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Did you ever want to teach your kids the basics of Ndebele ( isiNdebele ) ? Learning Ndebele ( isiNdebele ) can be fun with this picture book. In this book you will find the following features: Ndebele ( isiNdebele ) Alphabets Ndebele ( isiNdebele ) Words English Translations
Positive images of Africa contrast with negative images of misery, war and catastrophes often conveyed by the mass media. This selection of papers debate the images and stereotypes of Africa.
Ndebele - A People & Their Art is a beautifully illustrated study of the Ndebele and their distinctive art culture. Exceptional photography and insightful text have combined to make this a fascinating and visually exciting work that will have great appeal for all those with an interest in the tribal cultures of southern Africa and of the Ndebele in particular. Endowed with a rich creativity, Ndebele women have developed an art culture of remarkable ingenuity and vitality which has established their tribal grouping as Africa's artist nation. In their beadwork and in the large murals that cover the walls of their traditional mud dwellings - many of which are unusually innovative in their planning and construction - the Ndebele women have created bold, often symbolic, designs and images that are at one ancient and modern in their simplicity, colour and mode of representation. The traditional dress of Ndebele women is equally striking and dramatic, as are their beadwork and adornments. But the artistic achievements of the Ndebele are not the sole focus of the work. Equal emphasis is placed on an understanding of the historical, social and political background against which Ndebele art emerged and has flourished.
In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture explores this presence, examining Mattel's world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers. Because these cultural icons permeate American life, they represent the broader U.S. culture and its relationship to African culture. This study integrates approaches from art history and visual culture studies with those from culture, race, and popular culture studies to analyze this interchange. Two major threads weave throughout. One analyzes how the presentation of African visual culture in these popular culture forms conceptualizes Africa for the American public. The other investigates the way the uses of African visual culture focuses America's own self-awareness, particularly around black and white racialized identities. In exploring the multiple meanings that “Africa” has in American popular culture, Africa in the American Imagination argues that these cultural products embody multiple perspectives and speak to various sociopolitical contexts: the Cold War, civil rights, and contemporary eras of the United States; the apartheid and post-apartheid eras of South Africa; the colonial and postcolonial eras of Ghana; and the European era of African colonization.
Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.
In 1999, a defiant 76-year old Mr Stanley Mhlanga confronted the Zimbabwean Forestry Commission. He claimed that Queen Lozikeyi had given his people the land from which they had been evicted. Who was this woman, an inspiration to an old man 80 years after her death? Queen Lozikeyi was the senior queen of Lobhengula, king of the Ndebele people in what is now Zimbabwe. Her early life has been wreathed in mystery, but now at last her story can be told. This book is one of the first studies of a woman who led her people while the British colonial power occupied her country. She was the intellect behind one of the most effective anti-colonial revolts. Queen Lozikeyi continues to be an inspiration to Zimbabweans today. Queen Lozikeyi, as an Ndebele royal woman, interited a strong constitutional position from Nguni royal foremothers in Zululand. This study shows how Lobhengula's senior queen and other Ndebele royal women uses their power.
For generations, the women of the Ndebele of southern Afrcia have produced an art of remarkable richness and vitality. In their ceremonial beadwork and in large murals that cover the exterior walls of their mud dwellings, these women have created designs that are at once ancient and modern in their simplicity, bright colours and abstract patterns.
Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art.
Presenting the glories and sophisticated artistry of African beadwork, this study focuses on the beadwork of Zulu communities.