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This volume presents a collection of critical essays that center women’s friendship in women’s literary and artistic production. Analyzing cultural portrayals of women’s friendships in fiction, letters, and film, these essays collectively suggest new models of literary interpretation that do not prioritize heterosexual romance. Instead, this book represents friendships as mature and meaningful relationships that contribute to identity formation and political coalition. Both the supportive and competitive aspects of friendships are shown to be crucial to women’s identities as individuals, political citizens, and artists. Addressing the complexities of how 20th- and 21st-century cultural texts construe women’s friendships as they navigate patriarchal institutions, this collection advances scholarship on friendship beyond men and masculine models.
This volume presents a collection of critical essays that center women's friendship in women's literary and artistic production. Analyzing cultural portrayals of women's friendships in fiction, letters, and film, these essays collectively suggest new models of literary interpretation that do not prioritize heterosexual romance. Instead, this book represents friendships as mature and meaningful relationships that contribute to identity formation and political coalition. Both the supportive and competitive aspects of friendships are shown to be crucial to women's identities as individuals, political citizens, and artists. Addressing the complexities of how 20th- and 21st-century cultural texts construe women's friendships as they navigate patriarchal institutions, this collection advances scholarship on friendship beyond men and masculine models. Kristi Branham is Associate Professor of Gender and Women's Studies at Western Kentucky University, USA. She has published articles in the Journal of Higher Education Theory and Practice, Journal of American Studies, Literature and Film Quarterly, and contributed to the edited collection Home Sweat Home: Perspectives on House Work and Modern Relationships. Kelly L. Reames is Associate Professor of English at Western Kentucky University, USA. She is the author of Women and Race in Contemporary U.S. Writing: From Faulkner to Morrison and Toni Morrison's Paradise: A Reader's Guide.
“Fascinating . . . The Social Sex is a paean to companionship. Share it with a bosom friend.” —NPR From historian and acclaimed feminist author of How the French Invented Love and A History of the Wife comes this rich, multifaceted history of the evolution of female friendship In today’s culture, the bonds of female friendship are taken as a given. But only a few centuries ago, the idea of female friendship was completely unacknowledged, even pooh-poohed. Only men, the reasoning went, had the emotional and intellectual depth to develop and sustain these meaningful relationships. Surveying history, literature, philosophy, religion, and pop culture, acclaimed author and historian Marilyn Yalom and co-author Theresa Donovan Brown demonstrate how women were able to co-opt the public face of friendship throughout the years. Chronicling shifting attitudes toward friendship—both female and male—from the Bible and the Romans to the Enlightenment to the women’s rights movements of the ‘60s up to Sex and the City and Bridesmaids, they reveal how the concept of female friendship has been inextricably linked to the larger social and cultural movements that have defined human history. Armed with Yalom and Brown as our guides, we delve into the fascinating historical episodes and trends that illuminate the story of friendship between women: the literary salon as the original book club, the emergence of female professions and the working girl, the phenomenon of gossip, the advent of women’s sports, and more. Lively, informative, and richly detailed, The Social Sex is a revelatory cultural history.
A friend should be able to be an attentive listener, which made semiotician Roland Barthes wonder in his intriguing dictionary of love, "cannot friendship be defined as a space with total sonority?". This volume takes on the encyclopedic task - in the sense of Umberto Eco, where an encyclopedia is a very complex sign - to explore friendship in detail, not only as a form of love but in all its complexity as a bond that connects people and forms communities. Semiotics, the study of signs and meaning-making, is used alongside insights from a wide range of friendship studies to create a far-reaching intellectual resonance, or sonority, around friendship as a central human experience. As a study of the significance of friendship, it presents findings from friendship research across the globe, enabling new ways of thinking about friends. It includes: key concepts from semiotics, sociology, anthropology, and other fields, briefly explained major models of friendship from antiquity to contemporary societies proverbs and sayings about friendship from Africa, America, Asia, and Europe stories about famous or forgotten friends from mythology, fiction, and real history summaries of research on friendship from selected academic disciplines bibliographical references for further studies
The most substantial collection of critical essays on Morrison to appear since her death in mid-2019, this book contains previously unpublished essays which both acknowledge the universal significance of her writing even as they map new directions. Essayists include pre-eminent Morrison scholars, as well as scholars who work in cultural criticism, African American letters, American modernism, and women's writing. The book includes work on Morrison as a public intellectual; work which places Morrison's writing within today's currents of contemporary fiction; work which draws together Morrison's “trilogy” of Beloved, Jazz, and Paradise alongside Dos Passos' USA trilogy; work which links Morrison to such Black Atlantic artists as Lubaina Himid and others as well as work which offers a reading of “influence” that goes both directions between Morrison and Faulkner. Another cluster of essays treats seldom-discussed works by Morrison, including an essay on Morrison as writer of children's books and as speaker for children's education. In addition, a “Teaching Morrison” section is designed to help teachers and critics who teach Morrison in undergraduate classes. The Bloomsbury Handbook to Toni Morrison is wide-ranging, provocative, and satisfying; a fitting tribute to one of the greatest American novelists.
A Washington Post Notable Book of 2017. Deborah Tannen's bestselling You Just Don't Understand: Conversations Between Women and Men made us aware of the deep and subtle meanings behind the words we say. She has since explored the way we talk at work, in arguments, to our mothers and our daughters. Now she turns to that most intense, precious and potential minefield: women's friendships. Best friend, old friend, good friend, new friend, neighbour, fellow mother at the school gate, workplace confidante: women's friendships are crucial. A friend can be like a sister, daughter, mother, mentor, therapist or confessor. She can also be the source of pain and betrayal. From casual chatting to intimate confiding, from talking about problems to sharing funny stories, there are patterns of communication and miscommunication that affect friendships. Tannen shows how even the best of friends - with the best intentions - can say the wrong thing, how the ways women friends talk can bring friends closer or pull them apart, but also how words can repair the damage done by words. She explains the power of women friends who show empathy and can just listen; how women use talk to connect - and to subtly compete; how fears of rejection can haunt friendships; how social media is reshaping relationships. Exploring what it means to be friends, helping us hear what we are really saying, understanding how we connect to other people; this illuminating and validating book gets inside the language of one of most women's life essentials - female friendships.
A brilliant portrayal of finding a beautiful life by one of Canada's most exciting literary talents, now available as an Anansi Book Club edition featuring discussion questions. How Should a Person Be? is an unabashedly honest and hilarious tour through the unknowable pieces of one woman’s heart and mind, an irresistible torn-from-life book about friendship, art, sex, and love. Part literary novel, part self-help manual, and part racy confessional, it is a fearless exploration into the way we live now by one of the most highly inventive and thoughtful young writers working today.
This feminist classic explores the many manifestations of friendship between women and examines the ways women have created their own communities and destinies through friendship.
In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Braiding meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection of poems treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living? Utilizing primary and secondary sources, Bingham-Risher weaves together a richly textured vision of her foremothers' everyday and exceptional living: two very different women at opposite ends of their lives, converging upon the same space and time. The lives these women inhabit and generations they fostered add infinite layers to the fabric of the American tapestry. Room Swept Home serves as a gloriously rendered portrait of all that is held in the line between the private and public, the investigative and generative, the self and those who came before us.