Download Free Neither Angel Nor Beast Book in PDF and EPUB Free Download. You can read online Neither Angel Nor Beast and write the review.

Blaise Pascal began as a mathematical prodigy, developed into a physicist and inventor, and had become by the end of his life in 1662 a profound religious thinker. As a philosopher, he was most convinced by the long tradition of scepticism, and so refused – like Kierkegaard – to build a philosophical or theological system. Instead, he argued that the human heart required other forms of discourse to come to terms with the basic existential questions – our nature, purpose and relationship with God. This introduction to the life and philosophical thought of Pascal is intended for the general reader. Strikingly illustrated, it traces the antithetical tensions in Pascal’s life from his infancy, when he was said to have been placed under the spell of a sorceress, to his final years of extreme asceticism. Pascal stressed both the misery and greatness of humanity, our finitude and our comprehension of the infinite. The book shows how his life, philosophical thought and literary style can best be understood in the light of the paradoxical view of human nature. It covers the methods of argument and the central issues of the Provincial Letters and of the Pensées; the Introduction places Pascal’s thought in the religious and political climate of seventeenth-century France, and a ‘Chronology of the Life of Pascal’ is also included.
Blaise Pascal is a marquee name, yet little read outside France. Antoine Compagnon provides an ideal introduction to one of the great intellects, contextualizing Pascal in his own time and offering insightful readings of the Pensées and the Provincial Letters. Compagnon proves a welcoming guide to Pascal's challenging and rewarding thought.
Have you ever wondered how to spruce up your writing? Or clear the clutter from your sentences? Or entice, engage, and entertain a specific audience? As any wordsmith knows, fashioning exquisitely styled sentences forms the foundation for writing success. This writing guide, containing thousands of illustrative quotations and fun exercises, reveals how to draft and craft any sentence, whether plain and lucid or thrilling and forceful. After finishing this book, students, professionals, and writers of every skill and status will have enhanced their sentential potential, while mastering the art of stringing words together to produce sophisticated sentences – linguistic structures standing the tests of time and taste.
Have you ever wondered how to create clear simple sentences, detailed multi-clause sentences, or ornate left-, mid-, and right-branching sentences? As any wordsmith knows, sentences form the foundation for writing success. This two-part book, containing hundreds of illustrative quotations and fun exercises, reveals how to draft and craft any sentence, whether plain and lucid or thrilling and forceful. On the first part of the journey, writing pilgrims are introduced to the fundamentals: Twelve Templates to Turn a Timeless Sentence. The second part then builds on this bedrock, showing How to Fashion Exquisitely Styled Sentences. After finishing this journey, students, professionals, and writers of every skill and status will have enhanced their sentential potential, while mastering the art of stringing words together to produce sophisticated sentences – linguistic structures standing the tests of time and taste.
To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching. The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.
This book provides summary apologetics from about 200 references. It is unique in that many authors with differing viewpoints are put together in brief key point summaries. Some of the books covered are 1100 pages long. The original authors views are briefly integrated and compared. The different views of creation are also discussed and compared and given a open minded weighing. Are you concerned about the fact that 70% of our youth no longer attend church and do not have a biblical world view? The naturalistic or humanistic world view they adopt from schooling favors the following: 1. Man evolved from primates and is a biological machine with no purpose. 2. There is no source of true morals and thus morals are relative and determined by whatever a given group decides or whatever is most popular. 3. Since man is only and animal, there is no basis for individual human rights, only rights for the masses. There are some good arguments provided in the book to counter all of this and provide a biblical world view. These arguments are brief and easy to share in witnessing situations.
Once relatively confined to parts of Europe and North America, commercial societies are now found in many other cultures and continents. Yet despite the international spread and growth of commercial order, the moral, economic, and legal foundations of commercial society remain poorly understood, especially in those countries where it first took root. Guided by the thoughts of Alexis de Tocqueville, Samuel Gregg's The Commercial Society identifies and explores the key foundational elements that must exist within a society for commercial order to take root and flourish. Gregg studies the challenges that have consistently impeded and occasionally undermined commercial order, including the persistence of 'corporatist' values and political movements seeking to equalize social conditions. This book offers a historically-grounded analysis for modern audiences interested in philosophy or the history of economics.
Peter Kreeft believes that Blaise Pascal is the first post-medieval apologist. No writer in history, claims Kreeft, is a more effective Christian apologist and evangelist to today's uprooted, confused, secularized pagans (inside and outside the Church) than Pascal. He was a brilliant man--a great scientist who did major work in physics and mathematics, as well as an inventor--whom Kreeft thinks was three centuries ahead of his time. His apologetics found in his Pens褳 are ideal for the modern, sophisticated skeptic. Kreeft has selected the parts of Pascal's Pens褳 which best respond to the needs of modern man, and offers his own comments on applying Pascal's wisdom to today's problems. Addressed to modern skeptics and unbelievers, as well as to modern Christians for apologetics and self-examination, Pascal and Kreeft combine to provide a powerful witness to Christian truth.
Ephemeral differences notwithstanding, both literature and the Bible are stirred by a common passion for words, all of which are on an equal footing in staging an at once intimate and ultimate passion of the word. Of language and its quest for truth of which each and every word of a dictionary is entrusted, so long as no word per se can lord it over all the other words. Keepers of the word, words cannot keep a secret, bound as they are both to reveal and conceal it at one and the same time. Except for a parrot, language has no mother tongue: it inherits only that which it can translate: the everlasting into the ephemeral, the temporal into the eternal, speaking into writing - into that which happens once and for all. Language is iconic and iconoclastic. It is propitious to God and would-be gods and, conversely, it is equally allergic to idols. Hence the title of this book, borrowed from a line of W.H. Auden's Christmas Oratorio. No sooner is God worshipped than God is turned into an idol. Biblical or not, religious or secular, literature is iconoclastic. ¬Promethean iconoclasm quarrels with God. Ironically less theistic, the paradox of Abrahamic iconoclasm lies in laying bare the duplicity, not so much of God, as of all human all too human conceptions of a God which, falling short of God, becomes an idol that can only be rebuked even by God if not by Abraham, the father of faith. No wonder, Western literature has dealt with the death of God rather than with the living God: its task has consisted in wording a world shaped and left to go adrift by Christian tradition itself gone irrelevant and locked up in a mother tongue no one speaks instead of time and again unleashing and worlding the Word.