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NEGUS, a collection of African-American science fiction based short stories and flash fiction, will satisfy sci-fi lovers as well as urban fiction readers. Whether you're obsessed with aliens or into life after death, NEGUS hits a homerun with out of this world content that'll leave you in deep thought about this planet we call Earth.
As Channel Zero C0 upgrades its' newly designed Quantum Computer to the grid, with its' newly installed V.U.D.U technology sending out radiowaves causing a mysterious virus, Dr Carole Buckingham relies on her old friend Negus to find a cure and solution to fix this epidemic problem.
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When Dr. Carole Buckingham sets off on a holistic quest to investigate and study alternative treatments to apply to modern-day therapies and treatments, her life suddenly takes a dramatic turn as she begins her journey through this world of discovery set against a backdrop of world technology and surveillance, watched over by two operatives by the name of John Socrates and his colleague Jane Pandora, who are coworkers at a commercial organization called Channel Zero. Carole soon begins to discover that when she meets a stranger who calls himself Negus, who is someone that she finds also possesses the gift of healing through his own determinate will and faith in having been diagnosed with a rare medical condition. It is through this chance meeting that both Carole and Negus begin to form a unique and special bond between them. And yet as their friendship begins to develop and flourish and as they both become ever more drawn closer together in an unpredictable and fragile world where nothing is quite what it seems or appears to be what it is, the unfamiliarity brings Carole and Negus to question their own perceptions of truth as they attempt to challenge their own interpretations of one another until eventually, things begin to come to a positive friendship between them. Suddenly, an unfortunate set of circumstances takes place, which threatens Caroles life, which in turn leaves Negus to attempt to save her while putting his own life at risk.
Written by the author of the ever-popular Kebra Nagast (The Glory of Kings), this new work investigates the life, culture and history of Ethiopia and its people.
The sequel to NEGUS volume one, NEGUS II continues with another compilation of African-American Science Fiction. With memories of the planet Earth not too far behind, Huey's journey on the new planet of Negus resumes with Rosa and Kwame. Rosa discovers another phenomenon related to the decalcification of pineal glands. Previously introduced in book one and the stand-alone e-book, The Melanins continue as visitors from another planet trek to the United States. The collection also includes brand new stories such as The Guardians, told from the perspective of spirit guides, and Skin Deep, a tale of a modern day bride in an alternate universe, who undergoes an eye-opening transformation. Whether you're obsessed with outer space, spirituality, conspiracy theories, magic or science fiction, NEGUS II explores the 'what-ifs', intended to leave readers in deep thought.
Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.