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Discover how words, phrases, and concepts in one passage of the Bible are reflected and reinforced in the whole of Scripture. Nelson's Cross-Reference Guide is organized in biblical sequence, making it easy for you to study a particular passage deeper than ever before. You'll find multiple cross-references to related passages in the Old and New Testaments. Gain a richer understanding of God's Word by studying a theme through the whole counsel of Scripture. Building on the Bible Study classic, The Treasury of Scripture Knowledge (with its well-known introduction by R.A. Torrey), and his own expansive The New Treasury of Scripture Knowledge, Jerome Smith has fashioned a user-friendly tool in a much improved, altogether new format to make personal Bible study and Bible lesson preparation easier than ever before. Thanks to Smith's diligent work over many years, this volume contains a more complete collection of cross-references than any Bible reference ever published.
An exhaustive cross-referencing tool for interpreting Scripture with Scripture. The Bible is its own best commentary. To truly understand what the Bible teaches about a subject, we must consult all of what the Bible itself says about it. The New Treasury of Scripture Knowledge allows you to do just that, providing a selection of other verses which shed light upon, clarify, or explain the verse you are consulting. Unlike a concordance, which is an alphabetical index to the words of the Bible, the cross-references given in the New Treasury are not merely to the same word, but to the same or a related thought, theme, doctrine, subject, concept, or literary motif, even when expressed in entirely different words. Special Features: Indicates degree of clarity, significance, or relationship between references Can be used with any translation or edition of the Bible Is arranged like the Bible (divided into the same books, chapters, and verses) for ease of use Provides a far more complete selection of cross-references than can be found in any other source Contains dozens of special study aids to help you develop powerful lessons or sermons--straight from the Bible itself Contains multiple indexes (subjects, figures of speech, etc.) Uses Strong's numbering system Uses a new font that makes it easier to read than previous versions No combination of other Bible study tools quite duplicates the carefully-research and indexed content in The New Treasury of Scripture Knowledge. When used effectively, this invaluable resource will change your life.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
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All that was done to us, what we have done to others, the failures, the ills, the violations of our persons, the brutalities, the perversions of life, rejections, death of loved ones, tragedies, loneliness, abandonment, Jesus paid the penalty for all these sins, and provided the means to handle the tragedies of life. We do not need to deal with these violations and tragedies on our own. Christ is in us to work out our salvation daily (Phil. 2:12-13; Gal. 2:20; 2 Cor. 5:21; Rom. 6:3-6; Ezek. 18:20). Being in Christ, we are new creatures and we are to deal with life now from the biblical perspective. Our problem is not with Satan, not with people, not with the circumstances of life, but our problem lies in our relationship with God. Our focus is to change from a concern about self, to a concern about God's glory and that is accomplished by our godly responses to others and life in general (Rom. 5:17; Cor. 5:21). Thus, the answer to healing the soul lies here: loving God by obeying His commands (John 14:21), and dealing with unresolved actions of the past in a spirit of repentance and reconciliation (Matt. 7:5).