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Part of our Simple Color Covers notebook series...Navy Blue. Everyone needs a place to record things. Whether the journal is used to record personal thoughts, travels, life events, gratitudes, daily tasks, quotes or notes, it doesn't matter. What matters is that, you pick up a notebook/journal or maybe several notebooks and make journaling a daily habit. Creating a record empowers you. It will inspire you. It will allow you to track your successes. It will help to clarify your thoughts. If you make journaling a part of your daily life, it will forever enhance your life. It will help you live a fuller life. It is the perfect size to take with you anywhere you go. Just toss it in your bag or purse. The notebooks/journals make great gifts for....yourself, holidays, friends, birthday, graduation, neighbors/co-workers, teachers/students or gift baskets. Here are some of the uses of notebooks/journals... personal thoughts quotes goals & goal tracking gratitudes doodles/sketches creative writing mind mapping idea generation/brainstorming project planning recipes road trips/travel adventures bucket lists to do lists/task tracking planner meditation and reading notes Notebook/Journal General Info Dimensions = 6" x 9" (15.24 cm x 22.86) Line Spacing = Medium/College Rule [9/32" (.28" or 7.1 mm)] Pages = 190 Pages/95 Sheets with a Fleur-de-lis in each corner Cover = Soft cover Note...Several summary/index pages were included so a Table of Content can be created, if desired.
Part of our Simple Color Covers notebook series...Navy Blue. Everyone needs a place to record things. Whether the journal is used to record personal thoughts, travels, life events, gratitudes, daily tasks, quotes or notes, it doesn't matter. What matters is that, you pick up a notebook/journal or maybe several notebooks and make journaling a daily habit. Creating a record empowers you. It will inspire you. It will allow you to track your successes. It will help to clarify your thoughts. If you make journaling a part of your daily life, it will forever enhance your life. It will help you live a fuller life. The notebooks/journals make great gifts for....yourself, holidays, friends, birthday, graduation, neighbors/co-workers, teachers/students or gift baskets. Here are some of the uses of notebooks/journals... personal thoughts quotes goals & goal tracking gratitudes doodles/sketches creative writing mind mapping idea generation/brainstorming project planning recipes road trips/travel adventures bucket lists to do lists/task tracking planner meditation and reading notes Notebook/Journal General Info Dimensions = 8.5" x 11" (21.59 cm x 27.94 cm) Pages = 190 Blank Pages/95 Sheets with a Fleur-de-lis in each corner Cover = Soft Cover Note...Several summary/index pages were included so a Table of Content can be created, if desired.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
After 9/11, which triggered a global debate on public diplomacy, 'PD' has become an issue in most countries. This book joins the debate. Experts from different countries and from a variety of fields analyze the theory and practice of public diplomacy. They also evaluate how public diplomacy can be successfully used to support foreign policy.
Winner of the Third Neu-Whitrow Prize (2021) granted by the Commission on Bibliography and Documentation of IUHPS-DHST Additional background information This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Examines differences in taste between modern French classes, discusses the relationship between culture and politics, and outlines the strategies of pretension.