moon to glow in the absence of sunlight was derived from observations and studies of solar particle induced lunar luminescence. The dates of solar blackouts, like the darkness at the crucifixion And The third Persian invasion of Greece, were deduced from trustworthy historical accounts of acute solar darkening events that could not be attributed to solar eclipses and/or clouds. All Shall Hide is a must read for those concerned with strengthening their beliefs in the Holy Bible.
Amandine and an ally team up to expose the truth behind Prisma. The key to decrypt her brother’s message may be within the virtual battle royale—let the games begin! A tie-in to the Ubisoft video game, HYPER SCAPE! Produced by Dark Horse Comics in close collaboration with Ubisoft. Written by Christofer Emgård, writer on video games such as Tom Clancy’s The Division 2, Battlefield V, Mirror’s Edge Catalyst, and comics including Tom Clancy’s The Division: Extremis Malis and Mirror's Edge: Exordium.