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Part of our Simple Color Covers notebook series...Navy Blue. Everyone needs a place to record things. Whether the journal is used to record personal thoughts, travels, life events, gratitudes, daily tasks, quotes or notes, it doesn't matter. What matters is that, you pick up a notebook/journal or maybe several notebooks and make journaling a daily habit. Creating a record empowers you. It will inspire you. It will allow you to track your successes. It will help to clarify your thoughts. If you make journaling a part of your daily life, it will forever enhance your life. It will help you live a fuller life. The notebooks/journals make great gifts for....yourself, holidays, friends, birthday, graduation, neighbors/co-workers, teachers/students or gift baskets. Here are some of the uses of notebooks/journals... personal thoughts quotes goals & goal tracking gratitudes doodles/sketches creative writing mind mapping idea generation/brainstorming project planning recipes road trips/travel adventures bucket lists to do lists/task tracking planner meditation and reading notes Notebook/Journal General Info Dimensions = 8.5" x 11" (21.59 cm x 27.94 cm) Pages = 190 Blank Pages/95 Sheets with a Fleur-de-lis in each corner Cover = Soft Cover Note...Several summary/index pages were included so a Table of Content can be created, if desired.
Part of our Simple Color Covers notebook series...Navy Blue. Everyone needs a place to record things. Whether the journal is used to record personal thoughts, travels, life events, gratitudes, daily tasks, quotes or notes, it doesn't matter. What matters is that, you pick up a notebook/journal or maybe several notebooks and make journaling a daily habit. Creating a record empowers you. It will inspire you. It will allow you to track your successes. It will help to clarify your thoughts. If you make journaling a part of your daily life, it will forever enhance your life. It will help you live a fuller life. It is the perfect size to take with you anywhere you go. Just toss it in your bag or purse. The notebooks/journals make great gifts for....yourself, holidays, friends, birthday, graduation, neighbors/co-workers, teachers/students or gift baskets. Here are some of the uses of notebooks/journals... personal thoughts quotes goals & goal tracking gratitudes doodles/sketches creative writing mind mapping idea generation/brainstorming project planning recipes road trips/travel adventures bucket lists to do lists/task tracking planner meditation and reading notes Notebook/Journal General Info Dimensions = 6" x 9" (15.24 cm x 22.86) Line Spacing = Medium/College Rule [9/32" (.28" or 7.1 mm)] Pages = 190 Pages/95 Sheets with a Fleur-de-lis in each corner Cover = Soft cover Note...Several summary/index pages were included so a Table of Content can be created, if desired.
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
After 9/11, which triggered a global debate on public diplomacy, 'PD' has become an issue in most countries. This book joins the debate. Experts from different countries and from a variety of fields analyze the theory and practice of public diplomacy. They also evaluate how public diplomacy can be successfully used to support foreign policy.
Winner of the Third Neu-Whitrow Prize (2021) granted by the Commission on Bibliography and Documentation of IUHPS-DHST Additional background information This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Vanafca. 14 jaar.
Examines differences in taste between modern French classes, discusses the relationship between culture and politics, and outlines the strategies of pretension.
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?