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Nelly's Hospital (1865) is a short story by Louisa May Alcott, written during or shortly after the American Civil War. Nelly, a small soul, starts an hospital for little creatures and animals, inspired by the happenings on the war front....
Beyond the Civil War Hospital understands Reconstruction as a period of emotional turmoil that precipitated a struggle for form in cultural production. By treating selected texts from that era as multifaceted contributions to Reconstruction's »mental adaptation process« (Leslie Butler), Kirsten Twelbeck diagnoses individual conflicts between the »heart and the brain« only partly compensated for by a shared concern for national healing. By tracing each text's unique adaptation of the healing trope, she identifies surprising disagreement over racial equality, women's rights, and citizenship. The book pairs female and male white authors from the antislavery North, and brings together a broad range of genres.
This book presents some of Alcott's most successful romance short stories, which preserve their timeless charm even now. It contains the stories like" A Modern Cinderella," "Debby's Debut," "The Brothers," and Nelly's Hospital."
"Recommended" by Choice Enterprising Youth examines the agenda behind the shaping of nineteenth-century children’s perceptions and world views and the transmission of civic duties and social values to children by adults. The essays in this book reveal the contradictions involved in the perceptions of children as active or passive, as representatives of a new order, or as receptacles of the transmitted values of their parents. The question, then, is whether the business of telling children's stories becomes an adult enterprise of conservative indoctrination, or whether children are enterprising enough to read what many of the contributors to this volume see as the subversive potential of these texts. This collection of literary and historical criticism of nineteenth-century American children’s literature draws upon recent assessments of canon formations, gender studies, and cultural studies to show how concepts of public/private, male/female, and domestic/foreign are collapsed to reveal a picture of American childhood and life that is expansive and constrictive at the same time.
Life never turns out the way you plan . . . In the turmoil and confusion of London's East End between the wars, young Nelly Kelly soon learns that life may never match her expectations. Forced to keep house for her charming yet autocratic, father, Nelly toils in a sweatshop to keep her family clothed and fed. But though life is hard, Nelly still has friendship, dancing and her early dreams to cling to. Dreams that slowly crumble as marriage, the war and a lost baby are followed by the heartache of a lost love. Fortune may crush her proud spirit but when faced with a crisis that will test her courage to the limit, no tragedy can change Nelly Kelly's determination to be her own woman. ***************** What readers are saying about NELLY KELLY 'Unputdownable' - 5 STARS 'A gripping story' - 5 STARS 'What a great book' - 5 STARS 'Another of Lena Kennedy's books that had be engrossed from the start' - 5 STARS 'Could not put it down' - 5 STARS
In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region, and nation. Combining literary analysis, cultural history, and feminist theory, Disarming the Nation argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women—including struggles against the cultural prescriptions of "civility." At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women—including those who crossdress in Civil War reenactments—continue to reshape the meanings of the war in ways startlingly similar to their nineteenth-century counterparts. Learned, witty, and accessible, Disarming the Nation provides fresh and compelling perspectives on the Civil War, women's writing, and the many unresolved "civil wars" within American culture today.