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The monumental American Guide Series, published by the Federal Writers’ Project, provided work to thousands of unemployed writers, editors, and researchers in the midst of the Great Depression. Funded by the Works Progress Administration and featuring books on states, cities, rivers, and ethnic groups, it also opened an unprecedented view into the lives of the American people during this time. Untold numbers of projects in progress were lost when the program was abruptly shut down by a hostile Congress in 1939. One of those, “The Negro in Pittsburgh,” lay dormant in the Pennsylvania State Library until it was microfilmed in 1970. The WPA History of the Negro in Pittsburgh marked the first publication of this rich body of information. This unique historical study of the city’s Black population, although never completed, features articles on civil rights, social class, lifestyle, culture, folklore, and institutions from colonial times through the 1930s. Editor Laurence A. Glasco’s introduction and robust bibliography contextualizes the articles and offers a history on the manuscript itself, guiding contemporary readers through this remarkable work.
In 1897 the promising young sociologist William Edward Burghardt Du Bois (1868-1963) was given a temporary post as Assistant in Sociology at the University of Pennsylvania in order to conduct a systematic investigation of social conditions in the seventh ward of Philadelphia. The product of those studies was the first great empirical book on the Negro in American society. More than one hundred years after its original publication by the University of Pennsylvania Press, The Philadelphia Negro remains a classic work. It is the first, and perhaps still the finest, example of engaged sociological scholarship—the kind of work that, in contemplating social reality, helps to change it. In his introduction, Elijah Anderson examines how the neighborhood studied by Du Bois has changed over the years and compares the status of blacks today with their status when the book was initially published.
African Americans in Pittsburgh chronicles the distinct trends in this African American community. There was never one centralized neighborhood where a majority of the black population lived, and city schools were integrated until after desegregation laws were passed. Photographs captured by famed Pittsburgh photographer Charles "Teenie" Harris show the candid experiences of residents, including the achievements and celebrations of people struggling to put scraps of food on the table.
W.E.B. DuBois immortalized Philadelphia's Black Seventh Ward neighborhood, one of America's oldest urban black communities, in his 1899 sociological study The Philadelphia Negro. In the century after DuBois's study, however, the district has been transformed into a largely white upper middle class neighborhood. Black Citymakers revisits the Black Seventh Ward, documenting a century of banking and tenement collapses, housing activism, black-led anti-urban renewal mobilization, and post-Civil Rights political change from the perspective of the Black Seventh Warders. Drawing on historical, political, and sociological research, Marcus Hunter argues that black Philadelphians were by no means mere casualties of the large scale social and political changes that altered urban dynamics across the nation after World War II. Instead, Hunter shows that black Americans framed their own understandings of urban social change, forging dynamic inter- and intra-racial alliances that allowed them to shape their own migration from the old Black Seventh Ward to emergent black urban enclaves throughout Philadelphia. These Philadelphians were not victims forced from their homes - they were citymakers and agents of urban change. Black Citymakers explores a century of socioeconomic, cultural, and political history in the Black Seventh Ward, creating a new understanding of the political agency of black residents, leaders and activists in twentieth century urban change.
Lane offers a historical explanation for rising levels of black urban crime and family instability during a paradoxical era. Modern crime rates and patterns are shown to be products of a historical culture traceable from its formative years. The author charts Philadelphia's story but also makes suggestions about national and international patterns.
African Americans from Pittsburgh have a long and distinctive history of contributions to the cultural, political, and social evolution of the United States. From jazz legend Earl Fatha Hines to playwright August Wilson, from labor protests in the 1950s to the Black Power movement of the late 1960s, Pittsburgh has been a force for change in American race and class relations. Race and Renaissance presents the first history of African American life in Pittsburgh after World War II. It examines the origins and significance of the second Great Migration, the persistence of Jim Crow into the postwar years, the second ghetto, the contemporary urban crisis, the civil rights and Black Power movements, and the Million Man and Million Woman marches, among other topics. In recreating this period, Trotter and Day draw not only from newspaper articles and other primary and secondary sources, but also from oral histories. These include interviews with African Americans who lived in Pittsburgh during the postwar era, which reveal firsthand accounts of what life was truly like during this transformative epoch. Race and Renaissance illuminates how Pittsburgh's African Americans arrived at their present moment in history. It also links movements for change to larger global issues: civil rights with the Vietnam War; affirmative action with the movement against South African apartheid. As such, the study draws on both sociology and urban studies to deepen our understanding of the lives of urban blacks.
In 1896 W. E. B. Du Bois began research that resulted three years later in the publication of his great classic of urban sociology and history, The Philadelphia Negro. Today, a group of the nation's leading historians and sociologists celebrate the centenary of his project through a reappraisal of his book. Motivated by Du Bois's deeply humane vision of racial equality, the contributors draw on ethnography, intellectual and social history, and statistical analysis to situate Du Bois and his pioneering study in the intellectual milieu of the late nineteenth century, consider his contributions to the subsequent social scientific and historical studies of the city, and assess the contemporary meaning of his work. Together these essays show that The Philadelphia Negro remains as vital and relevant a book at the end of the twentieth century as it was at the start. Contributors include Elijah Anderson, Mia Bay, V. P. Franklin, Robert Gregg, Thomas C. Holt, Tera W. Hunter, Jacqueline Jones, Antonio McDaniel, and Carl Husemoller Nightingale.
Matthew Countryman traces the efforts of two generations of black Philadelphians to turn the City of Brotherly Love into a place of promise and opportunity for all. He explores the origins of civil rights liberalism, the failure to deliver on the promise of racial equality and the rise of the Black Power movement.
The Negro in Pennsylvania: Slavery-Servitude-Freedom 1639-1861 [1912]