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Ethnic Cleansing in the Balkans looks at the phenomenon of ethnic cleansing in the Balkans over the last two hundred years. It argues that the events that occurred during this time can be demystified, that the South East of Europe was not destined to become violent and that constructions of the Balkans as endemically violent misses a important political point and historical point. Carmichael provides an account of ethnic cleansing in the Balkans as a single historical phenomenon and brings together a vast array of primary and secondary sources to produce a concise and accessible argument. This book will be of interest to students and researchers of European studies, history and comparative politics.
Our world of increasing and varied conflicts is confusing and threatening to citizens of all countries, as they try to understand its causes and consequences. This book takes advantage of a diversity of geographic perspectives as it analyzes the political processes of war and their spatial expression.
The relationship between anthropologists' ethnographic investigations and the lived social worlds in which these originate is a fundamental issue for anthropology. Where some claim that only native voices may offer authentic accounts of culture and hence that ethnographers are only ever interpreters of it, others point out that anthropologists are, themselves, implanted within specific cultural contexts which generate particular kinds of theoretical discussions. The contributors to this volume reject the premise that ethnographer and informant occupy different and incommensurable "cultural worlds." Instead they investigate the relationship between culture, context, and anthropologists' models and accounts in new ways. In doing so, they offer fresh insights into this key area of anthropological research. Deborah James is Professor of Anthropology at the London School of Economics. Her research interests, focused on South Africa, include migration, ethnomusicology, ethnicity, property relations and the politics of land reform. She is author of Songs of the Women Migrants: Performance and Identity in South Africa (Edinburgh University Press, 1999) and of Gaining Ground? "Rights" and "Property" in South African Land Reform (Routledge, 2007). Evelyn Plaice is Associate Professor of Anthropology jointly appointed to the Faculty of Arts and the Faculty of Education at the University of New Brunswick, Canada. Her interests include land, identity and the ethnopolitics of land restitution, and the anthropology of education. She has conducted research in both South Africa and Canada and is the author of .The Native Game: Indian-Settler Relations in Central Labrador (ISER, 1990). Christina Toren is Professor of Social Anthropology at the University of St Andrews. Her fieldwork areas are Fiji and the Pacific, and Melanesia, and her theoretical interests include exchange processes; spatio-temporality as a dimension of human being; sociality, kinship and ideas of the person; the analysis of ritual; epistemology; ontogeny as a historical process. Her books include Making Sense of Hierarchy: cognition as social process in Fiji (Athlone, 1990) and Mind, Materiality and History: Explorations in Fijian Ethnography (Routledge, 1999).
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Since the violent events of the Bosnian war and the revelations of ethnic cleansing that shocked the world in the early 1990s, Bosnia has become a metaphor for the new ethnic nationalisms, for the transformation of warfare in the post-Cold War era, and for new forms of peacekeeping and state-building. This book is unique in offering a re-examination of the Bosnian case with a 'bottom-up' perspective. It gathers together cultural anthropologists and other social scientists to consider the specificities of the Bosnian case. However, the book also raises broader questions: what are the consequences of internecine violence and how should societies attempt to overcome them? Are the uncertainties and the transformations of Bosnian post-war society due entirely to the war, or are they related to wider processes encompassing post-communist Europe as a whole? And are the difficulties experienced by international state-building operations mainly due to distinctive features of the local societies or are they due to the policies promoted by the international community itself?
Countries rarely disappear off the map. In the 20th century, only a few countries shared this fate with Yugoslavia. The dissolution of Yugoslavia led to the largest war in Europe since 1945, massive human rights violations and over 100,000 victims. Debating the End of Yugoslavia is less an attempt to re-write the dissolution of Yugoslavia, or to provide a different narrative, than to take stock and reflect on the scholarship to date. New sources and data offer fresh avenues of research avoiding the passion of the moment that often characterized research published during the wars and provide contemporary perspectives on the dissolution. The book outlines the state of the debate rather than focusing on controversies alone and maps how different scholarly communities have reflected on the dissolution of the country, what arguments remain open in scholarly discourse and highlights new, innovative paths to study the period.
In the last years of their existence, the Union of Soviet Socialist Republics (USSR) and the Socialist Federal Republic of Yugoslavia (SFRY) found themselves facing a similar and very grim state of affairs. After their disintegration, the former Yugoslav republics spiralled into a set of ethnic conflicts that did not leave a single one of them unscathed, and in the ex-Soviet space, conflicts were far more limited. This book offers an in-depth analysis of the difference in state collapses and ensuing conflicts in the Soviet Union and Yugoslavia by focusing on their asymmetric ethnofederal structure and the different dynamics of ethnic mobilization that the federal units experienced. Moreover, it explores the links between identity politics and international relations, as the latter has been a latecomer in research on ethnonationalism and ethnic conflict. Finally, it contributes to the literature on the democratization-conflict nexus by proposing that the sequencing of ethnic mobilization and political liberalization has significant effects on the likelihood of conflict. This text will be of key interest to scholars and students of Post-Soviet politics, Balkan politics, ethnic conflict, peace and conflict studies, federalism, and more broadly to comparative politics and international relations.
How and why war and peace occur cannot be understood without realizing that those who make war and peace must negotiate a complex world political map of sovereign spaces, borders, networks, and scales. This book takes advantage of a diversity of perspectives as it analyzes the political processes of war and their spatial expression. Topics include terrorism, nationalism, religion, drug wars, water conflicts, diplomacy, peace movements, and post-war reconstruction.
This book assembles texts by renowned academics and theatre artists who were professionally active during the wars in former Yugoslavia. It examines examples of how various forms of theatre and performance reacted to the conflicts in Serbia, Croatia, Bosnia and Herzegovina, Slovenia, and Kosovo while they were ongoing. It explores state-funded National Theatre activities between escapism and denial, the theatre aesthetics of protest and resistance, and symptomatic shifts and transformations in the production of theatre under wartime circumstances, both in theory and in practice. In addition, it looks beyond the period of conflict itself, examining the aftermath of war in contemporary theatre and performance, such as by considering Ivan Vidić’s war trauma plays, the art campaigns of the international feminist organization Women in Black, and Peter Handke’s play Voyage by Dugout. The introduction explores correlations between the contributions and initiates a reflection on the further development of the research field. Overall, the volume provides new perspectives and previously unpublished research in the fields of theory and historiography of theatre, as well as Southeast European Studies.