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In this groundbreaking book, Mary O'Hara-Devereaux -- an internationally renowned business forecaster -- shows how organizations can hone their competitive edge during these uncertain times. Using the metaphor of traveling through the badlands of the American West, Navigating the Badlands offers the principles, tools, transformative strategies, and essential understanding executives and business leaders need if they are to weather the rugged, global business landscape of the future. Throughout the book O'Hara-Devereaux reveals how business leaders can seize the opportunity to create new value from successful alliances, reach global markets, and find top talent.
A history of the 26th President's turbulent years spent as a rancher in the Dakota Territory Badlands reveals how his experiences shaped his subsequent values as a conservationist and his role in influencing national perspectives on wildlife and the cattle industry. 30,000 first printing.
The Badlands of Modernity offers a wide ranging and original interpretation of modernity as it emerged during the eighteenth century through an analysis of some of the most important social spaces. Drawing on Foucault's analysis of heterotopia, or spaces of alternate ordering, the book argues that modernity originates through an interplay between ideas of utopia and heterotopia and heterotopic spatial practice. The Palais Royal during the French Revolution, the masonic lodge and in its relationship to civil society and the public sphere and the early factories of the Industrial Revolution are all seen as heterotopia in which modern social ordering is developed. Rather than seeing modernity as being defined by a social order, the book argues that we need to take account of the processes and the ambiguous spaces in which they emerge, if we are to understand the character of modern societies. The book uses these historical examples to analyse contemporary questions about modernity and postmodernity, the character of social order and the significance of marginal space in relation to issues of order, transgression and resistance. It will be important reading for sociologists, geographers and social historians as well as anyone who has an interest in modern societies.
Danielle Clark is done with the Resistance. After years of leading a relentless charge against the National Armed Forces, she has nothing left to give. Her brother Lucas in tow, Dani leaves the frontlines for the solitude of the wastelands, content to start a new life as a scavenger. Dani thought she’d finally found peace until the general’s daughter, Katelyn Turner, shows up on her doorstep and brings the fight right back to her. Now Dani has to decide what to do about Kate, ranking member of the NAF, a once-sworn enemy…and a woman she can’t keep out of her head. The growing spark of attraction forces Dani into an impossible choice between her newfound life and Kate’s fate. She must act quickly or risk losing everything.
Contemporary art's new relationship to the landscape.
From the acclaimed author of Warlock comes “an elegiac, incandescent 1880s Dakota badlands Western that bears comparison to the greats” (Kirkus). It’s 1883 in Johnson County, in the old Dakota Territory—a rugged, wide-open landscape of rolling red earth, prairie, and cattle as far as the eye can see. But the land is closing, the “Beef Bonanza” is ending, and the free-range cattlemen are stuck watching their way of life disappear in a blaze of drought and gunfire. An action-packed western from one of the masters of the genre, Oakley Hall’s The Bad Lands blends roundups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons. But more than this, it is an elegy to the wild beauty of the badlands before the ranchers moved in, chased off the free-rangers, the trappers, and the tribes, and fenced it all in. “Readers unable to suppress an unfashionable yearning for a good story will be delighted with The Bad Lands.”—Larry McMurtry, The New York Times
A debut young adult rom-com about an African American ballerina who finds love on the road to an audition. "In a world where it's easy to lose faith in love, I Wanna Be Where You Are is a brilliant burst of light. A dazzling debut." — Nic Stone, New York Times bestselling author of Dear Martin and Odd One Out When Chloe Pierce’s mom forbids her to apply for a spot at the dance conservatory of her dreams, she devises a secret plan to drive two hundred miles to the nearest audition. But Chloe hits her first speed bump when her annoying neighbor Eli insists upon hitching a ride, threatening to tell Chloe’s mom if she leaves him and his smelly dog, Geezer, behind. So now Chloe’s chasing her ballet dreams down the east coast—two unwanted (but kinda cute) passengers in her car, butterflies in her stomach, and a really dope playlist on repeat. Filled with roadside hijinks, heart-stirring romance, and a few broken rules, Kristina Forest's I Wanna Be Where You Are is a YA debut perfect for fans of Jenny Han and Sandhya Menon.
"When the Twin Towers suddenly reappear in the Badlands of South Dakota, twenty years after their fall, nobody can explain their return. To the tens of thousands drawn to the 'American Stonehenge' - including Parker and Zema, siblings driving from LA to Michigan - the towers seem to sing, even though everybody hears a different song. And on the ninety-third floor of the South Tower, Jesse Presley, the stillborn twin of the most famous singer who ever lived, suddenly awakens. Over the days and months and years to come, he's driven mad by a voice in his head that sounds like his but isn't, and by the memory of a country where he survived in his brother's place." -- Back cover.
Some myths should just stay buried. Brexley's journey has led her to the most coveted object in the world. In discovering the Nectar, Brexley finds other secrets and truths she was not ready for, ones that destroy everything she has ever known, confronting a power within herself she is not ready to face. Magic is a balance. Things come at a cost. In saving lives, Brexley destroys her own power, cutting the connection with the infamous legend. When faced with devastating loss and destruction, the fabric of friendship, trust, and love are put to the test. Trying to forget her grief, Brexley delves deeper into stopping Istvan, uncovering the depths he will go to gain power. She is thrown deep into the underbelly of greed and deceit, leading her back into the depths of hell. Where only one survives..
Ever wonder how your favorite comic book creators might like to see their work, if they were able to translate it to the silver screen? Come along for a high-octane, adrenaline-fueled ride through writer Steven Grant's mind, as he puts down on paper, shot-for-shot, just exactly how he'd like to see his Kennedy-cospiracy graphic novel masterwork 'Badlands' unspool for you as a major motion picture. Here's his script. Bring your own popcorn. [back cover].