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Arizona's Navajo and Hopi cultures span multiple generations, and their descendants continue to honor customs from thousands of years ago. Contemporary artists like Hopi katsina doll carver Manuel Chavarria and Navajo weaver Barbara Teller Ornelas use traditional crafts and techniques to preserve the stories of their ancestors. Meanwhile, emerging mixed-media artists like Melanie Yazzie expand the boundaries of tradition by combining Navajo influences with contemporary culture and styles. Local author Rory Schmitt presents the region's outstanding native artists and their work, studios and inspirations.
Arizona's Navajo and Hopi cultures span multiple generations, and their descendants continue to honor customs from thousands of years ago. Contemporary artists like Hopi katsina doll carver Manuel Chavarria and Navajo weaver Barbara Teller Ornelas use traditional crafts and techniques to preserve the stories of their ancestors. Meanwhile, emerging mixed-media artists like Melanie Yazzie expand the boundaries of tradition by combining Navajo influences with contemporary culture and styles. Local author Rory Schmitt presents the region's outstanding native artists and their work, studios and inspirations.
Award-winning historical fiction set in 16th-century Venice -Benjamin Franklin Digital Award -IPPY Award for Best Adult Fiction E-book -National Indie Excellence Award Finalist -Eric Hoffer Award Finalist -Shortlisted for the da Vinci Eye Prize From the author of Made in Italy comes a tale of artisanal tradition and family bonds set in one of the world's most magnificent settings: Renaissance Venice. Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city’s most esteemed boatyards. Soon he will marry the daughter of an artisan prow-maker, securing a key business alliance for the family. But when Luca experiences an unexpected tragedy in the boatyard, he believes that his destiny lies elsewhere. Soon he finds himself drawn to restore an antique gondola with the dream of taking a girl for a ride. The Gondola Maker brings the centuries-old art of gondola-making to life in the tale of a young man's complicated relationship with his master-craftsman father. Lovers of historical fiction will appreciate the authentic details of gondola craftsmanship, along with an intimate first-person narrative set against the richly textured backdrop of 16th-century Venice. "I'm a big fan of Venice, so I appreciate Laura Morelli's special knowledge of the city, the period, and the process of gondola-making. An especially compelling story." --Frances Mayes, author of Under the Tuscan Sun "Laura Morelli has done her research, or perhaps she was an Italian carpenter in another life. One can literally smell and feel the grain of finely turned wood in her hands." --Pamela Sheldon Johns, author of Italian Food Artisans "Romance, intrigue, family loyalty, pride, and redemption set against the backdrop of Renaissance Italy." --Library of Clean Reads "Beautiful, powerful evocation of the characters, the place, and the time. An elegant and thoroughly engaging narrative voice." --Mark Spencer, author of Fiction Club: A Concise Guide to Writing Good Fiction
Traces the history of Hopi kachina dolls as an art form, explains the role of Kachina dolls in Hopi culture, and profiles twenty-seven modern kachina doll carvers
From 1909 until the late 1920s, the Wetherill-Colville Guest Ranch in Kayenta, Arizona, was the primary stopover for writers, geologists, archeologists, adventurers, and tourists visiting Monument Valley and the Tsegi Canyon ruins. The artists who visited Kayenta during the early twentieth century included some of the most well known names in the American Southwest. See their paintings, illustrations, and photos of this beloved Southwest region. In addition, you will find full page guest registry entries illustrated by artists such as Maynard Dixon, William Robinson Leigh, James Swinnerton, Carl Oscar Borg, and Gunnar Widforss. The guest book serves as the archival record of those hardy individuals who ventured to the place that was, according to Dixon, "a long ways from anywhere, in any direction." Using over 390 enthralling illustrations and engaging text, this book explores the similarities and differences in the lives, artistic styles, and beliefs of the men and women who considered northern Arizona their favorite region.
By analyzing ways in which indigenous cultures described the American Southwest, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. As he traces ideas about the desert, Teague shows how literature and art represent the Southwest as a place to be sustained rather than transformed. 14 illustrations.
In the summer of 1912 Hopi runner Louis Tewanima won silver in the 10,000-meter race at the Stockholm Olympics. In that same year Tewanima and another champion Hopi runner, Philip Zeyouma, were soundly defeated by two Hopi elders in a race hosted by members of the tribe. Long before Hopis won trophy cups or received acclaim in American newspapers, Hopi clan runners competed against each other on and below their mesas—and when they won footraces, they received rain. Hopi Runners provides a window into this venerable tradition at a time of great consequence for Hopi culture. The book places Hopi long-distance runners within the larger context of American sport and identity from the early 1880s to the 1930s, a time when Hopis competed simultaneously for their tribal communities, Indian schools, city athletic clubs, the nation, and themselves. Author Matthew Sakiestewa Gilbert brings a Hopi perspective to this history. His book calls attention to Hopi philosophies of running that connected the runners to their villages; at the same time it explores the internal and external forces that strengthened and strained these cultural ties when Hopis competed in US marathons. Between 1908 and 1936 Hopi marathon runners such as Tewanima, Zeyouma, Franklin Suhu, and Harry Chaca navigated among tribal dynamics, school loyalties, and a country that closely associated sport with US nationalism. The cultural identity of these runners, Sakiestewa Gilbert contends, challenged white American perceptions of modernity, and did so in a way that had national and international dimensions. This broad perspective linked Hopi runners to athletes from around the world—including runners from Japan, Ireland, and Mexico—and thus, Hopi Runners suggests, caused non-Natives to reevaluate their understandings of sport, nationhood, and the cultures of American Indian people.
Education beyond the Mesas is the fascinating story of how generations of Hopi schoolchildren from northeastern Arizona “turned the power” by using compulsory federal education to affirm their way of life and better their community. Sherman Institute in Riverside, California, one of the largest off-reservation boarding schools in the United States, followed other federally funded boarding schools of the late nineteenth and early twentieth centuries in promoting the assimilation of indigenous people into mainstream America. Many Hopi schoolchildren, deeply conversant in Hopi values and traditional education before being sent to Sherman Institute, resisted this program of acculturation. Immersed in learning about another world, generations of Hopi children drew on their culture to skillfully navigate a system designed to change them irrevocably. In fact, not only did the Hopi children strengthen their commitment to their families and communities while away in the “land of oranges,” they used their new skills, fluency in English, and knowledge of politics and economics to help their people when they eventually returned home. Matthew Sakiestewa Gilbert draws on interviews, archival records, and his own experiences growing up in the Hopi community to offer a powerful account of a quiet, enduring triumph.