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INSTANT #1 NEW YORK TIMES AND WALL STREET JOURNAL BESTSELLER “Fast-paced...pulse-pounding...supremely entertaining…His best ever.” —The Washington Times “This might be the single greatest thriller I’ve covered....It’s amazing!” —The Real Book Spy Scot Harvath returns in the newest thriller from #1 New York Times bestselling author Brad Thor. The world’s largest bounty has just been placed upon America’s top spy. His only hope for survival is to outwit, outrun, and outlast his enemies long enough to get to the truth. But for Scot Harvath to accomplish his most dangerous mission ever—one that has already claimed the lives of the people closest to him, including his new wife—he’s going to need help—a lot of it. Not knowing whom he can trust, Harvath finds an unlikely ally in Norwegian intelligence operative Sølvi Kolstad. Just as smart, just as deadly, and just as determined, she not only has the skills, but also the broken, troubled past to match Harvath’s own.
First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre. Stacey Abbott's study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. As Abbott describes, Near Dark was crucial in consolidating Bigelow's standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking.
INSTANT #1 NEW YORK TIMES AND WALL STREET JOURNAL BESTSELLER “Fast-paced...pulse-pounding...supremely entertaining…His best ever.” —The Washington Times “This might be the single greatest thriller I’ve covered....It’s amazing!” —The Real Book Spy Scot Harvath returns in the newest thriller from #1 New York Times bestselling author Brad Thor. The world’s largest bounty has just been placed upon America’s top spy. His only hope for survival is to outwit, outrun, and outlast his enemies long enough to get to the truth. But for Scot Harvath to accomplish his most dangerous mission ever—one that has already claimed the lives of the people closest to him, including his new wife—he’s going to need help—a lot of it. Not knowing whom he can trust, Harvath finds an unlikely ally in Norwegian intelligence operative Sølvi Kolstad. Just as smart, just as deadly, and just as determined, she not only has the skills, but also the broken, troubled past to match Harvath’s own.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • A novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
After the Vampire Magician’s attempt to free Lucifer in Chicago, the Ancients are on their way to Thermopolis, Wyoming, to hold the Vampire Sheriff accountable. During the battle of Chicago, the demon Legion escaped from Hell and is determined to open Hell's Gates. Sam Harlan and Callie Calahane will have to call upon every friend and ally if they want to get out of Thermopolis alive.
A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Yuri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.
This is an overview of the most offbeat and underrated vampire movies spanning nine decades and 23 countries. Strange Blood encompasses well-known hits as well as obscurities that differ from your standard fang fare by turning genre conventions on their head. Here, vampires come in the form of cars, pets, aliens, mechanical objects, gorillas, or floating heads. And when they do look like a demonic monster or an aristocratic Count or Countess, they break the mold in terms of imagery, style, or setting. Leading horror writers, filmmakers, actors, distributors, academics, and programmers present their favorite vampire films through in-depth essays, providing background information, analysis, and trivia regarding the various films. Some of these stories are hilarious, some are terrifying, some are touching, and some are just plain weird. Not all of these movies line up with the critical consensus, yet they have one thing in common: they are unlike anything you've ever seen in the world of vampires. Just when you thought that the children of the night had become a tired trope, it turns out they have quite a diverse inventory after all.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Almost one in five near-death experiences are not peaceful suggestions of heaven. In a wide-ranging and far from gloomy look at “the other near-death experience,” Nancy Evans Bush gives the first comprehensive look at a fascinating but neglected topic: NDEs and deathbed visions of fear, emptiness, and even hell. A wonderfully readable book, grounded in thirty years of experience and research, Dancing is packed with first-person accounts, engrossing discussion and factual answers to a myriad of questions, both religious and secular, with practical suggestions for integrating such an experience or encountering one as a caregiver. Here are ways of thinking about the subject that will be new to many readers. What becomes evident is that to see these only as a terrible threat about death is largely to miss their point. “…absolutely enthralling—literary, adventurous, incisive, informative and smart… one of the strongest, most thought-provoking books on the paranormal I've ever seen.” ~Steve Volk Fringe-ology “The book is an outstanding piece of work. It is a wonderfully comprehensive and rich history of what can be known and what might be considered about NDEs [and] bursts with anecdote and commentary, reinforcing for the reader that there is always another way to see things.” ~ Wayne Rollins, MDiv, PhD Soul and Psyche, Jung and the Bible, and other titles “Dancing Past the Dark is what we have all been waiting for… a must for any experiencer of…any type of encounter with the numinous. ~ P. M. H. Atwater, LHD Near-Death Experiences: The Rest of the Story “A valuable contribution to the NDE literature and engagingly written. It needs to be seen and read by the wider public.” J. Harold Ellens, MDiv, PhD Nancy Evans Bush holds a Masters Degree in Pastoral Ministry and Spirituality from St. Joseph University, Connecticut. She was Executive Director and later President of the International Association for Near-Death Studies and a member of its Board of Directors for many years. She is considered the world expert on distressing NDEs.