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A survey of Navajo pictorial weaving which comprises over 170 examples selected from hundreds in museum and private collections as well as from major dealers in the field.
The most complete and current history of the largest American Indian nation in the U.S., based on extensive new archival research, traditional histories, interviews, and personal observation.
A catalog for a traveling exhibition of Native American folk art presents and describes hand-woven textiles from the Pueblo, Navajo, and New Mexico Hispanic village cultures
"Provides clear, step-by-step instructions, along with illustrations, for weaving Navajo rugs and Hopi ceremonial sashes in exactly the same way as the craftsmen of these two neighboring tribes have woven them for generations"--Cover.
In this volume prominent scholars from across the United States and Europe examine the central significance of place within Native American history and life. They shed new light on this foundational concept within Native American Studies at a time when the idea of place is under fundamental reassessment across disciplines. The studies focus on understanding the American self within each of the varied landscapes of the United States and on recognising the true «place» of American Indian peoples within American history. The contributions to this volume are selected from the conference on «Place and Native American Indian History, Literature and Culture» held on 29-31 March 2006 at the University of Wales, Swansea, U.K. Over one hundred and twenty delegates from across the globe congregated, including the largest gathering of Native American intellectuals yet seen in Europe.
A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his fifty-fourth birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. Creative Destruction brings not stale suppositions but an economist's eye to bear on an age-old question: Are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen in clear and vigorous prose, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir.
The definitive guide to the richly imaginative folk art of the Navajo. Witty polka-dotted chickens. Purple pickup trucks sculpted out of mud. A Navajo grandma riding an orange cardboard giraffe. For more than two decades, Chuck and Jan Rosenak have been avid collectors of unique pieces of Navajo folk art like this. Their collection, research, and writing have helped to define and illustrate an art form that ranges from wooden carvings of eerie three-headed skinwalkers to vibrant pictures painted on old bed sheets. This new edition of the Rosenaks' groundbreakingNavajo Folk Artis the essential guide to a comic, intensely creative, truly American art.
Back in print, expanded, and revised, the second edition of Navajo Pictorial Weaving is devoted to all categories of antique Navajo pictorial weaving. The second edition includes 92 new images of weavings discovered in the last three decades, many never before published or exhibited. Through these nearly 300 photos and short texts, both the novice and advanced collector can reach a better understanding of the enigmatic and unusual body of Navajo pictorial weaving. Also featured is a one-of-a-kind comprehensive chart of the Navajo ceremonial system. Offering the newest discoveries, this treasury reemphasizes that Navajo pictorial weaving is a truly American folk art. Significant pictorials are organized into eight chapters covering all major categories, including these and many others: "Birds, Flora, Fauna & Livestock," "Transportation, Technology, the Railroad and Its Influence," "Yeis, Yeibichais, and Corn Yeis," and "Kachinas, Masks, and Images from the Hopi."
Lists works which exam the socioeconomic and political history, cultural history, and governmental and legal history of Navajos, Apaches and Pueblos.