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Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. "This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller "If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck
William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper's, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor's Art and Craft vividly demonstrates that good training does not constrain actors' instincts—it frees them to create characters with truthful and compelling inner lives.
Improbably located in the heart of the Jewish ghetto on the Lower East side of Manhattan, the Neighborhood Playhouse and its brief yet influential tenure offers a fascinating story in the annals of theater history. From 1915 to 1927, this progressive theater, along with the better-known Provincetown Players and the Theatre Guild, inaugurated the Little Theater Movement in America. In John P. Harrington’s detailed account of the Neighborhood Playhouse’s remarkable history, readers learn not only about its notable productions but also about its gradual shift in mission and the tensions between art and social work. Harrington traces the playhouse’s long-lasting legacy: it fostered The Neighborhood School of Acting made famous by Sanford Meisner, now the Neighborhood Playhouse School of the Theatre, and it helped spawn the expansive network of community theaters that thrive throughout America today. Well-researched and detailed, this book provides a vital yet often overlooked piece of theater history and a lost key to understanding the growth of theater arts in New York City.
"Caryl Churchill is a dramatist who must surely be amongst the best half-dozen now writing? a playwright of genuine audacity and assurance, able to use her considerable wit and intelligence in ways at once unusual, resonant and dramatically riveting."?Benedict Nightingale From Love and Information: SEX What sex evolved to do is get information from two sets of genes so you get offspring that's not identical to you. Otherwise you just keep getting the same thing over and over again like hydra or starfish. So sex essentially is information. You dont think that while we're doing it do you? It doesn't hurt to know it. Information and also love. If you're lucky. In this fast-moving kaleidoscope, more than one hundred characters try to make sense of what they know. Declared "the greatest living English playwright" by Tony Kushner, Caryl Churchill will premiere this latest work at London's Royal Court in fall 2012. Caryl Churchill is one of the most influential playwrights of our time. She is the author of more than twenty plays, including Seven Jewish Children, Drunk Enough to Say I Love You, Top Girls, This is a Chair, Far Away, A Number, Cloud Nine, and Serious Money.
Questions of guilt, responsibility, fate and friendship pervade these beautiful plays, tied together by the love and faith of a progressive Abbot from another time. ...SPAIN...commands our attention and offers a probative look at crises of conscience. --NY T
William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.
In a series of scenes we see two actors - a seasoned pofessional and a novice - backstage and onstage going through a cycle of roles and an entire wardrobe of costumes.
In Gregory Peck: A Biography, Gary Fishgall meticulously recounts Peck's influential life, revealing the effects of the actor on the film industry and of the film industry on the actor."--BOOK JACKET.